Il Futuro

Il Futuro
Directed by Alicia Scherson
Produced by
  • Bruno Betatti
  • Christoph Friedel
  • Mario Mazzarotto
  • Claudia Steffen
  • Emanuele Nespeca
  • Alvaro Alonso
  • Luis Angel Ramirez
Written by Alicia Scherson
Based on Una novelita lumpen 
by Roberto Bolaño
Starring
Music by
  • Caroline Chaspoul
  • Eduardo Henríquez
Cinematography Ricardo DeAngelis
Edited by
  • Soledad Salfate
  • Ana Alvarez Ossorio
Production
company
  • Movimento Film
  • Jirafa
  • Pandora Films
  • La Ventura
  • Astronauta Films
  • Jaleo Films
Distributed by Strand Releasing
Release dates
  • January 19, 2013 (2013-01-19) (Sundance)
  • June 6, 2013 (2013-06-06) (Chile)
Running time
94 minutes
Country
  • Italy
  • Chile
  • Germany
  • Spain
Language
  • Italian
  • Spanish
  • English
Box office $14,001 (US)[1]

Il Futuro is a 2013 drama film directed by Alicia Scherson. Based on Roberto Bolaño's novel Una novelita lumpen, the film stars Manuela Martelli and Rutger Hauer. The film was shot in Italy, Chile, and Germany,[2] and it is an Italian-Chilean-German-Spanish production.

Plot

Narrated from the future, Bianca tells the story of how she and her younger brother, Tomas, are orphaned after their parents die in a car accident. Being the children of Chilean immigrants, they have no family in Italy were the accident occurred. A social worker explains that a bureaucratic problem prevents them from accessing their mother's pension, so they will only receive funds from their father's account. Bianca, old enough to become her brother's guardian, takes a job as an apprentice at a hair salon, though the owner will not allow her to become a hairdresser until she has three years of experience. Tomas, who believes that accidents cause supernatural change to reality, shifts his interest from computers to bodybuilding, and he begins to skip school to hang out at a local gym, where he takes a job as an unpaid intern.

Two local personal trainers from the gym befriend Tomas and teach him how to get subscription pornographic content for free. After Tomas invites them to the house, Bianca allows them to stay overnight, as they have nowhere else to stay. The personal trainers ingratiate themselves into the household by cleaning and cooking, and they eventually begin to have sex with Bianca. Eventually, they approach her with a plan: seduce and rob a retired actor and bodybuilder who is rumored to have hidden his wealth in his decaying mansion. Nicknamed Maciste after his most popular character, he has become reclusive and only sees prostitutes. The personal trainers believe Bianca perfect for the part, as she is young, pretty, and can speak English.

Bianca soon learns that Maciste is blind. Although she does not back out, she and Tomas become annoyed that the personal trainers did not explain this fact. Bianca and Maciste meet several more times, and they engage in many conversations. Although the personal trainers warn her to avoid asking Maciste about how he lost his vision, Bianca insists that he would never hurt her. They become concerned that she has come to develop feelings for Maciste and urge her to move forward with the plan. Maciste reveals to Bianca that he lost his vision in a car accident; when she asks if he was driving the car, he refuses to answer. They grow closer emotionally, and Bianca becomes more confident and assertive. Bianca admits to Maciste that she has fallen in love with him, but he says that he feels nothing for her. Upset that her feelings are unrequited, she leaves in tears.

After a competition at the gym goes poorly, the personal trainers again urge Bianca to steal Maciste's money. On her next visit, Maciste is sick and does not want to have sex with her. Instead, she cares for him, and, when he falls asleep, she pickpockets his keys. Bianca looks in a locked room but finds no evidence of a hidden fortune. As she leaves the mansion, Maciste calls for her to stay, but she politely declines. Maciste leaves his mansion and wanders into the street after her, but she continues on her way. When she arrives back at her own apartment, she demands that the personal trainers leave. Although she fears for the worst, she says that she does not find any news reports about Maciste in the papers.

Cast

Release

Il Futuro premiered at the 2013 Sundance Film Festival.[3] It opened in Chile on 6 June 2013.[4]

Reception

Rotten Tomatoes, a review aggregator, reports that 87% of fifteen surveyed critics gave the film a positive review; the average rating was 7/10.[5] Metacritic rated it 80/100 based on nine reviews.[6] Alissa Simon of Variety wrote, "Even though mood trumps character psychology, the entire cast provides mesmerizing, evocative performances."[7] John DeFore of The Hollywood Reporter wrote that it "drips with literary conceits without becoming precious."[8] Mark Adams of Screen Daily wrote, "Alicia Scherson's mannered and times perversely mesmerising film is an intriguing look at psychologically damaged people struggling to find moments of love and affection in a world conspiring against them."[9] Jeannette Catsoulis of The New York Times made it a NYT Critics' Pick and wrote, "Ms. Scherson’s style — backed wholeheartedly by the cool cinematography of Ricardo de Angelis — may value mood over information, but it's the perfect vehicle for a portrait of two damaged souls grasping for a security they no longer possess."[10] Robert Abele of the Los Angeles Times faulted the film's "arch formalism" but called the film "an alluringly opaque pas de deux of loss and uncertainty [that] is wonderfully realized."[11] Bill Weber of Slant Magazine gave the film two out of four stars and wrote, "Il Futuro is a well-crafted 'literary' film in mostly counterproductive ways. Following a dubiously motivated opening homage to the aerial highway shot that begins The Shining, the film is a good-looking series of ambitious tropes and contrivances that don't seem to express much significance, even when it settles into its own haunted-house setting halfway through."[12]

Martelli was nominated for an Altazor Award for her performance.[13]

References

  1. "Il Futuro". Box Office Mojo. Retrieved 2014-10-08.
  2. Mitchell, Wendy (2012-01-18). "Alicia Scherson wraps shoot for El Futuro starring Rutger Hauer". Screen Daily. Retrieved 2014-10-08.
  3. Hopewell, John (2013-09-22). "Jirafa Sets Co-Prod Partners For 'Voice-Over,' 'Dome' (EXCLUSIVE)". Variety. Retrieved 2014-10-08.
  4. Garrido, Matias H. (2013-06-03). "Coming Soon In Chile And Argentina: CARNE DE PERRO, IL FUTURO, SAMURAI, HERMANOS DE SANGRE". Twitch Film. Retrieved 2014-10-08.
  5. "Il Futuro (2013)". Rotten Tomatoes. Retrieved 2014-10-08.
  6. "Il Futuro". Metacritic. Retrieved 2014-10-08.
  7. Simon, Alissa (2013-01-27). "Review: 'The Future'". Variety. Retrieved 2014-10-08.
  8. DeFore, John (2013-01-25). "The Future (Il Futuro): Sundance Review". The Hollywood Reporter. Retrieved 2014-10-08.
  9. Adams, Mark (2013-01-31). "The Future". Screen Daily. Retrieved 2014-10-08.
  10. Catsoulis, Jeannette (2013-09-05). [UwtMSs,3 "Two Orphans Wonder, What Now?"]. The New York Times. Retrieved 2014-10-08.
  11. Abele, Robert (2013-10-24). "Review: 'Il Futuro' stars Rutger Hauer in alluring story of love, loss". Los Angeles Times. Retrieved 2014-10-08.
  12. "Il Futuro | Film Review". Slant Magazine. 2013-09-03. Retrieved 2014-01-10.
  13. "Pelicula "Gloria" destaca entre los nominados a los Altazor". Diario Austral (in Spanish). 2014-06-05. Retrieved 2014-10-08.

External links

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