Franck Amsallem

Franck Amsallem
Background information
Born (1961-10-25) 25 October 1961
Origin Oran, French Algeria
Genres Jazz
Occupation(s) Musician, composer, arranger, conductor
Instruments Piano, vocals
Labels Sunnyside Records, Naive, Nocturne
Associated acts Gerry Mulligan, Joe Chambers, Gary Peacock, Bill Stewart, Joshua Redman, Maria Schneider, Jerry Bergonzi, Charles Lloyd, Bobby Watson, Stephane Belmondo, Rick Margitza
Website amsallem.com

Franck Amsallem is a French-American jazz pianist, arranger, composer and also singer. He was born in 1961 in Oran, French Algeria, but grew up in Nice, France.[1]

He started learning the piano at age 7 and also took up the classical saxophone at the local conservatory. Early in his studies he was able to hear such artists as Thad Jones, Count Basie, Charles Mingus, Bill Evans, Sonny Stitt and Stan Getz live at the Grande Parade du Jazz in Nice. By high school, he was playing in dance bands throughout the Cote d'Azur and featured in an INA documentary titled "La Leçon de Musique" as a student of John Lewis. In 1981, as a young adult he received a full scholarship to study at the Berklee College of Music[2] with Herb Pomeroy, and Michael Gibbs and moved to NYC in 1986 to attend the Manhattan School of Music to study jazz composition with Bob Brookmeyer. He also continued his classical piano studies with Phillip Kawin while playing jazz in and around New York. He has since accompanied or collaborated with Gerry Mulligan, Joe Chambers, Gary Peacock, Bill Stewart, Joshua Redman, Maria Schneider, Jerry Bergonzi, Charles Lloyd, Bobby Watson, Kevin Mahogany, Herb Pomeroy, Bob Brookmeyer, Bob Belden, Sonny Fortune, Sara Lazarus, Elisabeth Kontomanou, Tim Ries, Stephane Belmondo, Rick Margitza, Blood, Sweat & Tears, and Harry Belafonte, among many others.

In 1989, Amsallem's composition "Obstinated" was performed by the Mel Lewis Jazz Orchestra, now known as the Vanguard Jazz Orchestra. He has since written, conducted and recorded big band music for the Köln Radio Jazz Orchestra (WDR), the Orchestre National de jazz (France), chamber cross-over music for the Prism Sax Quartet, Chicago's chamber ensemble Fulcrum Point and cross-over symphonic pieces as well as big band music for the Mancini Institute. He has taught or given workshops at New York's 92Y, Paris' CNSM, CRR, the Royal conservatory in Den Haag, and in many other countries. His 1990 recording debut, Out a Day, featuring Gary Peacock on bass and Bill Stewart on drums, was produced at the Clinton Recording Studios in Manhattan. The album was reviewed by the Penguin Guide to Jazz Recordings, which gave it four stars (maximum rating).[3] He has recorded a total of 9 CDs under his name, and often performs all around the world (United States, the Netherlands, Israël, The Émirates, Algéria, China, South Africa, Portugal, South and Central America, Vietnam, Indonesia, Sénégal).

Amsallem has received several awards, including a Composition Fellowship from the National Endowment for the Arts, the ASCAP award for Young composers, a FAJE Award (French American Jazz Exchange) and the Fondation de la Vocation Award from France. He toured throughout 2011 in South America, Europe and Asia, and performed at the Java Jazz Festival, on its way to solo concerts in Vietnam.

in 2009 Amsallem released a solo cd showcasing his singing along with his piano playing.[4] His latest trio recording, Franck Amsallem Sings Vol. II, was released in September 2014.

He returned to Paris to live and work in 2001.

Recordings as a leader

Recordings as a sideman

Awards

References

  1. Cook, Richard; Morton, Brian. The Penguin guide to jazz on CD. Penguin. p. 38. ISBN 0-14-051521-6.
  2. "Take Five With Franck Amsallem". All About Jazz. 2010-01-28. Retrieved 2010-09-08.
  3. Cook, Richard; Morton, Brian. The Penguin guide to jazz on CD. Penguin. p. 38. ISBN 0-14-051521-6.
  4. Lindsay, Bruce (2010). "Amsallem Sings". All About Jazz. Retrieved 2010-09-08.

External links

Sources

This article is issued from Wikipedia - version of the Tuesday, January 19, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.