Emerald Tablet

An imaginative 17th century depiction of the Emerald Tablet from the work of Heinrich Khunrath, 1606.

The Emerald Tablet, also known as the Smaragdine Table, or Tabula Smaragdina, is a compact and cryptic piece of Hermetica reputed to contain the secret of the prima materia and its transmutation. It was highly regarded by European alchemists as the foundation of their art and its Hermetic tradition. The original source of the Emerald Tablet is unknown. Although Hermes Trismegistus is the author named in the text, its first known appearance is in a book written in Arabic between the sixth and eighth centuries. The text was first translated into Latin in the twelfth century. Numerous translations, interpretations and commentaries followed.

The layers of meaning in the Emerald Tablet have been associated with the creation of the philosopher's stone, laboratory experimentation, phase transition, the alchemical magnum opus, the ancient, classical, element system, and the correspondence between macrocosm and microcosm.

Textual history

The text of the Smaragdine Tablet gives its author as Hermes Trismegistus ("Hermes the Thrice-Greatest"), a legendary Hellenistic[1] combination of the Greek god Hermes and the Egyptian god Thoth.[2] Despite the claims of antiquity, it's believed to be an Arabic work written between the sixth and eighth centuries.[3] The oldest documentable source of the text is the Kitāb sirr al-ḫalīqa (Book of the Secret of Creation and the Art of Nature), itself a composite of earlier works. This volume is attributed to "Balinas" (or Pseudo-Apollonius of Tyana) who wrote sometime around the eighth century.[4] In his book, Balinas frames the Emerald Tablet as ancient Hermetic wisdom. He tells his readers that he discovered the text in a vault below a statue of Hermes in Tyana, and that, inside the vault, an old corpse on a golden throne held the emerald tablet.[5]

Following Balinas, an early version of the Emerald Tablet appeared in Kitab Ustuqus al-Uss al-Thani (Second Book of the Elements of Foundation) attributed to Jabir ibn Hayyan.[6] The Smaragdine Tablet was first translated into Latin in the twelfth century by Hugo von Santalla.[7] The text is also in an enlarged thirteenth century edition of Secretum Secretorum (also known as Kitab Sirr al-Asrar).

The tablet text

A 17th-century edition.

Newton's translation

A translation by Isaac Newton is found among his alchemical papers that are currently housed in King's College Library, Cambridge University.[8]

  1. Tis true without error, certain & most true.
  2. That which is below is like that which is above & that which is above is like that which is below to do the miracles of one only thing
  3. And as all things have been & arose from one by the mediation of one: so all things have their birth from this one thing by adaptation.
  4. The Sun is its father, the moon its mother, the wind hath carried it in its belly, the earth is its nurse.
  5. The father of all perfection in the whole world is here.
  6. Its force or power is entire if it be converted into earth.
  7. Separate thou the earth from the fire, the subtle from the gross sweetly with great industry.
  8. It ascends from the earth to the heaven & again it descends to the earth & receives the force of things superior & inferior.
  9. By this means you shall have the glory of the whole world
  10. & thereby all obscurity shall fly from you.
  11. Its force is above all force. For it vanquishes every subtle thing & penetrates every solid thing.
  12. So was the world created.
  13. From this are & do come admirable adaptations whereof the means (or process) is here in this. Hence I am called Hermes Trismegist, having the three parts of the philosophy of the whole world
  14. That which I have said of the operation of the Sun is accomplished & ended.

Theatrum Chemicum translation

Another translation can be found in Theatrum Chemicum, Volume IV (1613), in Georg Beatus' Aureliae Occultae Philosophorum:[9][10]

  1. This is true and remote from all cover of falsehood
  2. Whatever is below is similar to that which is above. Through this the marvels of the work of one thing are procured and perfected.
  3. Also, as all things are made from one, by the [consideration] of one, so all things were made from this one, by conjunction.
  4. The father of it is the sun, the mother the moon. The wind bore it in the womb. Its nurse is the earth, the mother of all perfection.
  5. Its power is perfected. If it is turned into earth,
  6. Separate the earth from the fire, the subtle and thin from the crude and [coarse], prudently, with modesty and wisdom.
  7. This ascends from the earth into the sky and again descends from the sky to the earth, and receives the power and efficacy of things above and of things below.
  8. By this means you will acquire the glory of the whole world,
  9. And so you will drive away all shadows and blindness.
  10. For this by its fortitude snatches the palm from all other fortitude and power. For it is able to penetrate and subdue everything subtle and everything crude and hard.
  11. By this means the world was founded
  12. And hence the marvelous conjunctions of it and admirable effects, since this is the way by which these marvels may be brought about.
  13. And because of this they have called me Hermes Tristmegistus since I have the three parts of the wisdom and philosophy of the whole universe.
  14. My speech is finished which I have spoken concerning the solar work

Latin text

Latin text of the Emerald Tablet, from De Alchimia, Chrysogonus Polydorus, Nuremberg 1541[11]

Original edition of the Latin text. (Chrysogonus Polydorus, Nuremberg 1541):

