Giuseppe Martucci

Giuseppe Martucci.

Giuseppe Martucci (Italian pronunciation: [dʒuˈzɛppe marˈtuttʃi]; Capua, 6 January 1856 – Naples, 1 June 1909) was an Italian composer, conductor, pianist and teacher. As a composer and teacher he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to introduce Wagner's operas to Italy and also gave important early concerts of English music there.

Career

Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. A child prodigy, he played in public on the piano when only eight years old.[1] From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi,[2] the latter being a former student of Sigismond Thalberg. From Paolo Serrao, Martucci acquired his initial training in composition; his own composition students later on, when he worked and taught at Bologna, included Ottorino Respighi.

He died in Naples in 1909. His son Paolo, born in Naples in 1883, also became a pianist of note, briefly teaching at the Cincinnati Conservatory.[1][2]

Pianist

Martucci's career as an international pianist commenced with a tour through Germany, France and England in 1875, at the age of 19.[3] He was appointed piano professor at the Naples Conservatory in 1880,[2] and moved to Bologna in 1886, replacing Luigi Mancinelli there; in 1902 he returned for the last time to Naples, as director of the Royal Conservatory of Music.[1][3]

Conductor

It was in 1881 that Martucci made his first conducting appearance. One of the earliest Italian musicians to admire Wagner, Martucci introduced some of Wagner's output to Italy. He led, for example, the first Italian performance of Tristan und Isolde [4] in 1888 in Bologna. Nor did his enthusiasm for foreign composers end with Wagner's work. As well as performing Charles Villiers Stanford's 3rd ("Irish") Symphony in Bologna in 1898,[5] he also conducted perhaps the only concert of all-British orchestral music on the European continent in the whole period 1851–1900.[2] What is more, he included music by Brahms, Lalo, Goldmark and others in his programs.

Composer

Martucci began as a composer at the age of 16, with short piano works. He wrote no operas, which was unusual among Italian composers of his generation, but instead concentrated on instrumental music and songs, producing also an oratorio, Samuel.[6]

Legacy

Martucci was championed by Arturo Toscanini during much of the latter's career. The NBC Symphony Orchestra performed a number of Martucci's orchestral works in 1938, 1940, 1941, 1946, and 1953; although the performances were preserved on transcription discs, none was approved for commercial release by Toscanini. All of these performances have been given unofficial release in recent years, on LP as well as CD format. NBC musical director Samuel Chotzinoff, in his 1956 book "Toscanini--An Intimate Portrait", said that every time the Maestro proposed scheduling Martucci's works, certain orchestra members and NBC authorities objected; but the conductor was not to be deterred. Some Toscanini biographers (including Mortimer Frank and Harvey Sachs) have questioned the merit of the compositions, speculating that Toscanini may have performed them out of a sense of duty.[7]

Gian Francesco Malipiero said of Martucci's second symphony that it was "the beginning of the rebirth of non-operatic Italian music." Martucci was an instrumentalist pur sang, taking 'absolute music' as his highest goal.

In 1989 Francesco D'Avalos tried to start a revival of Martucci's music by recording four CDs with major works including the two piano concertos, two symphonies, and La canzone dei ricordi. These discs were distributed by ASV Records and later by Brilliant Classics.[8]

In 2009, to mark the centenary of Martucci's death, Naxos Records released a series of CDs devoted to his orchestral music, featuring the Symphony Orchestra of Rome conducted by Francesco La Vecchia.[9] In 2011 Riccardo Muti and the Chicago Symphony Orchestra featured Martucci's Nocturne, Op. 70, No. 1 during the orchestra's tour of Europe.[10]

Works

Symphonic

Concertante

Organ

Chamber Music

Piano

Vocal

References

  1. 1 2 3 Greene, David Mason (1985). Greene's Biographical Encyclopedia of Composers. Garden City, N.Y.: Doubleday. pp. 830–1. ISBN 0-385-14278-1. Retrieved 2007-12-29.
  2. 1 2 3 4 Gatti, Guido M. (1954). Blom, Eric, ed. Grove's Dictionary of Music and Musicians (Fifth ed.). New York: St. Martin's Press Inc. pp. V (L–M): 602–603. OCLC 6085892.
  3. 1 2 "Martucci Biography". Retrieved 2007-12-29.
  4. ↑ Ewen, David (1977) [1937]. Composers of yesterday: a biographical and critical guide to the most important composers of the past. St. Clair Shores, Mich.: Scholarly Press. p. 278. ISBN 0-403-01551-0. Retrieved 2007-12-22.
  5. ↑ Dibble, Jeremy (2002). Charles Villiers Stanford: man and musician. London; New York: Oxford University Press. p. 299. ISBN 0-19-816383-5. Retrieved 2007-12-22.
  6. 1 2 Schlüren, Christoph (2003). "Preface to Score of Martucci First Symphony". Musikproduktion Juergen Hoeflich. Retrieved 28 January 2010.
  7. ↑ Frank, Mortimer H. (2002-01-01). Arturo Toscanini: The NBC Years. Hal Leonard Corporation. ISBN 9781574670691.
  8. ↑ "Martucci review". www.opusklassiek.nl. Retrieved 2015-12-07.
  9. ↑ Giuseppe Martucci: Piano Concerto No. 1; La canzone dei ricordi, 2009-05-26, retrieved 2015-12-07
  10. ↑ Caro, Mark (30 August 2011). "Muti gives killer glare, musicians swap notes". Chicago Tribune.

Further reading

External links

This article is issued from Wikipedia - version of the Friday, February 12, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.