Aquiline nose
An aquiline nose (also called a Roman nose or hook nose) is a human nose with a prominent bridge, giving it the appearance of being curved or slightly bent. The word aquiline comes from the Latin word aquilinus ("eagle-like"), an allusion to the curved beak of an eagle.[2][3][4] While some have ascribed the aquiline nose to specific ethnic, racial, or geographic groups, and in some cases associated it with other supposed non-physical characteristics (i.e. intelligence, status, personality, etc., see below), no scientific studies or evidence support any such linkage. As with many phenotypical expressions (i.e. 'widow's peak', eye color, earwax type) it is found in many geographically diverse populations.
Distribution
Although the aquiline nose is found among people from nearly every area of the world, it is generally associated with and thought to be more frequent in certain ethnic groups originating from Southern Europe, South Asia, the Middle East, North Africa, and the Horn of Africa. Some writers in the field of racial typology have attributed aquiline noses as a characteristic of different peoples or races; e.g.: according to anthropologist Jan Czekanowski, it is most frequently found amongst members of the Oriental race and Armenoid race. However, it is also often seen in the Mediterranean race and Dinarid race, where it is known as the "Roman nose" when found amongst Italians, the Southern French, Portuguese and Spanish.[5] And others, such as racial theorist and economist William Z. Ripley, have argued that it is characteristic of people of Teutonic descent.[6]
In racialist discourse
In racialist discourse, especially that of post-Enlightenment Western scientists and writers, a Roman nose (in an individual or a people) has been characterized as a marker of beauty and nobility,[7] but the notion itself is found early on in Plutarch, in his description of Mark Antony.[8] Among Nazi racialists the "hooked", Jewish nose was a characteristic of Jews. However, Maurice Fishberg in Jews, Race and Environment (1911) cites widely different statistics to deny that the aquiline nose (or "hook nose")[9] is characteristic of Jews, but rather to show that this type of nose occurs in all peoples of the world.[10] The supposed science of physiognomy, popular during the Victorian era, made the "prominent" nose a marker of Aryanness: "the shape of the nose and the cheeks indicated, like the forehead's angle, the subject's social status and level of intelligence. A Roman nose was superior to a snub nose in its suggestion of firmness and power, and heavy jaws revealed a latent sensuality and coarseness".[11]
Among Native Americans
The aquiline nose was deemed a distinctive feature of some Native American tribes, members of which often took their names after their own characteristic physical attributes (i.e. The Hook Nose, or Chief Henry Roman Nose).[5] In the depiction of Native Americans, for instance, an aquiline nose is one of the standard traits of the "noble warrior" type.[12] It is so important as a cultural marker, Renee Ann Cramer argued in Cash, Color, and Colonialism (2005), that tribes without such characteristics have found it difficult to receive "federal recognition"/"acknowledgement" (which are specific/significant terms) from the US government, resulting in failure to win benefits including tax-exempt status, reclamation rights, and (perhaps most significantly) the right to administer and profit from casinos.[13]
Among populations in Africa
The flat, broad nose is ubiquitous among most populations in Africa,[14] and is noted by nineteenth-century writers and travelers (such as Colin Mackenzie) as a mark of "Negroid" ancestry.[15] It stands in opposition to the narrow aquiline, straight or convex noses (lepthorrine), which are instead deemed "Caucasian".[14]
In the 1930s, an aquiline nose was reported to be regarded as a characteristic of beauty for girls among the Tswana and Xhosa people. However, a recent scholar could not discern from the original study "whether such preferences were rooted in precolonial conceptions of beauty, a product of colonial racial hierarchies, or some entanglement of the two".[16] A well-known example of the aquiline nose as a marker in Africa contrasting the bearer with his/her contemporaries is the protagonist of Aphra Behn's Oroonoko (1688). Although an African prince, he speaks French, has straightened hair, thin lips, and a "nose that was rising and Roman instead of African and flat".[17] These features set him apart from most of his peers, and marked him instead as noble and on par with Europeans.[18][19][20]
According to craniometric analysis by Carleton Coon (1939), aquiline noses in Africa are largely restricted to populations from North Africa and the Horn of Africa (in contrast to those of Sub-Saharan Africa), which is more generally peopled by those of Semitic, Arab, and other non-"Negroid" descent. However, they are generally less common in these areas than are narrow, straight noses, which instead constitute the majority of nasal profiles.[21][22] Among the Copts and Fellahin of Egypt, two distinct nasal types reportedly exist: one with a narrow, aquiline nose accompanied by a slim face, slender jaw and thin lips; the other with a slightly lower rooted, straight-to-concave nose, accompanied by a wider and lower face, a strong jaw, prominent chin, and moderately full lips.[23]
Among "Nordic" peoples
For Western racial anthropologists such as Madison Grant (in The Passing of the Great Race (1911) and other works) and William Z. Ripley, the aquiline nose is characteristic of the peoples they variously identify Nordic, Teutonic, or Anglo-Saxon.[6] Grant, after defining the Nordics as having aquiline noses, went back through history and found such a nose and other characteristics he called "Nordic" in many historically prominent men. Among these were Alexander the Great, Dante Alighieri, "all the chief men of the Renaissance", as well as King David. Grant identified Jesus Christ as having had those "physical and moral attributes" (emph. added).[24]
See also
References
- ↑ Jabet, George (1852). Notes on Noses. Richard Bentley. p. 9.
