Evolution (Teddy Charles album)
Evolution | ||||
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Studio album by Teddy Charles | ||||
Released | 1957 | |||
Recorded |
August 31, 1953 and January 6, 1955 Los Angeles, California and Van Gelder Studio, Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 34:14 | |||
Label |
Prestige PRLP 7078 | |||
Producer | Bob Weinstock (tracks 1-6), Teddy Charles (tracks 7 & 8) | |||
Teddy Charles chronology | ||||
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Evolution is an album by jazz vibraphonist and pianist Teddy Charles recorded in 1953 and 1955 for the Prestige label.[1][2]
Reception
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [3] |
The Allmusic review by Scott Yanow stated "Although somewhat overlooked in the jazz history books, vibraphonist Teddy Charles was for a period an important participant in the early Third Stream movement, using aspects of classical music to revitalize West Coast-style jazz... This session alternates cookers with sensitive ballads and is one of the better recorded showcases for Charles' vibes. Recommended".[3]
Track listing
All compositions by Teddy Charles except as indicated
- "Violetta" - 3:37
- "The Night We Called It a Day" (Tom Adair, Matt Dennis) - 2:41
- "Jay Walkin'" - 3:36
- "Speak Low" (Ogden Nash, Kurt Weill) - 3:16
- "Relaxo Abstracto" - 5:23
- "I Can't Get Started" (Vernon Duke, Ira Gershwin) - 7:10
- "Free" (Shorty Rogers) - 4:18
- "Evolution" (Jimmy Giuffre) - 4:13
- Recorded in Los Angeles, California on August 31, 1953 (tracks 7 & 8) and at Van Gelder Studio, Hackensack, New Jersey on January 6, 1955 (tracks 1-6)
Personnel
- Teddy Charles - vibraphone, piano
- Shorty Rogers - trumpet (tracks 7 & 8)
- Jimmy Giuffre - tenor saxophone, baritone saxophone (tracks 7 & 8)
- J. R. Monterose - tenor saxophone (tracks 1-6)
- Curtis Counce (tracks 7 & 8), Charles Mingus (tracks 1-6) - bass
- Shelly Manne (tracks 7 & 8), Jerry Segal (tracks 1-6) - drums
References
- ↑ Prestige Records discography accessed July 25, 2013
- ↑ Cohen, N. Teddy Charles Discography, accessed July 25, 2013
- 1 2 Yanow, S. Allmusic Review accessed July 25, 2013
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