Desperado (Eagles album)

Desperado
Studio album by Eagles
Released April 17, 1973 (1973-04-17)[1]
Recorded 1973
Studio Island Studios, London, England[2]
Genre
Length 35:40[1]
Label Asylum
Producer Glyn Johns[2]
Eagles chronology
Eagles
(1972)
Desperado
(1973)
On the Border
(1974)
Singles from Desperado
  1. "Tequila Sunrise"
    Released: April 17, 1973
  2. "Outlaw Man"
    Released: August 6, 1973
Professional ratings
Review scores
SourceRating
AllMusic[3]
Robert ChristgauC[4]
Rolling Stone[5]

Desperado is the second studio album by the American band the Eagles. It was recorded at Island Studios in London, England and released in 1973. The songs on Desperado are based on the themes of the Old West. The band members are featured on the album's cover dressed like an outlaw gang; Desperado remains the only Eagles album where the band members appear on the front cover.

Although the title track is one of the Eagles' signature songs, it was never released as a single. The song "Desperado" was ranked No. 494 on Rolling Stone's 2004 list of "The 500 Greatest Songs of All Time". The album did yield two singles, though: "Tequila Sunrise" and "Outlaw Man". Those two singles reached No. 64 and No. 59 respectively. The album reached No. 41 on the Billboard album chart and was certified Gold by the RIAA on September 23, 1974, and double platinum on March 20, 2001.[6]

Desperado was the last Asylum Records album to be distributed in North America by Atlantic Records (catalog no. SD 5068), prior to Asylum's mid-1973 merger with Elektra Records by Asylum's, Elektra's and Atlantic's parent company, Warner Communications.

Background

Originally, Don Henley, Glenn Frey, Jackson Browne, and J. D. Souther were working on a series of songs about anti-heroes, but ran out of ideas after writing "Doolin' Dalton" and "James Dean".[7] According to Glenn Frey, the four of them of were jamming together after a attending a Tim Hardin concert when they had the idea about doing an album about anti-heroes. One inspiration is a book on gunfighters of the Wild West that includes stories about Bill Dalton and Bill Doolin that Browne showed them, from this came the song "Doolin' Dalton".[8] Although the idea for anti-heroes was shelved, the album would became Western-themed Desperado.

According to Browne, it was the song "Desperado" Frey and Henley wrote that gave rise to the idea of the new theme of the album. According Bernie Leadon, Frey liked the idea of an analogy between outlaw gangs and rock-and-roll. Once the idea of an outlaw gang took hold, Leadon said: "Glenn sat everybody down and mapped out which characters in the gang could have songs written about them, or encouraged us to write songs about this concept."[8] After a commercially successful first album, Frey wanted the second album to be one where they could be taken seriously as artists. According to Henley, the album would have been their their "big artistic commentary on the evils of fame and success, with a cowboy metaphor."[9] Henley however added: "The metaphor was probably a little bullshit. We were in L.A. staying up all night, smoking dope, living the California life, and I suppose we thought it was as radical as cowboys in the old West. We were really rebelling against the music business, not society." Part of the reasons for their dissatisfaction was with David Geffen who had sold the independent Asylum label to a major label Warner-Elektra-Atlantic Records.[10]

The other songs in the album quickly came together after the theme for the album had been decided. However, even though the album is sometimes described as a concept album, the album does not have a specific narrative and the songs do not necessarily fit in with the theme explicitly.[8][1] Henley regarded the writing of the song "Desperado" as the beginning of his songwriting partnership with Frey, and said: "That’s when we became a team."[11] "Tequila Sunrise" was written soon after "Desperado" in the same week;[11] in all Frey and Henley were involved in writing of 8 of the 11 songs in the album. Leadon wrote two of the songs - "Twenty-One" and "Bitter Creek", while Randy Meisner wrote most of "Certain Kind of Fool". The only song on the album not written by the band members of Eagles, Browne, and Souther is "Outlaw Man", which is written by David Blue and chosen as it fits in with the theme of the album.[8]

The album was recorded at the Island Studios in London, which took four weeks at a cost of £30,000.[12] The album was released in April 1973, but it was not a commercial success initially - it is Eagles' lowest charting album and it produced no hit song, as both singles released from the album, "Tequila Sunrise" and "Outlaw Man", failed to reach top 50 on the main singles chart.[13] The album however would eventually be certified double Platinum by the RIAA, indicating shipment of 2 million copies in the United States.[6][14]

The film director Sam Peckinpah had planned to use the album as the basis for a film, however, the plan did not come to fruition.[15]