- ↑ Eliza Cook (1851). Eliza Cook's Journal. J. O. Clark. p. 381.
- ↑ John C. Fredriksen (1 January 2001). America's Military Adversaries: From Colonial Times to the Present. ABC-CLIO. p. 432. ISBN 978-1-57607-603-3.
He matured into a powerfully built man, tall, muscular, with an aquiline profile that gave rise to the name Woquni, or “Hook Nose.” The whites translated this into the more familiar moniker of Roman Nose. In his early youth, Roman Nose ...
- ↑ Henry Neuman; Giuseppe Marco Antonio Baretti (1827). Neuman and Baretti's Dictionary of the Spanish and English Languages: Spanish and English. Hilliard, Gray, Little, and Wilkins. p. 65.
Aquiline, resembling an eagle ; when applied to the nose, hooked.
- 1 2 Czekanowski, Jan (1934). Człowiek w Czasie i Przestrzeni (eng. A Human in Time and Space) - The lexicon of biological anthropology. Kraków, Poland: Trzaska, Ewert i Michalski - Bibljoteka Wiedzy.
- 1 2 Winlow, Heather (2006). "Mapping Moral Geographies: W. Z. Ripley's Races of Europe and the United States". Annals of the Association of American Geographers 96 (1): 119–41. doi:10.1111/j.1467-8306.2006.00502.x.
- ↑ Adams, Mikaëla M. (2009). "Savage Foes, Noble Warriors, and Frail Remnants: Florida Seminoles in the White Imagination, 1865-1934". The Florida Historical Quarterly 87 (3): 404–35.
- ↑ Jones, Prudence J. (2006). Cleopatra: A Sourcebook. U of Oklahoma P. p. 94. ISBN 9780806137414.
- ↑ "Hooknose". Merriam-Webster. Retrieved 19 September 2014.
- ↑ Fishberg, Maurice. Jews, Race and Environment. Transaction. p. 83. ISBN 9781412826952.
- ↑ Cowling, Mary (1989). The Artist as Anthropologist: The Representation of Type and Character in Victorian Art. Cambridge. Cambridge UP. Quoted in McNees, Eleanor (2004). "Punch and the Pope: Three Decades of Anti-Catholic Caricature". Victorian Periodicals Review 37 (1): 18–45.
- ↑ Cramer, Renee Ann (2006). "The Common Sense of Anti-Indian Racism: Reactions to Mashantucket Pequot Success in Gaming and Acknowledgment". Law & Social Inquiry 31 (2): 313–41. doi:10.1111/j.1747-4469.2006.00013.x.
- ↑ McCulloch, Anne M. (2006). "Rev. of Cramer, Cash, Color, and Colonialism". Perspectives on Politics 4 (1): 178–79. doi:10.1017/s1537592706430140.
- 1 2 Heidari Z, Mahmoudzadeh-Sagheb H, Khammar T, Khammar M (May 2009). "Anthropometric measurements of the external nose in 18–25-year-old Sistani and Baluch aborigine women in the southeast of Iran". Folia Morphol. (Warsz) 68 (2): 88–92. PMID 19449295.
- ↑ Sundberg, Jeffrey Roger (2006). "Considerations on the dating of the Barabuḍur stūpa". Bijdragen tot de Taal-, Land- en Volkenkunde 162 (1): 95–132. doi:10.1163/22134379-90003675.
- ↑ Thomas, Lynn M. (2006). "The Modern Girl and Racial Respectability in 1930s South Africa". The Journal of African History 47 (3): 461–90. doi:10.1017/s0021853706002131.
- ↑ Behn, Aphra (1987). Adelaide P. Amore, ed. Oroonoko, Or, The Royal Slave: A Critical Edition. UP of America. p. 10. ISBN 9780819165299.
- ↑ Gates, Henry Louis (1998). "Introduction". In Henry Louis Gates, William L. Andrews. Pioneers of the Black Atlantic: Five Slave Narratives from the Enlightenment, 1772-1815. Civitas. pp. 1–30. ISBN 9781887178983.
- ↑ Popkin, Richard Henry (1988). Millenarianism and Messianism in English Literature and Thought, 1650-1800: Clark Library Lectures, 1981-1982. Brill. p. 206. ISBN 9789004085138.
- ↑ Bohls, Elizabeth (2013). Romantic Literature and Postcolonial Studies. Oxford UP. p. 52. ISBN 9780748678754.
- ↑ Coon, Carleton (1939). The Races of Europe. The Macmillan Company. p. Chapter XI, Section 13 - Eastern Barbary, Algeria and Tunisia. Retrieved 7 June 2014.
- ↑ Coon, Carleton (1939). The Races of Europe. The Macmillan Company. p. Chapter XI, Section 8 - The Mediterranean Race in East Africa. Retrieved 7 June 2014.
- ↑ Coon, Carleton (1939). The Races of Europe. The Macmillan Company. p. Chapter XI, Section 9 - The Modern Egyptians. Retrieved 7 June 2014.
- ↑ Spiro, Jonathan (2009). Defending the Master Race: Conservation, Eugenics, and the Legacy of Madison Grant. UPNE. pp. 147–51. ISBN 9781584658108.
Suggested reading
- Barolsky, Paul (2007). Michelangelo's Nose: A Myth and Its Maker. John Wiley & Sons. ISBN 9780271032726.