Dave Dexter, Jr.
David Edwin "Dave" Dexter, Jr. (November 25, 1915 – April 19, 1990) was an American music journalist, record company executive, and producer known primarily for his long association with Capitol Records. He worked with many important figures in jazz and traditional popular music, including Count Basie, Peggy Lee, Duke Ellington, and Frank Sinatra. He is also known for his role in packaging and sometimes altering the recordings of The Beatles for the American market.
Jazz and pop career
Dexter was born and raised in Kansas City, Missouri. His career in music began in journalism, as he wrote about music for the Kansas City Journal-Post and then for Down Beat magazine in the late 1930s and early 1940s. During this time, he produced an album entitled Kansas City Jazz which documented his hometown's jazz scene, showcasing such talents as Count Basie, Lester Young, and Big Joe Turner.[1]
In 1943, Dexter joined Capitol Records, established the previous year, initially writing press releases and doing other publicity work, but eventually rising to the position of A&R representative. Over the next three decades, he signed some of the biggest names in music to the label, including Frank Sinatra, Stan Kenton, Peggy Lee,[2] Nat King Cole, Duke Ellington, Woody Herman and Kay Starr.[1] He produced the first Dixieland recordings to reach the music charts, and was responsible for the landmark 1944 collection The History of Jazz.[3] He also compiled a series of world music albums, Capitol of the World, and served as editor of the company's own publication, Capitol News.[2] His productions included the Duke Ellington classic "Satin Doll".[2]
Dexter wanted the label to focus more on jazz than on rock and roll and hit singles. In a 1956 memo, he complained that the music business was being driven by the tastes of children, and derided current hits by such artists as Elvis Presley and Guy Mitchell as "juvenile and maddeningly repetitive."[4]
The Beatles
After 97% of Capitol stock was acquired by the British company EMI in 1955, Dexter was placed in charge of screening that company's releases to determine if they were suitable for American release. He rejected most, and Capitol gave little promotional support to those records from EMI that were released.[5] When The Beatles were initially signed to EMI's Parlophone label and began to enjoy considerable success in Britain, Dexter turned down their initial releases, believing the group was not suitable for American audiences. In addition, no British pop group had previously had any noticeable, sustained success in the United States. He was finally persuaded to release "I Want To Hold Your Hand" - their fifth UK single - in late 1963.
Dexter oversaw The Beatles' American releases for the next several years, compiling the albums for the different needs of the American market, where albums tended to be shorter than their UK counterparts, and where hit singles were routinely included on albums rather than being considered separate as was then common in the UK. Dexter also remixed some of the recordings, frequently adding reverb and altering the stereo picture.[2] The resulting albums achieved great success, but have often been criticized over the years; critic Dave Marsh, for example, referred to Dexter's treatment of the recordings as "genuine stupidity".[6] The Dexter-produced versions of the Beatles canon were released on CD in the form of the box sets The Capitol Albums, Volume 1 and The Capitol Albums, Volume 2.
Later career
Dexter left Capitol in the mid-1970s; he had been demoted in 1966 to, as he called it, "a job with no title". He subsequently wrote for Billboard magazine;[1] he infamously wrote a highly critical article on John Lennon in the December 20, 1980, issue which featured tributes to Lennon following his 1980 murder. His piece, "Nobody's Perfect", resulted in threats of sponsor boycotts, prompting the magazine to publish an apology and a repudiation of sorts of the claims in Dexter's editorial in the following week's issue. He also produced a radio show entitled Here's to Veterans for the Veterans Administration.[2] While with Billboard, he published an autobiography, entitled Playback;[7] his previous books included Jazz Cavalcade (1946) and The Jazz Story, From the '90s to the '60s (1964). He was a tireless supporter of younger musicians and wrote the liner notes for the Fullerton College Jazz Band's 1983 Down Beat award winning LP Time Tripping released on the Discovery/Trend Records AM-PM label by his longtime friend Albert Marx.
Tributes
Count Basie recorded "Diggin' For Dex" in Dexter's honor, while Jay McShann did likewise with "Dexter's Blues".[1]
Death
Dexter died in his sleep in his home in Sherman Oaks, California on April 19, 1990, at age 74. He had suffered a stroke a few years earlier.[8]
References
- 1 2 3 4 "Dexter, Jr., Dave E. "Dex"". Club Kaycee. University of Missouri-Kansas City. 1996. Retrieved April 14, 2010.
- 1 2 3 4 5 "Dave E. Dexter, Jr. Collection: Biographical Sketch". LaBudde Special Collections Dept. University of Missouri-Kansas City University Libraries. Retrieved April 14, 2010.
- ↑ Levin, Floyd (2000). Classic Jazz: A Personal View of the Music and the Musicians. Berkeley, CA: University of California Press. pp. 259–261. ISBN 0-520-23463-4. Retrieved April 14, 2010.
- ↑ Gould, Jonathan (2007). Can't Buy Me Love: The Beatles, Britain, and America. New York: Harmony Books. p. 198. ISBN 978-0-307-35337-5.
- ↑ Spitz, Bob (2005). The Beatles: The Biography. New York: Little, Brown and Company. p. 387. ISBN 0-316-80352-9.
- ↑ Kirby, David (Dec 2, 2007). "Got A Hold On Me". Book Review. The New York Times. Retrieved April 14, 2010.
- ↑ "Playback: A Newsman-Record Producer's Hits and Misses from the Thirties to the Seventies," New York: Billboard Publications, 1976 [ISBN 0823075893]
- ↑ "Dave Dexter Jr.". Other News To Note Deaths. Orlando Sentinel. April 22, 1990. Retrieved April 14, 2010.
External links
- The Dave E. Dexter, Jr. Collection at the University of Missouri-Kansas City.
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