Jesse Sublett

Jesse Sublett performing at the 2012 Texas Book Festival.

Jesse Sublett (born May 15, 1954)[1] is a musician and writer from Austin, Texas. As a musician he is best known for his long-running rock trio, The Skunks. His essays and journalism have appeared in a wide range of publications, and he is also known for his mystery novels featuring a bass-playing sleuth named Martin Fender.[2]

Early life

Jesse Sublett was born in Johnson City, Texas, where he was valedictorian at Lyndon B. Johnson High School. He attended Southwest Texas State University for two years, then moved to Austin in 1974.[1]

Music career

Sublett founded The Skunks in January 1978 with bandmates Bill Blackmon and Eddie Munoz. Soon thereafter, The Skunks and The Violators (a band that included Sublett on bass guitar along with Kathy Valentine (later of the Go-Go's), Carla Olson, and Marilyn Dean) made their Austin debut at a University of Texas area club called Raul's,[3][4] marking the beginning of the punk/new wave scene in Austin.[5]

Sublett left The Violators after six months to concentrate on the Skunks, and the Violators disbanded thereafter, but the Skunks recorded numerous singles, EP's and LP's, and played across the US, including the punk meccas of New York City, CBGB's and Max's Kansas City. Sublett sang and played electric bass in the band. He also wrote most of the band's original material.[6] Munoz left the band at the end of 1978 to join the Plimsouls. With his replacement on guitar, Jon Dee Graham, the band saw some touring success as headliners and as opening act for The Clash, The Ramones, and John Cale.[7] The band more or less disbanded in 1983[8] but more recently have performed annual reunion shows at their favorite Austin club, the Continental Club.[9]

Sublett is also credited with naming the "New Sincerity" movement of alternative rock bands that arose in Austin from about 1985 to 1990, and who were perceived as reacting to the more ironic outlook of punk rock and New Wave bands. He used the phrase during a casual conversation with his friend, local music writer Margaret Moser. Moser began using the term in print, and it ended up becoming the catch phrase for these bands.[10][11]

Sublett played in numerous other ensembles over the years, including a stint playing with ex-Rolling Stones guitarist Mick Taylor and Carla Olson, as well as a band called World's Cutest Killers featuring Kathy Valentine, Kelly Johnson (Girlschool) and Jebin Bruni (Public Image Ltd.).[8][12] Sublett currently performs in various club ensembles, variously known as Jesse Sublett's Big Three Trio and The Murder Ballad Show (the latter featuring his longtime collaborator and friend, Jon Dee Graham). His most recent musical performances feature his upright bass work, a grittier vocal style and an ongoing fascination with the work of Howlin' Wolf and various jazz, blues and traditional composers.[13]

Writing career

Sublett began writing seriously in the 1980s. His first novel, Rock Critic Murders, was published by Viking Penguin in 1987, followed by Tough Baby and Boiled in Concrete. Sublett's 2004 memoir, Never the Same Again: A Rock 'N' Roll Gothic,[12] relates the story of Sublett's girlfriend's murder when he was 22, his career with The Skunks, and his battle with throat cancer. Writing in the Los Angeles Times, critic Marion Winik described the book as "riveting" and chose it for Times list of "most surprising new books".[14] Austin Chronicle critic Greg Beets described it as "a gripping memoir that never feels forced or emotionally manipulative. . . . Sublett's prose remains rich, fierce, and humbling."[15]

"Adaptation," Sublett's 2008 piece in The Texas Observer, chronicles his years-long work researching and writing a book about the Austin underworld of the 1950s-1970s, centered largely upon a group known as "The Overton Gang."[16] Sublett's essays and journalism have also appeared in the New York Times,[17] Texas Monthly,[18] and elsewhere.

