Christus (opera)
Anton Rubinstein |
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Operas
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Christus is an opera in seven scenes with a prologue and epilogue by Anton Rubinstein, written between the years 1887-1893 to a libretto after a poem by Heinrich Bulthaupt.
Background
Christus was described by its composer as a 'sacred opera'. This is a term invented by Rubinstein, ('geistliche Oper' in German) denoting staged works with 'use of polyphonic choruses and a sober, edifying style relying on ‘exalted declamation’.'[1] Rubinstein composed three other works of this type, Sulamith, Moses and Der Thurm zu Babel (The Tower of Babel). A fifth sacred opera, Cain, was uncompleted at his death.
Rubinstein considered Christus to be his finest composition.[2]
Performance history
Parts of the work were performed in Berlin in April 1894, and Rubinstein conducted a complete performance in Stuttgart on 2 June 1894. This was in fact his last public appearance as a conductor.[3] The work received a further series of complete performances, at Bremen, in 1895. Applause between scenes and after the performance was forbidden.[4] Apparently the work was not revived until a performance in Tyumen in 2002, conducted by the composer's great-grandson, Anton Sharoyev. This was also therefore the work's first performance in Russia. A recording of part of the work was made from live performances under Sharoyev in St. Petersburg in 2003.[5]
Roles
Role | Voice type | Premiere Cast, June 2, 1894 (Conductor:Anton Rubinstein ) |
---|---|---|
Angel of the annunciation | soprano | |
Jesus Christ | tenor | Raimund von zur-Mühlen |
Satan | bass | |
John the Baptist | baritone | |
The Virgin Mary | contralto | |
Pontius Pilate | baritone | |
Judas Iscariot | baritone | |
Mary Magdalene | soprano | |
Chorus: mob, angels, demons, priests etc. |
Synopsis
Christus treats the life of Jesus according to the New Testament. It is made up of the following scenes:
- Outside the stable at Bethlehem; the three kings arrive to pay homage.
- Jesus arguing with Satan in the desert
- His baptism by John
- Jesus performs miracles and defends Mary Magdalene.
- Jesus's anger in the Temple
- The last supper and Jesus's arrest
- The trial before Pilate
- The crucifixion (off-stage): demons and angels battle.
- St Paul leads praise of Christ.
Sources
- Anon, Sleeve notes to recording of Christus; Anton Sharoyev conducting Tyumen State Philharominc Orchestra, 2003,"Zvuk" ZV - 11 03207
- Graham Dixon and Richard Taruskin. "Sacred opera." Grove Music Online accessed 17 April 2010
- H Krehbiel, A Second Book of Operas, accessed 17 April 2010
- Charles Maclean, Rubinstein as Composer for the Pianoforte (January–March 1914). Sammelbände der Internationalen Musikgesellschaft 15. Jahrg. (H. 2.): pp. 360–374.
- R. Taruskin, Christian Themes in Russian Opera: A Millennial Essay(March 1990). Cambridge Opera Journal, 2 (1): pp. 83–91.