Chinatown (1974 film)

Chinatown
Theatrical release poster by Jim Pearsall
Directed by	Roman Polanski
Produced by	Robert Evans
Written by	Robert Towne
Starring	Jack Nicholson Faye Dunaway John Hillerman Perry Lopez Burt Young John Huston
Music by	Jerry Goldsmith
Cinematography	John A. Alonzo
Edited by	Sam O'Steen
Production company	Paramount-Penthouse Long Road Productions
Distributed by	Paramount Pictures
Release dates	June 20, 1974 (1974-06-20)
Running time	131 minutes[1]
Country	United States
Language	English
Budget	$6 million[2]
Box office	$29.2 million (North America)[3]

Chinatown is a 1974 American neo-noir mystery film, directed by Roman Polanski from a screenplay by Robert Towne, starring Jack Nicholson and Faye Dunaway. The film was inspired by the California Water Wars, a series of disputes over southern California water at the beginning of the 20th century, by which Los Angeles interests secured water rights in the Owens Valley. The Robert Evans production, a Paramount Pictures release, was the director's last film in the United States and features many elements of film noir, particularly a multi-layered story that is part mystery and part psychological drama.

In 1991, the film was selected by the Library of Congress for preservation in the United States National Film Registry for films that are "culturally, historically or aesthetically significant" and it is frequently listed as among the best in world cinema.^[4][5][6] The 1975 Academy Awards saw it nominated eleven times, with an Oscar going to Robert Towne for Best Original Screenplay. The Golden Globe Awards honored it for Best Drama, Best Director, Best Actor and Best Screenplay. The American Film Institute placed it second among mystery films in 2008.

A sequel, The Two Jakes, was released in 1990, again starring Nicholson, who also directed, with Robert Towne returning to write the screenplay. The film failed to generate the acclaim of its predecessor.

Plot

A woman identifying herself as Evelyn Mulwray hires private investigator J. J. "Jake" Gittes to survey her husband, Hollis Mulwray, chief engineer for the Los Angeles Department of Water and Power. Gittes tails him, hears him publicly oppose the creation of a new reservoir, and shoots photographs of him with a young woman, which are published on the front page of the following day's paper. Back at his office, Gittes is confronted by a woman who informs him she is the real Evelyn Mulwray, and that he can expect a lawsuit.

Realizing he was set up, Gittes assumes that Mulwray's husband is the real target. Before he can question him, Lieutenant Lou Escobar fishes Mulwray, drowned, from a freshwater reservoir. Under retainer to Mrs. Mulwray, Gittes investigates his suspicions of murder and notices that, although huge quantities of water are released from the reservoir every night, the land is almost dry. Gittes is warned off by Water Department Security Chief Claude Mulvihill and a henchman, who slashes Gittes's nose. Back at his office, Gittes receives a call from Ida Sessions, who identifies herself as the imposter Mrs. Mulwray. She is afraid to identify her employer, but tells Gittes to check the day's obituaries.

Gittes learns that Mulwray was once the business partner of his wife's wealthy father, Noah Cross. Over lunch at his personal club, Cross warns Gittes that he does not understand the forces at work, and offers to double Gittes's fee to search for Mulwray's missing mistress. At the hall of records, Gittes discovers that much of the Northwest Valley has changed ownership. Investigating the valley, he is attacked by angry landowners, who believe he is an agent of the water department attempting to force them out by sabotaging their water supply.

Gittes deduces that the water department is drying the land so it can be bought at a reduced price, and that Mulwray was murdered when he discovered the plan. He discovers that a former retirement home resident is one of the valley's new landowners, and seemingly purchased the property a week after his death. Evelyn and Gittes bluff their way into the home and confirm that the real estate deals are surreptitiously completed in the names of its residents.

After fleeing Mulvihill and his thugs, Gittes and Evelyn hide at Evelyn's house and sleep together. Early in the morning, Evelyn has to leave suddenly; she warns Gittes that her father is dangerous. Gittes follows her car to a house, where he spies her through the windows comforting Mulwray's mistress. He accuses Evelyn of holding the woman against her will, but she confesses that she is her sister.

