Hugo Gernsback

Hugo Gernsback
Gernsback portrait by Fabian, date unknown
Born	Hugo Gernsbacher (1884-08-16)August 16, 1884 Bonnevoie/Bouneweg, nowadays part of Luxembourg City, Luxembourg
Died	August 19, 1967(1967-08-19) (aged 83) Manhattan, New York City, USA
Occupation	Inventor, magazine publisher, editor, writer
Nationality	Luxembourg & USA
Period	1911–1967 (science fiction)
Genre	Science fiction
Subject	Science and technology

Gernsback demonstrating his television goggles in 1963 for Life magazine

Gernsback watching a television broadcast by his station WRNY on the cover of his Radio News (Nov 1928)

Hugo Gernsback (August 16, 1884 – August 19, 1967), born Hugo Gernsbacher, was a Luxembourgish-American inventor, writer, editor, and magazine publisher, best known for publications including the first science fiction magazine. His contributions to the genre as publisher were so significant that, along with the novelists H. G. Wells and Jules Verne, he is sometimes called "The Father of Science Fiction".^[1] In his honour, annual awards presented at the World Science Fiction Convention are named the "Hugos".^[2]

Personal life

Gernsback was born in 1884 in Bonnevoie (Luxembourgish: Bouneweg), part of Luxembourg City since 1920, to Berta (Dürlacher), a housewife, and Moritz Gernsbacher, a winemaker.^[3] His family was Jewish.^[4] Gernsback emigrated to the United States in 1904 and later became a naturalized citizen.^[5] He married three times: to Rose Harvey in 1906, Dorothy Kantrowitz in 1921, and Mary Hancher in 1951. In 1925, Hugo founded radio station WRNY which broadcast from the 18th floor of The Roosevelt Hotel in New York City and was involved in the first television broadcasts. He is also considered a pioneer in amateur radio.

Before helping to create science fiction, Gernsback was an entrepreneur in the electronics industry, importing radio parts from Europe to the United States and helping to popularize amateur "wireless." In April 1908 he founded Modern Electrics, the world's first magazine about both electronics and radio, called "wireless" at the time. While the cover of the magazine itself contends it was a catalog, most historians note that it contained articles, features, and plotlines, qualifying it as a magazine.^[6]

Under its auspices, in January 1909, he founded the Wireless Association of America, which had 10 000 members within a year. In 1912, Gernsback said that he estimated 400 000 people in the U.S. were involved in amateur radio. In 1913, he founded a similar magazine, The Electrical Experimenter, which became Science and Invention in 1920. It was in these magazines that he began including scientific fiction stories alongside science journalism—including his own novel Ralph 124C 41+ which he ran for 12 months from April 1911 in Modern Electrics.^[7]

He died at Roosevelt Hospital in New York City on August 19, 1967.^[8]

Science fiction

Gernsback's second novel, Baron Münchausen's Scientific Adventures, was serialized in Amazing in 1928, with the opening installment taking the February cover.

Gernsback's short story "The Cosmatomic Flyer", under the transparently pseudonymous "Greno Gashbuck" byline, was cover-featured in the debut issue of Gernsback's Science-Fiction Plus in 1953, illustrated by Alex Schomburg

Gernsback started the modern genre of science fiction in 1926 by founding the first magazine dedicated to it, Amazing Stories. The inaugural April issue comprised a one-page editorial and reissues of six stories, three less than ten years old and three by Poe, Verne, and Wells.^{[7][lower-alpha 1]} He said he became interested in the concept after reading a translation of the work of Percival Lowell as a child. His idea of a perfect science fiction story was "75 percent literature interwoven with 25 percent science.".^[9] He also played a key role in starting science fiction fandom, by publishing the addresses of people who wrote letters to his magazines. So, the science fiction fans began to organize, and became aware of themselves as a movement, a social force; this was probably decisive for the subsequent history of the genre. He also created the term “science fiction”, though he preferred the term "scientifiction".^[9]

In 1929, he lost ownership of his first magazines after a bankruptcy lawsuit. There is some debate about whether this process was genuine, manipulated by publisher Bernarr Macfadden, or was a Gernsback scheme to begin another company. After losing control of Amazing Stories, Gernsback founded two new science fiction magazines, Science Wonder Stories and Air Wonder Stories. A year later, due to Depression-era financial troubles, the two were merged into Wonder Stories, which Gernsback continued to publish until 1936, when it was sold to Thrilling Publications and renamed Thrilling Wonder Stories. Gernsback returned in 1952–53 with Science-Fiction Plus.

