Isabel Jay

A 1901 publicity photo for The Emerald Isle

Isabel Jay (17 October 1879 – 26 February 1927) was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company and in musical comedies. During Jay's career, picture postcards were immensely popular, and Jay was photographed for over 400 different postcards.

Life and career

Early life and D'Oyly Carte years

Isabel Emily Jay was born in Wandsworth, London, the daughter of John Wimburn Jay, an insurance officer, and his wife Isabelle Clara (Wicks). She was the great-granddaughter of John George Henry Jay (1770–1849), a musician and composer connected with the Royal Academy of Music. She began to sing in public at the age of twelve. She entered the Royal Academy of Music in 1895, where she came to be the first winner of the Gilbert R. Betjemann medal for operatic singing.

On leaving the Academy, in 1897, she joined the D'Oyly Carte Opera Company with a week-long trial at the Savoy Theatre, singing the part of Elsie Maynard in the first London revival of The Yeomen of the Guard. She immediately became principal soprano in a D'Oyly Carte touring company, playing the roles of Elsie, Phyllis in Iolanthe, Yum-Yum in The Mikado, Princess Lucilla Chloris in His Majesty, and later adding the roles of Aline in The Sorcerer, and Mabel in The Pirates of Penzance.

as Mabel in Pirates

Jay joined the main D'Oyly Carte company at the Savoy in 1898, briefly playing Gianetta and then Casilda in The Gondoliers, and soon took over the role of The Plaintiff in Trial by Jury, winning a favourable review in The Sunday Times. In early 1899, she created the small role of Aloës in The Lucky Star, and she then filled in for Ruth Vincent for 21 performances as Josephine in H.M.S. Pinafore, as well as performing again as The Plaintiff.

Principal soprano

Late in 1899, Vincent left the D'Oyly Carte Opera Company, turning down the secondary role in The Rose of Persia when she was passed over to make way for American soprano Ellen Beach Yaw to sing the lead, Sultana Zubeydah. Jay was initially given the small role of Blush-of-Morning. Less than two weeks later, when Yaw was dismissed, young Jay was promoted to the demanding lead role and received favourable notices as the Sultana.[1]

Now the company's leading soprano, Jay played Mabel in Pirates (1900), again earning good notices, and the title role in the first London revival of Patience (1901). During the run, she was made an Associate of the Royal Academy of Music. She then created the roles of Lady Rose Pippin in The Emerald Isle (1901) and the Gipsy Woman in Ib and Little Christina (1901). She played Phyllis in the first London revival of Iolanthe (1901–1902) and then toured with The Emerald Isle. She left the company in 1902 to marry the African explorer Henry Shepherd Cavendish, who was later the 6th Baron Waterpark.

West End career

After the birth of her first daughter, Cecilia, in 1903, Jay returned to the stage, taking over the role of Marjory Joy in a hit production of A Country Girl. She then starred in one West End theatre production after another – eleven in all – over a period of seven-and-a-half years.

in The White Chrysanthemum

The first was the hit musical The Cingalee (1904, with Rutland Barrington and Hayden Coffin), in which she created the role of Lady Patricia Vane. In 1905 she was invited to sing before King Edward VII and Queen Alexandra at Chatsworth House, where the Queen presented her with a brooch.

Later that year she was hired by Frank Curzon, a successful theatre manager, who became her mentor. Her first role with Curzon was Sybil Cunningham in The White Chrysanthemum at the Criterion in 1905 (starring with Rutland Barrington and Henry Lytton) and then on tour. In early 1906, Jay split up with her husband. Her next role was Winnie Willoughby in The Girl Behind the Counter (1906, with Hayden Coffin). For the next four years, she starred regularly in Curzon's West End productions, often at The Prince of Wales Theatre and often in a show by Paul Rubens. These were intended to be spectacular shows, with exotic sets, elaborate costumes and beautiful chorus girls. Her roles during these years included Olivia in Liza Lehmann's The Vicar of Wakefield (1906, based on the novel of the same name), Sally in Miss Hook of Holland (1906, running for a very successful 462 performances), Paulette in My Mimosa Maid (1908), Princess Marie in King of Cadonia (1908), Christina in Dear Little Denmark (1909), and Princess Stephanie in The Balkan Princess (1910).

in Miss Hook of Holland

Jay and Curzon married on 28 July 1910. After the end of the run of The Balkan Princess in 1911, Jay retired from the stage at only 31 years of age, and she had a second child (Pamela Stephanie Curzon) in 1915. In 1923, Jay created the role of Anne West, with Curzon as suitor James Hathaway and daughter Cecelia as Angela West, in a play of her own authorship, The Inevitable.[2] The play toured Hastings, Eastbourne, Littlehampton and Brighton, before opening for a short run at the St. James Theatre.

Early death

Jay's health began to deteriorate due to the effects of scarlet fever as a child, and she died at the age of only 47, in Monte Carlo, having been on a cruise with her husband. In recognition of her achievements, the Royal Academy of Music two years later instituted the Isabel Jay Memorial Prize.

Recordings

Jay made a number of recordings between 1900 and 1906, mostly from her early musical comedies. She also recorded "Poor Wand'ring One" from Pirates on three occasions, once in 1900 during the Savoy revival, and twice in 1904. One of the 1904 recordings is heard on the Pearl LP and CD sets "The Art of the Savoyard."

Notes

  1. ↑ Information about Jay's substitution as Sultana in The Rose of Persia
  2. ↑ Frank Curzon Obituary, The Times, 4 July 1927, p. 16

References

External links

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