The next day, an anonymous call draws Gittes to Ida Sessions's apartment; he finds her murdered and Escobar waiting for his arrival. Escobar tells him the coroner's report found salt water in Mulwray's lungs, indicating that he did not drown in the freshwater reservoir. Escobar suspects Evelyn of the murder and tells Gittes to produce her quickly. At Evelyn's mansion, Gittes finds her servants packing her things. He realizes her garden pond is salt water and discovers a pair of bifocals in it. He confronts Evelyn about her "sister"; after Gittes slaps her, she admits that the woman, Katherine, is her sister and her daughter: her father raped her when she was fifteen. She says that the eyeglasses are not Mulwray's, as he did not wear bifocals.

Gittes arranges for the women to flee to Mexico and instructs Evelyn to meet him at her butler's home in Chinatown. He summons Cross to the Mulwray home to settle their deal. Cross admits his intention to annex the Northwest Valley into the City of Los Angeles, then irrigate and develop it. Gittes accuses Cross of murdering Mulwray. Cross takes the bifocals and he and his men force Gittes at gunpoint to drive them to the women. When they reach the Chinatown address, the police are already there and detain Gittes. When Cross approaches Katherine, Evelyn shoots him in the arm and drives away with Katherine. The police open fire, killing Evelyn. Cross clutches Katherine and leads her away, while Escobar orders Gittes released. One of them urges: "Forget it, Jake. It's Chinatown."

Cast

Jack Nicholson as J. J. "Jake" Gittes. Producer Robert Evans believes the film cemented Nicholson's image as one of Hollywood's top leading men.^[7]

• Jack Nicholson as J.J. "Jake" Gittes
• Faye Dunaway as Evelyn Cross Mulwray
• John Huston as Noah Cross
• Perry Lopez as Lieutenant Lou Escobar
• John Hillerman as Russ Yelburton
• Darrell Zwerling as Hollis I. Mulwray
• Diane Ladd as Ida Sessions
• Roy Jenson as Claude Mulvihill
• Roman Polanski as Man with Knife
• Dick Bakalyan as Detective Loach
• Joe Mantell as Lawrence Walsh
• Bruce Glover as Duffy
• James Hong as Kahn, Evelyn's Butler
• Beulah Quo as Maid
• Roy Roberts as Mayor Bagby
• Noble Willingham as Councilman
• Rance Howard as Irate Farmer
• Burt Young as Curly
• Belinda Palmer as Katherine Cross

Production

Background

In 1971 producer Robert Evans offered Towne $175,000 to write a screenplay for The Great Gatsby (1974), but Towne felt he could not better the F. Scott Fitzgerald novel. Instead, Towne asked for $25,000 from Evans to write his own story, Chinatown, to which Evans agreed.^[7][8]

Chinatown is set in 1937 and portrays the manipulation of a critical municipal resource—water—by a cadre of shadowy oligarchs. It was the first part of Towne's planned trilogy about the character J.J. Gittes, the foibles of the Los Angeles power structure, and the subjugation of public good by private greed.^[9] The second part, The Two Jakes, was about another grab for a natural resource—oil—with a thicker-torsoed Gittes in the 1940s. It was directed by Jack Nicholson and released in 1990, but the second film's commercial and critical failure scuttled plans to make Gittes vs. Gittes,^[10] about the third finite resource—land—in Los Angeles, circa 1968.^[9]

Origins

The character of Hollis Mulwray refers to the career of William Mulholland (1855–1935), the superintendent and chief engineer of the Los Angeles Department of Water and Power. He was the designer and engineer for the Los Angeles Aqueduct, which brought Owens Valley water to Los Angeles. For reasons of engineering and safety, Mulwray opposes the dam that Noah Cross and the city want, arguing he will not repeat his previous mistake as when his dam broke, resulting in the deaths of hundreds. This alludes to the disaster of the St. Francis Dam, personally inspected by Mulholland on the day of its catastrophic failure just before midnight on March 12, 1928.^[11] As many as 600 people (including 42 school-aged children), died that day and the Santa Clara River Valley, including the town of Santa Paula, was inundated with flood water, the result being the end of Mulholland's career.^[12][13]

Script

Towne wrote the screenplay with Jack Nicholson in mind.^[7] He took the title (and the exchange, "What did you do in Chinatown?" / "As little as possible") from a Hungarian vice cop who had worked in Chinatown and explained to the writer that the complicated array of dialects and gangs in Los Angeles's Chinatown made it impossible for the police to know whether their interventions were helping victims or furthering their exploitation.^[7]