Album artwork

The photograph on the back cover as a reenactment of the capture of the Dalton Gang. On the ground are Jackson Browne, Bernie Leadon, Glenn Frey, Randy Meisner, Don Henley, J. D. Souther

The artwork for the album was by photographer Henry Diltz and album cover artist Gary Burden who were also responsible for the Eagles' first album. To illustrate the theme for the music in the album, the original concept was for a gatefold double album with the band dressed as outlaws on the front cover with images of gunfight and the Wild West inside.[16] The centerfold however was scrapped by David Geffen. On the back of the album is an image of all four members of the band together Jackson Browne and J. D. Souther lying dead and bound on the ground, with a posse including the producer Glyn Johns (far right in a white hat), manager John Hartmann, road manager Tommy Nixon, and Gary Burden (far left) standing over them.[17] The photo is meant to be an reenactment of the historic image of the capture and death of the Dalton Gang. Jackson Browne said that the image on the back cover with the musicians lying dead is when the "whole thing really comes together".[8]

The photo shoot took place at the Paramount Ranch, an old film set for Western movies in Malibu Canyon.[18] It was however an expensive shoot, and to justify the cost, a promotional film for the album was also made at the same time, shot on super-8, then sepia-tinted, and transferred to videotape.[19]

Critical reception

Paul Gambaccini of Rolling Stone gave the album a positive review on its release in 1973. He wrote: "The beautiful thing about it is that although it is a unified set of songs, it is not a rock opera, a concept album, or anything pretending to be much more than a set of good tunes that just happen to fit together." In conclusion, he wrote: "Desperado won't cure your hangover or revalue the dollar, but it will give you many good times. With their second consecutive job well done, the Eagles are on a winning streak."[20] Robert Christgau however took the view that "with its barstool-macho equation of gunslinger and guitarschlonger, its on-the-road misogyny, its playing-card metaphors, and its paucity of decent songs, this soundtrack to an imaginary Sam Peckinpah movie is "concept" at its most mindless."[4] AllMusic editor William Ruhlmann praised that Henley had more involvement with the album, but wrote that it "was simultaneously more ambitious and serious-minded than its predecessor and also slighter and less consistent."[1]

The album is now considered by some critics to be the one of the significant albums of country rock.[21][22][23] Music writer John Einarson argued in his book Desperados: The Roots of Country Rock that despite its weak initial sales, the album "would set the tone for all the later soft country rock sounds, and impact what would become the foundation of "new country", in both image and music."[24]

Track listing

Side one
  1. "Doolin-Dalton" (Glenn Frey, J. D. Souther, Don Henley, Jackson Browne) – 3:26
    • Lead vocals by Don Henley and Glenn Frey, acoustic guitar and harmonica by Glenn Frey lead guitar by Bernie Leadon
  2. "Twenty-One" (Bernie Leadon) – 2:11
  3. "Out of Control" (Henley, Frey, Tom Nixon) – 3:04
  4. "Tequila Sunrise" (Henley, Frey) – 2:52
    • Lead vocals and acoustic guitar by Glenn Frey, lead guitar and mandolin by Bernie Leadon
  5. "Desperado" (Henley, Frey) – 3:36
    • Lead vocals by Don Henley, piano by Glenn Frey
Side two
  1. "Certain Kind of Fool" (Randy Meisner, Henley, Frey) – 3:02
    • Lead vocals by Randy Meisner, acoustic guitar and mandolin by Bernie Leadon, lead guitar by Glenn Frey
  2. "Doolin-Dalton (Instrumental)" (Frey, Souther, Henley, Browne) – 0:48
    • Banjo and mandolin by Bernie Leadon
  3. "Outlaw Man" (David Blue) – 3:34
  4. "Saturday Night" (Meisner, Henley, Frey, Leadon) – 3:20
    • Lead vocals by Don Henley, acoustic guitars by Don Henley and Glenn Frey, second lead vocal by Randy Meisner, mandolin by Bernie Leadon
  5. "Bitter Creek" (Leadon) – 5:00
    • Lead vocals and acoustic guitar by Bernie Leadon
  6. "Doolin-Dalton/Desperado (Reprise)" (Frey, Souther, Henley, Browne) – 4:50
    • Lead vocals by Don Henley, banjo and Dobro by Bernie Leadon lead guitar and rhythm acoustic guitar by Glenn Frey

Personnel

Production

Charts and certifications

Album

Chart (1973-75) Peak
position
Canada RPM 100 Albums[25] 35
Dutch Albums (MegaCharts)[26] 5
New Zealand (Top 50 Albums)[27] 40
UK (The Official Charts Company)[28] 39
US Billboard 200[29] 41

Singles

Year Single Peak chart positions
US
[30]
US
AC

[31]
CAN
[32]
CAN
AC

[33]
1973 "Tequila Sunrise" 64 26 68 81
1973 "Outlaw Man" 59
"—" denotes releases that did not chart.