Sublett's adaptation (written with director/producer Stephen Purvis and Tom Huckabee) of the Austin play In the West was produced as a feature film entitled Deep in the Heart (of Texas).[19][20] Sublett has also written extensively for non-fiction television, contributing to numerous series on The History Channel such as "The Great Ships," "Search and Rescue," and "Boneyards: The Secret Lives of Machines." A two-hour documentary, "The Killer Storm" (chronicling the so-called Perfect Storm of 1991), which Sublett wrote, aired on The History Channel in 1999 and also premiered at the South by Southwest Film Festival in Austin. An original stage play called Marathon debuted in 2007 with music by Austin-based singer-songwriter Darden Smith.[21] In 2009, however, Sublett asserted his sole authorship of the play and announced that future productions will feature his own original score.[22]

Sublett has also written a history of the Texas Turnpike Authority.[23][24] His papers are collected in the Southwestern Writers Collection of the Witliff Collections of Alkek Library at Texas State University–San Marcos.[1]

References

  1. 1 2 3 "Biographical Note" at Jesse Sublett Papers, Witliff Collections, Alkek Library, Texas State University–San Marcos (retrieved September 18, 2009).
  2. ↑ Stayton Bonner, "A Statewide Investigation", Texas Observer, January 11, 2008.
  3. ↑ Barry Shank, Dissonant Identities: The Rock'N'Roll Scene in Austin, Texas (Wesleyan University Press, 1994) (ISBN 978-0-8195-6276-0), p. 102-104 (excerpt available at Google Books).
  4. ↑ Margaret Moser, "Yesterday When I Was Younger Than Yesterday", Austin Chronicle, December 15, 2008.
  5. ↑ Jan Reid, The Improbable Rise of Redneck Rock (new ed., University of Texas Press, 2004), ISBN 978-0-292-70197-7, pp.282-283 (excerpt available at Google Books).
  6. ↑ See the Skunks compilation CD, "Earthquake Shake: Live," 2000, or their other releases
  7. ↑ Andy Langer, "Out of the Shadows", Austin Chronicle, July 28, 1997.
  8. 1 2 Ken Lieck, "Young, Loud, and Cheap: The Skunks, the Band That Broke Austin Out of the Seventies," Austin Chronicle, December 8, 2000.
  9. ↑ Joe Gross, "The Skunks play Continental Club Dec. 26", Austin Music Source at Austin360.com, December 15, 2008.
  10. ↑ Barry Shank, Dissonant Identities: The Rock'N'Roll Scene in Austin, Texas (Wesleyan University Press, 1994) (ISBN 978-0-8195-6276-0), p. 148–149 & p.271 n.84 (excerpt available at Google Books).
  11. ↑ "Jesse's Music Bio" at Jesse Sublett's Little Black Book (retrieved September 18, 2009).
  12. 1 2 Jesse Sublett, Never the Same Again: A Rock 'N' Roll Gothic (Ten Speed Press, 2004), ISBN 978-1-58008-598-4 (excerpts available at Google Books).
  13. ↑ Musicians Off the Record: Jesse Sublett at University of Texas at Austin College of Communication website (retrieved September 19, 2009).
  14. ↑ "Reading List", Los Angeles Times, December 4, 2005.
  15. ↑ Greg Beets, "Sheet Music", Austin Chronicle, May 28, 2004.
  16. ↑ Jesse Sublett, "Adaptation: One writer's long, strange trip from fact to fiction", The Texas Observer, July 11, 2008.
  17. ↑ Jesse Sublett, "LIVES: Rock 'n' Roll Gothic", New York Times, August 26, 2001.
  18. ↑ Index of articles by Jesse Sublett at Texas Monthly website (retrieved September 20, 2009).
  19. ↑ Marjorie Baumgarten, Review of Deep in the Heart (of Texas), Austin Chronicle, May 8, 1998.
  20. ↑ Claiborne Smith, "Deep in the Art: How In the West Became Deep in the Heart (of Texas), Austin Chronicle, May 8, 1998.
  21. ↑ The Austin Chronicle, February 8, 2008
  22. ↑ Writers Guild of America-West #1202313
  23. ↑ Jesse Sublett, History of the Texas Turnpike Authority (The Authority, [1995?]), OCLC 32811546, also indexed at Texas State Publications 1995 Annual Index (retrieved September 19, 2009).
  24. ↑ "Dallas TX:Broad turnpike vs skinny tollway", TOLLROADSnews, February 4, 2001 (retrieved September 19, 2009).

External links

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