Polanski learned of the script through Nicholson, with whom he had been searching for a suitable joint project. Producer Robert Evans wanted Polanski to direct for his European vision of the United States, which Evans believed would be darker and more cynical. Polanski, a few years removed from the murder of his wife and unborn child in Los Angeles, was initially reluctant to return but was persuaded on the strength of the script.^[7]

Evans wanted Cross to die and Evelyn Mulwray to survive. The producer and director argued over it, with Polanski insisting on a tragic end. "I knew that if Chinatown was to be special," Polanski said, "not just another thriller where the good guys triumph in the final reel, Evelyn had to die."^[14] They parted ways over this dispute and Polanski wrote the final scene a few days before it was shot.^[7]

The original script was more than 180 pages and included a narration by Gittes; Polanski cut that and reordered the story so the audience and Gittes unraveled the mysteries at the same time.

Characters and casting

• "J. J. Gittes" was named after Nicholson's friend, producer Harry Gittes.
• "Evelyn Mulwray" is, according to Towne, intended to initially seem the classic "black widow" character typical of lead female characters in film noir, yet is eventually made the only selfless character in the film. Jane Fonda was strongly considered for the role; but Polanski insisted on Dunaway.^[7]
• "Noah Cross": Towne said that Huston was, after Nicholson, the second-best-cast actor in the film and that he made the Cross character menacing, through his courtly performance.^[7]
• Polanski appears in a cameo as the gangster who cuts Gittes' nose. The effect was accomplished with a special knife which indeed could have cut Nicholson's nose if Polanski had not held it correctly.

Filming

William A. Fraker accepted the cinematographer position from Polanski when Paramount agreed. He had worked with the studio previously in Polanski's Rosemary's Baby. Robert Evans, never consulted about the decision, insisted that the offer be rescinded since he felt pairing Polanski and Fraker again would create a team with too much control over the project and complicate the production. Fraker was replaced by John A. Alonzo.

In keeping with a technique Polanski attributes to Raymond Chandler, all of the events of the film are seen subjectively through the main character's eyes; for example, when Gittes is knocked unconscious, the film fades to black and fades in when he awakens. Gittes appears in every scene of the film.^[7]

Soundtrack

Chinatown
Film score by Jerry Goldsmith
Released	1974
Genre	Jazz, soundtrack
Label	Varèse Sarabande

Jerry Goldsmith composed and recorded the film's music score in ten days, after producer Robert Evans rejected Phillip Lambro's original effort at the last minute. It received an Academy Award nomination and ranks ninth on the American Film Institute's top 25 American film scores.^[15] Terry Teachout of the Wall Street Journal^[16] and filmmaker David Lynch have both praised it.^[17] Goldsmith's score, with haunting trumpet solos, by Hollywood studio musician and MGM first trumpet Uan Rasey, was released through ABC Records and features twelve tracks at a running time just over thirty minutes. It was later reissued on CD by the Varèse Sarabande label.

1. "Love Theme from Chinatown (Main Title)"
2. "Noah Cross"
3. "Easy Living"
4. "Jake and Evelyn"
5. "I Can't Get Started"
6. "The Last of Ida"
7. "The Captive"
8. "The Boy on a Horse"
9. "The Way You Look Tonight"
10. "The Wrong Clue"
11. "J.J. Gittes"
12. "Love Theme From Chinatown (End Title)"

Portions of the Phillip Lambro effort can be heard in the original trailer for the film. Lambro felt he deserved to retain the rights to his work after it was rejected. Paramount granted his wish, on condition that he could not release it under the title Chinatown. Lambro's score was eventually issued by Perseverance Records on the 2012 CD Los Angeles, 1937. One may notice that it tries to evoke the 1930s more than Goldsmith's score, something Robert Evans envisioned.