Certifications

Region Certification Sales/shipments
United States (RIAA)[34] 2× Platinum 2,000,000^

*sales figures based on certification alone
^shipments figures based on certification alone
xunspecified figures based on certification alone

References

  1. 1 2 3 4 William Ruhlmann. "Eagles: Desperado". Allmusic. Rovi Corporation.
  2. 1 2 Desperado (CD liner). Eagles. Asylum Records. 1973. 5068-2.
  3. Ruhlmann, William. "Desperado". Allmusic. Retrieved September 10, 2013.
  4. 1 2 Christgau, Robert. "The Eagles: Desperado". Robert Christgau.com. Retrieved September 10, 2012.
  5. Brackett, Nathan; Hoard, Christian David (2004). Eagles. Simon and Schuster. Retrieved August 26, 2012.
  6. 1 2 "American album certifications – Eagles – Desperado". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
  7. The Very Best of the Eagles (CD). Eagles. Warner Music Group. 2003. R2 73971.
  8. 1 2 3 4 5 Graeme Thomson (May 21, 2014). "The Eagles on Desperado: "We were quite taken with the idea of being outlaws..."". Uncut.
  9. Eliot, Marc (2004). To The Limit: The Untold Story of the Eagles. Da Capo Press. p. 92. ISBN 9780306813986.
  10. Barney Hoskyns (December 9, 2010). Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles, and Their Many Friends. John Wiley & Sons. p. 195. ISBN 9781118040508.
  11. 1 2 Cameron Crowe (August 2003). "Conversations With Don Henley and Glenn Frey". The Uncool.
  12. Graeme Thomson (May 21, 2014). "The Eagles on Desperado: "We were quite taken with the idea of being outlaws..."". Uncut.
  13. Michael Gallucci (April 17, 2013). "40 Years Ago: The Eagles’ ‘Desperado’ Album Released". Ultimate Classic Rock.
  14. Jill Pesselnick (May 5, 2001). "Eagles, Madonna Achieve Historic Certification". Billboard.
  15. Paul Kingsbury, ed. (April 11, 2004). The Encyclopedia of Country Music: The Ultimate Guide to the Music. Oxford University Press. ISBN 9780199840441.
  16. Andrew Vaughan (February 1, 2015). The Eagles FAQ: All That's Left to Know About Classic Rock's Superstars. Backbeat Books. ISBN 9781617136238.
  17. "Eagles, 'Desperado' Shoot". Rolling Stone.
  18. Andrew Vaughan (February 1, 2015). The Eagles FAQ: All That's Left to Know About Classic Rock's Superstars. Backbeat Books. ISBN 9781617136238.
  19. Eliot, Marc (2004). To The Limit: The Untold Story of the Eagles. Da Capo Press. p. 96. ISBN 9780306813986.
  20. Paul Gambaccini (May 10, 1973). "Desperado". Rolling Stone.
  21. Linda Ryan at al. "50 Rock Albums Every Country Fan Should Own". Rolling Stone.
  22. Robert Silva. "Top 10 Country Rock Albums". About.com.
  23. "The Eagles: Desperado (1973)". Volt and Volume.
  24. John Einarson (January 16, 2001). Desperados: The Roots of Country Rock. Cooper Square Press. p. 241. ISBN 978-0815410652.
  25. "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2012-01-05.
  26. "Dutchcharts.nl – Eagles – Desperado" (in Dutch). Hung Medien.
  27. Steffen Hung. "Eagles - Desperado". charts.org.nz. Retrieved 2012-01-05.
  28. "Eagles - Desperado". Chart Stats. 1976-04-24. Retrieved 2012-01-05.
  29. "Desperado > Charts & Awards > Billboard Albums". Allmusic. Retrieved January 5, 2012.
  30. "Eagles Album & Song Chart History – Hot 100". Billboard. Prometheus Global Media.
  31. "Eagles Album & Song Chart History – Easy Listening". Billboard. Prometheus Global Media.
  32. "RPM100". RPM. August 4, 1973.
  33. "RPM Pop Playlist". RPM. September 15, 1973.
  34. "American album certifications – Eagles – One of These Nights". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
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