  1. Verum, sine mendacio, certum et verissimum:
  2. Quod est inferius est sicut quod est superius, et quod est superius est sicut quod est inferius, ad perpetranda miracula rei unius.
  3. Et sicut res omnes fuerunt ab uno, meditatione unius, sic omnes res natae ab hac una re, adaptatione.
  4. Pater eius est Sol. Mater eius est Luna, portavit illud Ventus in ventre suo, nutrix eius terra est.
  5. Pater omnis telesmi[12] totius mundi est hic.
  6. Virtus eius integra est si versa fuerit in terram.
  7. Separabis terram ab igne, subtile ab spisso, suaviter, magno cum ingenio.
  8. Ascendit a terra in coelum, iterumque descendit in terram, et recipit vim superiorum et inferiorum.
  9. Sic habebis Gloriam totius mundi.
  10. Ideo fugiet a te omnis obscuritas.
  11. Haec est totius fortitudinis fortitudo fortis, quia vincet omnem rem subtilem, omnemque solidam penetrabit.
  12. Sic mundus creatus est.
  13. Hinc erunt adaptationes mirabiles, quarum modus est hic. Itaque vocatus sum Hermes Trismegistus, habens tres partes philosophiae totius mundi.
  14. Completum est quod dixi de operatione Solis.

Influence

In its several Western recensions, the Tablet became a mainstay of medieval and Renaissance alchemy. Commentaries and/or translations were published by, among others, Trithemius, Roger Bacon, Michael Maier, Aleister Crowley, Albertus Magnus, and Isaac Newton. The concise text was a popular summary of alchemical principles, wherein the secrets of the philosopher's stone were thought to have been described.[13]

The fourteenth century alchemist Ortolanus (or Hortulanus) wrote a substantial exegesis on The Secret of Hermes, which was influential on the subsequent development of alchemy. Many manuscripts of this copy of the Emerald Tablet and the commentary of Ortolanus survive, dating at least as far back as the fifteenth century. Ortolanus, like Albertus Magnus before him saw the tablet as a cryptic recipe that described laboratory processes using deck names (or code words). This was the dominant view held by Europeans until the fifteenth century.[14]

By the early sixteenth century, the writings of Johannes Trithemius (1462–1516) marked a shift away from a laboratory interpretation of the Emerald Tablet, to a literal approach. Trithemius equated Hermes' one thing with the monad of pythagorean philosophy and the anima mundi. This interpretation of the Hermetic text was adopted by alchemists such as John Dee, Heinrich Cornelius Agrippa and Gerhard Dorn.[15]

C.G. Jung identified The Emerald Tablet with a table made of green stone which he encountered in the first of a set of his dreams and visions beginning at the end of 1912, and climaxing in his writing Seven Sermons to the Dead in 1916. Historians of science, Eric John Holmyard (1891-1959) and Julius Ruska (1867-1949) also studied the tablet in the twentieth century. Because of its longstanding popularity, the Emerald Tablet is the only piece of non-Greek Hermetica to attract widespread attention in the West.

See also

References

  1. ↑ Hart, G., The Routledge Dictionary of Egyptian Gods and Goddesses, 2005, Routledge, second edition, Oxon, p 158
  2. ↑ (Budge The Gods of the Egyptians Vol. 1 p. 415)
  3. ↑ Nicholas Goodrick-Clarke. The Western Esoteric Traditions : A Historical Introduction. Oxford University Press, 2008. p. 34.
  4. ↑ Katharine Park, Lorraine Daston. The Cambridge History of Science: Volume 3, Early Modern Science. Cambridge University Press, 2006. p.502
  5. ↑ Florian Ebeling. The Secret History of Hermes Trismegistus: Hermeticism from Ancient to Modern Times. Cornell University Press, 2007. p. 46-47, 96
  6. ↑ M. Th Houtsma. First Encyclopaedia of Islam: 1913-1936 p. 594
  7. ↑ Florian Ebeling. The Secret History of Hermes Trismegistus: Hermeticism from Ancient to Modern Times. Cornell University Press, 2007. p. 49
  8. ↑ Isaac Newton. "Keynes MS. 28". The Chymistry of Isaac Newton. Ed. William R. Newman June 2010. Retrieved March 4, 2013 from: http://purl.dlib.indiana.edu/iudl/newton/ALCH00017
  9. ↑ Georgio Beato. Aurelium Occultae Philosophorum. [Davis 1926: 874.] Retrieved March 4, 2013 from http://www.levity.com/alchemy/emerald.html
  10. ↑ Text has been renumbered to match Latin translation
  11. ↑ Chrysogonus Polydorus (1545) Alchemiae Gebri Arabis philosophi solertissimi libri, cum reliquis, ut versa pagella indicabit https://archive.org/details/alchemiaegebriar00jabi
  12. ↑ Sometimes written Thelesmi. This indicates a Greek origin. The Latin word "Tela" (ae,fem.) roughly means "loom" or "incomplete cloth". The true meaning of the word is somewhat obscure. On the other hand, telesmi appears to be the Latin translitteration of the plural form of the Greek word τελεσμός (telesmós), whose meaning is "consecration"; see: Lorenzo Rocci, Vocabolario greco-italiano, Roma-Città di Castello, Ed. Soc. Dante Alighieri - Ed. S. Lapi, 1952.
  13. ↑ Stanton Linden. The Alchemy Reader: From Hermes Trismegistus to Isaac Newton. Cambridge University Press, 2003 p. 27
  14. ↑ Allen G. Debus. Alchemy and Early McDern Chemistry: Papers from Ambix. Jeremy Mills Publishing, 2004. p.415
  15. ↑ Allen G. Debus. Alchemy and Early McDern Chemistry: Papers from Ambix. Jeremy Mills Publishing, 2004. p.415

Further reading

External links

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