Enola Gay (song)

"Enola Gay"
Cover of the original 7" single, designed by Peter Saville.
Single by Orchestral Manoeuvres in the Dark
from the album Organisation
B-side	"Annex"
Released	26 September 1980 (1980-09-26)
Format	7" vinyl 12" vinyl
Recorded	Ridge Farm Studio, Dorking, 1980
Genre	Synthpop[1][2]
Length	3:33
Label	Dindisc
Writer(s)	Andy McCluskey
Producer(s)	Orchestral Manoeuvres in the Dark Mike Howlett
Orchestral Manoeuvres in the Dark singles chronology
"Messages" (1980) "Enola Gay" (1980) "Souvenir" (1981)
Alternative cover Cover of the 12" remix single released in 2003.

"Enola Gay" is an anti-war song by the British synthpop group Orchestral Manoeuvres in the Dark (OMD). It was the only single from the band's 1980 album, Organisation.

Written by Andy McCluskey, it addresses the atomic bombing of Hiroshima on 6 August 1945, during the final stages of World War II, and directly mentions three components of the attack: the Boeing B-29 Superfortress Enola Gay, which dropped the nuclear weapon Little Boy on Hiroshima at "8:15".

"Enola Gay" has come to be regarded as one of the great pop songs. Critic Ned Raggett in AllMusic lauded the track as "astounding...a flat-out pop classic – clever, heartfelt, thrilling, and confident, not to mention catchy and arranged brilliantly";^[3] colleague Dave Thompson called it a "perfect synth-dance-pop extravaganza."^[4] It featured in MusicRadar's "The 40 Greatest Synth Tracks Ever" in 2009, who noted that the song "includes some of the biggest synth hooks of all time."^[5] In 2012, NME listed the track among the "100 Best Songs of the 1980s", describing McCluskey's vocal as "brilliantly quizzical" and the song as a "pop classic".^[6] It was selected by the BBC for use during the opening ceremony of the 2012 Summer Olympics in London.^[7]

When released as a single, "Enola Gay", was misperceived by listeners with little knowledge of the Hiroshima bombing as a cryptic identification of the band as homosexual;^[2] the track was banned from being played on popular BBC1 programme Swap Shop for fear that it would serve as a corrupting sexual influence on children.^[8] Nevertheless, it was an enormous success, going on to sell more than 5 million copies internationally.^[9] The song was a hit in many countries, topping the charts in France, Italy and Portugal.^[10] It was a sleeper hit in OMD's native UK: the track entered the UK Singles Chart at number 35,^[11] but climbed 27 places over the next 3 weeks to reach a peak of number 8,^[12] thus becoming the group's first Top 10 hit in their home country.

Arrangement

Typical of early OMD compositions, the track does not feature a vocal chorus,^[13] and is recognisable by its strong,^[14] distinctive^[15] lead synthesizer hook and ambiguous lyrical content.^[16]

In a 2012 interview, the band mentioned that most of the melodic parts were recorded on a Korg Micro-Preset, and that the drum machine sound was "about the last thing to go on" the recording.^[16] The song is based on the 50s progression, which repeats throughout the entire song.

Title

The song is named after the Enola Gay, the USAAF B-29 Superfortress bomber that carried Little Boy, the first atomic bomb to be used in an act of war, dropped on the Japanese city of Hiroshima on 6 August 1945, killing more than 100,000 of its citizens. The name of the bomber itself was chosen by its pilot, Colonel Paul Tibbets, who named it after his mother, Enola Gay Tibbets (1893–1983), who had been named for the heroine of the novel Enola; or, Her fatal mistake.^{[N 1]}

Lyrics

The lyrics to the song reflect on the decision to use the bomb and ask the listener to consider whether the bombings were necessary ("It shouldn't ever have to end this way").^[18] The phrase, "Is mother proud of Little Boy today?", is an allusion to both the nickname of the uranium bomb, as well as the fact that pilot Paul Tibbets named the aircraft after his mother. The phrase, "It's 8:15, and that's the time that it's always been", refers to the time of detonation over Hiroshima at 8:15am JST; as many timepieces were 'frozen' by the effects of the blast, it becomes 'the time that it's always been'. The song was also released during controversy surrounding the British Prime Minister Margaret Thatcher's decision to allow US nuclear missiles to be stationed in Britain.^[4]

Music video

The music video begins by showing speeded-up footage of clouds passing through the sky. After the opening riff, which is shown as just the keyboardist's hands playing it whilst being animated using digital rotoscoping, it shows a transparent video image of McCluskey vocalising and playing a bass guitar. The still photo from the album cover is taken from the video.

Track listing

1980 original release

The 12" single contained the same tracks as on the 7".

2003 remix 12"

Charts and certifications

Alternate versions

In 1998, David Guetta & Joachim Garraud and Sash! made remixed versions of the song for the intended second disc of The OMD Singles. The second disc was dropped, and eventually only the Sash! remix appeared on The OMD Remixes EPs. In 2003 the double disc version was released in France only, which included the remixed versions by Guetta and Garraud as well.^[28] The Guetta and Garraud remixes were released on a limited 12" to promote the compilation album.^[29]

An early version of the song with a slightly different arrangement appears on the group's Peel Sessions 1979–1983 album. A live performance, recorded at the Guildhall in Portsmouth, England on 19 September 1980, is featured in the film Urgh! A Music War.^[30]

Cover versions

Spanish pop rock group Los Petersellers included in their second LP Contra la amenaza del Dr. Thedio (1997) a cover (many of their songs are covers) with the music of "Enola Gay" and self-penned Spanish lyrics, with the title "Manolo es Gay" (Manolo Is Gay). Serbian punk rock band KBO! recorded a version on their 2001 cover album (Ne) Menjajte Stanicu ((Do Not) Change The Station).^[31] Also in 2001, the indie synthpop band The Faint covered the song on Messages: Modern Synthpop Artists Cover Orchestral Manoeuvres in the Dark.^[32]

The song was covered several times in 2007. Swedish artist Sommarkillen made a cover of the song called "Sommartjej" with new Swedish lyrics; the Danish electropop trio, Oliver North Boy Choir (formerly called Pierre) also recorded it. This track was posted on many MP3 blogs. In June 2007, José Galisteo released his cover of it on his debut album, Remember.^[33] German techno group Scooter also covered the song on their 2007 album Jumping All Over the World.^[34] There was also a 2007 dance version (with multiple remixes) of the single recorded by a French band Digital Air.

Home computer influence

The song is popular with early home computer enthusiasts being used in popular computer demos such as Swinth (Commodore 64).^[35] Hackers also enjoy Enola Gay; it can be found as the "music bed" for numerous mega-demos and "cracktro" found on releases by warez groups like The Beastie Boys).^[36]

16-Bit computers brought with them the popular music tracker format where no fewer than a dozen versions exist.^[37]

Mash ups

In 2010, Katy Perry's hit song "Teenage Dream" was "mashed up" with Enola Gay by the group DJs From Mars under the title "Teenage Gay".^[38]

Waltz with Bashir

The song was featured in the critically acclaimed 2008 Israeli film Waltz with Bashir, directed by Ari Folman, which documented the experiences of Folman as a young soldier in the 1982 Lebanon War. The track also features on the Max Richter soundtrack of the film.

See also

• "Manhattan Project", a song by Rush
• List of anti-war songs

Notes

References

External links

• "Enola Gay" at Discogs (list of releases)