Doživjeti stotu

Doživjeti stotu
Studio album by Bijelo Dugme
Released December 12, 1980
Recorded Studio 4, Radio Belgrade
October–November 1980
Genre Rock
New wave
Ska
Length 32:19
Label Jugoton
Producer Goran Bregović
Bijelo Dugme chronology
Bitanga i princeza
(1979)		 Doživjeti stotu
(1980)		 5. april '81
(1981)
Second version of the cover
Third version of the cover

Doživjeti stotu (trans. Live to Be 100) is the fifth studio album by Yugoslav rock band Bijelo Dugme, released in 1980.

The album marked the band's shift from their folk-influenced hard rock sound towards new wave. It is the band's second and the last studio album to feature Zoran "Điđi" Jankelić on drums.

Doživjeti stotu was polled in 1998 as the 35th on the list of 100 greatest Yugoslav rock and pop albums in the book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best Albums of Yugoslav Pop and Rock Music).[1]

Background

At the end of the 1970s and the beginning of the 1980s, the Yugoslav rock scene saw the emergence of the great number of new wave bands, closely associated to the Yugoslav punk rock scene. Bijelo Dugme leader Goran Bregović was fascinated with the new scene; he liked the work of Azra and Prljavo Kazalište.[2] During 1980, the band decided to move towards new sound.[3] In December 1980, Bijelo Dugme released new wave-influenced album Doživjeti stotu.[4]

Doživjeti stotu was the first Bijelo Dugme album produced by the band's guitarist and leader Goran Bregović.[4] Unlike the songs from the band's previous albums, which were prepared much before album recording, most of the songs from Doživjeti stotu were created during the recording sessions.[5] As the recordings had to be finished before the scheduled mastering in London, Bregović had to use cocaine to stay awake, writing the lyrics in the nick of time.[6] The saxophone on the recording was played by jazz saxophonist Jovan Maljoković and avant-garde musician Paul Pignon; Bregović stated that they originally invited Stjepko Gut to play brass sections, but that he refused.[7]

From the songs on the album, only "Pristao sam biću sve što hoće" and "Pjesma mom mlađem bratu" resembled Bijelo Dugme's old sound The songs "Ha ha ha" and "Tramvaj kreće (ili kako biti heroj u ova šugava vremena)" were the first Bijelo Dugme songs to feature political-related lyrics.[4] In accordance with their shift towards new wave, the band changed their hard rock style: the members cut their hair short, and the frontman Željko Bebek shaved his trademark mustache.[8]

Album cover

The provocative cover, which appeared in three different versions, was designed by Mirko Ilić, artist closely associated with the Yugoslav new wave scene.[4] It was the first time that the band did not work with their old collaborator Dragan S. Stefanović on the album cover.[4]

Track listing

All songs written by Goran Bregović, except where noted.

No. TitleLyricsMusic Length
1. "Doživjeti stotu" ("Live to Be 100")D. TrifunovićG. Bregović 3:12
2. "Lova" ("Money")   2:49
3. "Tramvaj kreće (ili Kako biti heroj u ova šugava vremena)" ("Streetcar Is Leaving (Or How to Be a Hero in These Lousy Times)")   3:14
4. "Hotel, motel"     3:33
5. "Pjesma mom mlađem bratu (iz Niša u proljeće '78)" ("A Song for My Little Brother (from Niš in Spring of '78)")   4:14
6. "Čudesno jutro u krevetu gospođe Petrović" ("A Faboulous Morning in the Bed of Mrs. Petrović")   2:29
7. "Mogla je biti prosta priča" ("It Could Have Been a Simple Story")   2:47
8. "Ha, ha, ha"     3:10
9. "Zažmiri i broj" ("Close Your Eyes and Count")   3:45
10. "Pristao sam biću sve što hoće" ("I Accepted, I'll Be Anything They Want")D. TrifunovićG. Bregović 3:01

Personnel

Additional personnel

Reception and reactions

Immediately after the release, the song "Čudesno jutro u krevetu gospođe Petrović" received a radio ban on some radio and TV stations due to the lyric "sve u finu materinu".[8]

