Friedrich Wilhelm Mengelberg

Friedrich Wilhelm Mengelberg

c. 1900
Born 18 October 1837
Cologne
Died 6 February 1919
Resting place Utrecht
Residence Utrecht
Nationality German-Dutch
Occupation sculptor
Employer St. Bemulphus guild
Known for architect of church interiors
Religion Catholic
Spouse(s) Wilhelmina Helen
Children 16
Parent(s) father: Johann Egidius Mengelberg
mother: Catharina Wilhelmina Leiniger
Relatives grandfather: Egidius Mengelberg (1770–1849)
uncle: Otto Heinrich (1817–1890)

Friedrich Wilhelm Mengelberg (1837–1919) was a German-Dutch sculptor, architect of church interiors, and art collector.[1] His work promoted the Gothic Revival architectural-style in churches throughout Germany and the Netherlands.[1] The Mengelberg family has a long history of various artists and professionals.[2]

Family members and early life

Mengelberg's parents were Johann Egidius Mengelberg and Catharina Wilhelmina Leiniger. His grandfather Egidius Mengelberg (1770–1849) was a well-known painter, as was his uncle, Otto Heinrich (1817–1890). On 18 October 1866 Mengelberg married Wilhelmina Helen Schrattenholz, and together they had sixteen children – eight sons and eight daughters – including the conductor Willem Mengelberg (1871–1951); some others of their children died young.[2] Mengelberg's parents were Protestant, but when he turned eighteen he converted to Catholicism, probably influenced by his interest in medieval art.[3][4]

Career

Mengelberg came from a family of artists. He began his Neoclassical architecture training in Cologne under the sculptor Christoph Stephann (1797–1864). Friedrich (von) Schmidt subsequently instructed him in medieval art, especially Gothic art. He set up a studio in Cologne, managed by his younger brother Otto,[1] but he left the studio to his brother Otto and moved to Aachen in about 1865. Mengelberg then became acquainted with the theologian and historian of ancient art Franz Johann Joseph Bock (1823–1899), who took him under his wing and further educated him in medieval art.[3]

Through Bock's mediation, Mengelberg received a commission in 1868 to construct a bishop's throne for the Roman Catholic Saint Catherine's Cathedral in Utrecht. It was so well received by the church authorities that Mengelberg was invited to settle in Utrecht to build church furniture. He moved there in 1872, and became interested in the neo-Gothic art of the Netherlands. Mengelberg helped finish the interiors of Saint Catherine's Cathedral and Willibrord Church.[3]

Mengelberg worked closely with Dutch architects Pierre Cuypers and Alfred Tepe, from whom he learnt more about artistic techniques. In 1869 he became a member of the St. Bemulphus guild founded by Gerardus Wilhelminus van Heukelum, a Utrecht group of Catholic clergy and artists working to bring back the traditions and craftmanship in religious art and architecture.[5] Mengelberg became the most prominent member of the guild and set up a workshop studio, a closed society of specialized artists employing Gothic principles and techniques to produce items sold to the clergy. By the late 19th century Mengelberg's studio was employing more than 30 artists, designing and building items for church interiors such as organ fronts, communion pews, pulpits, altars, confessionals, and Stations of the Cross.[4]

By the end of the 19th century there were many workshops producing church art, and competition between them was often intense. But Mengelberg was confident that his studio could always produce quality items equal to or better than his competitors, supported by a fairly clear artistic doctrine in his studio and the artists' dedication. After his death the studio continued under the control of two of his sons, Joseph and Hans.[4]

Mengelberg's collection of art works was sold after his death by Jan Herman van Heek, a descendant of the well-known van Heek textile family. It formed the core of the Huis Bergh's art collection.[3]

Church interiors from Mengelberg studios

Cologne Cathedral interior
St. Willibrord Church interior, Utrecht
St. Nicholas Basilica, IJsselstein

Mengelberg built church furniture and other interior items for the following churches.[2]

References

  1. 1 2 3 BWN, pp. 389–391
  2. 1 2 3 Biography of Mengelbergs
  3. 1 2 3 4 Huygens Institute for Dutch History
  4. 1 2 3 Sculptor Mengelberg
  5. ↑ Generation X – The Legacy of Johannes Anthonius

Sources

Charité, J., and Ivo Schöffer. Biografisch woordenboek van Nederland. 's-Gravenhage: Nijhoff, 1979.
Newberry Library call number: Ref CT 1143 .B56 The Newberry Library, Chicago, Il 60610
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