Gernsback was noted for sharp (and sometimes shady^[10]) business practices,^[11] and for paying his writers extremely low fees^[12] or not paying them at all.^[13] H. P. Lovecraft and Clark Ashton Smith referred to him as "Hugo the Rat."^[14]

As Barry Malzberg has said:

Gernsback's venality and corruption, his sleaziness and his utter disregard for the financial rights of authors, have been so well documented and discussed in critical and fan literature. That the founder of genre science fiction who gave his name to the field's most prestigious award and who was the Guest of Honor at the 1952 Worldcon was pretty much a crook (and a contemptuous crook who stiffed his writers but paid himself $100K a year as President of Gernsback Publications) has been clearly established.^[15]

Jack Williamson, who had to hire an attorney associated with the American Fiction Guild to force Gernsback to pay him, summed up his importance for the genre:

At any rate, his main influence in the field was simply to start Amazing and Wonder Stories and get SF out to the public newsstands—and to name the genre he had earlier called "scientifiction."^[16]

Fiction

Gernsback wrote fiction, including the novel Ralph 124C 41+ in 1911; the title is a pun on the phrase "one to foresee for many"("one plus"). Even though Ralph 124C 41+ is one of the most influential science fiction stories of all time,^[17] and filled with numerous science fiction ideas, few people still read the story.^[18] Author Brian Aldiss has called the story a "tawdry illiterate tale" and a "sorry concoction" while author and editor Lester del Rey called it "simply dreadful."^[19] While most other modern critics have little positive to say about the story's writing, Ralph 124C 41+ is still considered an "essential text for all studies of science fiction."^[20]

Gernsback's third (and final) novel, Ultimate World, written c.1958, was not published until 1971. Lester del Rey described it simply as "a bad book," marked more by routine social commentary than by scientific insight or extrapolation.^[21] James Blish, in a caustic review, described the novel as "incompetent, pedantic, graceless, incredible, unpopulated and boring" and concluded that its publication "accomplishes nothing but the placing of a blot on the memory of a justly honored man."^[22]

Gernsback combined his fiction and science into Everyday Science and Mechanics magazine, serving as the editor in the 1930s.

Legacy

The Hugo Awards or "Hugos" are the annual achievement awards presented at the World Science Fiction Convention, selected in a process that ends with vote by current Convention members. They originated and acquired the "Hugo" nickname during the 1950s and were formally defined as a convention responsibility under the name "Science Fiction Achievement Awards" early in the 1960s. The nickname soon became almost universal and its use legally protected; "Hugo Award(s)" replaced the longer name in all official uses after the 1991 cycle.^[2][23]

In 1960 Gernsback received a special Hugo Award as "The Father of Magazine Science Fiction."^[24][25]

The Science Fiction and Fantasy Hall of Fame inducted him in 1996, its inaugural class of two deceased and two living persons.^[26]

Gernsback's importance to science fiction was acknowledged by video game developer BioWare, who named a vessel after him in the game Mass Effect 2 as well as a character's name in the 2015 Disney motion picture Tomorrowland.

Influence in radio electronics and broadcasting

Gernsback made significant contributions to the growth of early broadcasting, mostly through his efforts as a publisher. He originated the industry of specialized publications for radio with Modern Electrics and Electrical Experimenter. Later on, and more influentially, he published Radio News, which would have the largest readership among radio magazines in radio broadcasting’s formative years. He edited Radio News until 1929. For a short time he hired John F. Rider to be editor. Rider was a former engineer working with the US Army Signal Corps and a radio engineer for A. H. Grebe, a radio manufacturer. However Rider would soon leave Gernsback and form his own publishing company, John F. Rider Publisher, New York around 1931.

Gernsback made use of the magazine to promote his own interests, including having his radio station’s call letters on the cover starting in 1925. WRNY and Radio News were used to cross-promote each other, with programs on his station often used to discuss articles he had published, and articles in the magazine often covering program activities at WRNY. He also advocated for future directions in innovation and regulation of radio. The magazine contained many drawings and diagrams, encouraging radio listeners of the 1920s to experiment themselves to improve the technology. WRNY was often used as a laboratory to see if various radio inventions were worthwhile.

Articles that were published about television were also tested in this manner when the radio station was used to send pictures to experimental television receivers in August 1928. The technology, however, was primitive and required sending the sight and sound one after the other rather than sending both at the same time. Such experiments were expensive, eventually contributing to Gernsback’s Experimenter Publishing Company going into bankruptcy in 1929.^[27][28]

List of magazines edited/published by Gernsback

November 1931 issue of Everyday Science and Mechanics

Gernsback's decade of publishing SF magazines came to a close with the final issue of Wonder Stories in 1936. Aside from the short-lived Science-Fiction Plus in the 1950s, he never returned to that business,

Patents

Gernsback held 80 patents by the time of his death in New York City on August 19, 1967.

See also

• List of science fiction editors
• Pulp magazine

Notes

References

Further reading

External links

• Gernsback image at Life.com
• Radio Before Radio at the web site of the American Radio Relay League

Biography and criticism

• Hugo Gernsback biography at the Science Fiction and Fantasy Hall of Fame
• "Boys of Wireless" at American Experience (PBS)—Contains information about Gernsback's role in early amateur radio
• Hugo Gernsback, Publisher – discussion of Gernsback as a magazine publisher, with links to cover images of most of his technical and other non-fiction magazines

Bibliography and works

• Hugo Gernsback at the Internet Speculative Fiction Database
• Hugo Gernsback Papers – description of his papers in the Special Collections Research Center of the Syracuse University Library