Reception

The film earned $17 million at the box office outside North America, which Evans said was a million dollars more than it earned in North America.^[18]

The film holds a 98% "Certified Fresh" rating on Rotten Tomatoes with 60 reviews. The site's critical consensus reads, "As bruised and cynical as the decade that produced it, this noir classic benefits from Robert Towne's brilliant screenplay, director Roman Polanski's steady hand, and wonderful performances from Jack Nicholson and Faye Dunaway."^[19] Metacritic assigned a rating of 86 out of 100, based on 10 critics, indicating "universal acclaim".^[20]

Roger Ebert listed it under his "Great Movies", saying that Nicholson's performance was "key in keeping Chinatown from becoming just a genre crime picture", along with Towne's screenplay, concluding that the film "seems to settle easily beside the original noirs".^[21] Vincent Canby of The New York Times was not impressed with the screenplay as compared to the film's predecessors, saying: "Mr. Polanski and Mr. Towne have attempted nothing so witty and entertaining, being content instead to make a competently stylish, more or less thirties-ish movie that continually made me wish I were back seeing The Maltese Falcon or The Big Sleep", but noted Nicholson's performance, calling it the film's "major contribution to the genre".^[22]

Legacy

Towne's screenplay has become legendary among critics and filmmakers, often cited as one of the best examples of the craft.^[9][23][24] Polanski decided on the fatal final scene, changing Towne's idea of a happy ending.

Chinatown brought more public awareness to the land dealings and disputes over water rights, which arose while drawing Los Angeles' water supply from the Owens Valley in the 1910s.^[25] Margaret Leslie Davis, in her 1993 book Rivers in the Desert: William Mulholland and the Inventing of Los Angeles, says the sexually charged film is a metaphor for the "rape" of the Owens Valley and notes that it fictionalizes Mulholland, while concealing the strong public support for Southern California's water projects.

Awards and honors

Academy Awards – 1974

The film won one Academy Award of the eleven total nomination categories:^[26][27]

Wins

• Best Original Screenplay – Robert Towne

Nominations

• Best Picture – Robert Evans
• Best Director – Roman Polanski
• Best Actor – Jack Nicholson
• Best Actress – Faye Dunaway
• Best Film Editing – Sam O'Steen
• Best Art Direction – Richard Sylbert, W. Stewart Campbell, Ruby Levitt
• Best Costume Design – Anthea Sylbert
• Best Cinematography – John A. Alonzo
• Best Sound Mixing – Bud Grenzbach, Larry Jost
• Best Music Score – Jerry Goldsmith

Golden Globes – 1974

Wins

• Best Motion Picture – Drama – Robert Evans
• Best Actor in a Motion Picture – Drama – Jack Nicholson
• Best Director – Roman Polanski
• Best Screenplay – Robert Towne

Nominations

• Best Actor in a Supporting Role – John Huston
• Best Actress – Motion Picture Drama – Faye Dunaway
• Best Original Score – Jerry Goldsmith

Other awards

• 1975 – BAFTA, Best Actor (Nicholson), Best Direction, Best Screenplay (male)
• 1975 – Edgar Award, Best Motion Picture Screenplay – Robert Towne
• 1991 – National Film Registry
• 2010 – Best film of all time, The Guardian^[4]

American Film Institute recognition

• 1998 – AFI's 100 Years...100 Movies – Ranked 19th
• 2001 – AFI's 100 Years...100 Thrills – Ranked 16th
• 2003 – AFI's 100 Years...100 Heroes and Villains:
  • Noah Cross – Ranked 16th Villain
  • J.J. "Jake" Gittes – Nominated Hero
• 2005 – AFI's 100 Years...100 Movie Quotes:
  • "Forget it, Jake, it's Chinatown." – Ranked 74th
  • "She's my sister! She's my daughter!" – Nominated
• 2005 – AFI's 100 Years of Film Scores – Ranked 9th
• 2007 – AFI's 100 Years...100 Movies (10th Anniversary Edition) – Ranked 21st
• 2008 – AFI's 10 Top 10 mystery film – Ranked 2nd

See also

• List of American films of 1974

References

Bibliography

• Easton, Michael (1998) Chinatown (B.F.I. Film Classics series). Los Angeles: University of California Press. ISBN 0-85170-532-4.
• Thomson, David (2004). The Whole Equation: A History of Hollywood. New York, New York: Alfred A. Knopf. ISBN 0-375-40016-8.
• Towne, Robert (1997). Chinatown and the Last Detail: 2 Screenplays. New York: Grove Press. ISBN 0-8021-3401-7.
• Tuska, Jon (1978). The Detective in Hollywood. Garden City, New York: Doubleday & Company. ISBN 0-385-12093-1.

External links

Wikiquote has quotations related to: Chinatown

• Chinatown at the Internet Movie Database
• Chinatown at AllMovie
• Chinatown at Metacritic