Due to the radically new sound, the album was met with a lot of skepticism. However, bandleader Bregović stated as the group prepared to start a tour:

“ It would've been foolish to make this record any different than it is since this is the only way I feel my music at the moment. When I look back, I think this is our first album with this much energy. We're hungry for music and I think our live shows will also be exceptional. The record is all tempo, it's got a lot of text and rhythm and I think the public will like it.[8] ”

Most of the critics, however, praised the album.[8] In the album review published in Duga magazine, Petar Luković wrote:

“ What is especially impressive about Bijelo Dugme is their ability to constantly renew their audience. To recruit from the lines of younger listeners, the very people who, through lyrics and visual image, are ready to accept Dugme as representatives of autonomous rock spirit.[8] ”

At the end of 1980, the readers of Džuboks magazine polled Bijelo Dugme the Band of the Year, Željko Bebek the Singer of the Year, the band's keyboardist Vlado Pravdić the Keyboardist of the Year, Điđi Jankelić the Drummer of the Year, the band's bass guitarist Zoran Redžić the Bass Guitarist of the Year, Goran Bregović the Composer, the Lyricist, the Producer and the Arranger of the Year, Doživjeti stotu the Album of the Year, and Doživjeti stotu cover the Album Cover of the Year.[8]

Former Bijelo Dugme drummer Milić Vukašinović ridiculed Bijelo Dugme's new sound and style in the songs "Poštovani ska ska" ("Dear Mr. Ska Ska) and "Živio rock 'n' roll" ("Long Live Rock 'n' Roll"), released on the 1982 album Živio rock 'n' roll by his hard rock band Vatreni Poljubac.[9]

Legacy

It was interesting to observe if Bregović would manage to get out of having to play the music of twenty-year-olds, but at the same time not to write lyrics as someone who is ten years younger than him [...] Doživjeti stotu had new sound, but old messages. Doživjeti stotu wasn't a teenage rebellion, those were the songs of a man who already had a lot of resignation in his lifetime. There weren't big, breathtaking words of love — and that line of pathos which started with 'Sanjao sam noćas da te nemam', and went through 'Ruzmarin, snjegovi i šaš', could be sensed only in the song 'Hotel, motel'.

“
”

-Dušan Vesić[7]

Doživjeti stotu was polled in 1998 as the 35th on the list of 100 greatest Yugoslav rock and pop albums in the book YU 100: najbolji albumi jugoslovenske rok i pop muzike (YU 100: The Best Albums of Yugoslav Pop and Rock Music).[1]

Covers

References

  1. 1 2 Antonić, Duško; Štrbac, Danilo (1998). YU 100: najbolji albumi jugoslovenske rok i pop muzike. Belgrade: YU Rock Press.
  2. ↑ Vesić, Dušan (2014). Bijelo Dugme: Šta bi dao da si na mom mjestu. Belgrade: Laguna. p. 183.
  3. ↑ Vesić, Dušan (2014). Bijelo Dugme: Šta bi dao da si na mom mjestu. Belgrade: Laguna. p. 184.
  4. 1 2 3 4 5 Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960-2006. Belgrade: self-released. p. 33.
  5. ↑ Vesić, Dušan (2014). Bijelo Dugme: Šta bi dao da si na mom mjestu. Belgrade: Laguna. p. 190.
  6. ↑ Vesić, Dušan (2014). Bijelo Dugme: Šta bi dao da si na mom mjestu. Belgrade: Laguna. p. 191.
  7. 1 2 Vesić, Dušan (2014). Bijelo Dugme: Šta bi dao da si na mom mjestu. Belgrade: Laguna. p. 192.
  8. 1 2 3 4 5 6 Krstulović, Zvonimir (2005). Bijelo Dugme: Doživjeti stotu. Profil. p. 35.
  9. ↑ Janjatović, Petar (2007). EX YU ROCK enciklopedija 1960-2006. Belgrade: self-released. p. 235.
  10. ↑ Disco Rock at Discogs
  11. ↑ Preporučeno at Discogs
  12. ↑ Vještina II at Discogs

External links

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