Chase (instrumental)

"Chase"
Single by Giorgio Moroder
from the album Midnight Express
B-side "(Theme From) Midnight Express"
Released 1978
Format
  • 7"
  • 12"
Recorded 1978
Genre
Length 13:06 (maxi single)
8:26 (LP version)
3:38 (single version)
Label Casablanca
Writer(s) Giorgio Moroder
Producer(s) Giorgio Moroder
Giorgio Moroder singles chronology
"Let The Music Play"
(1977)
"Chase"
(1978)
"E=MC2"
(1979)

"Chase" or "The Chase" is an instrumental by Giorgio Moroder from his Academy Award-winning soundtrack album Midnight Express[1] (1978). It was an electronic instrumental that was subsequently extended and released as maxi single[2] and made the Billboard Hot 100 in January 1979, listing as high as #33. In Canada, the song reached #41 on the RPM Magazine Top Singles Chart.

Alan Parker, the director of Midnight Express, explicitly asked Moroder for a song in the style of "I Feel Love", which Moroder composed for Donna Summer. It was Moroder's first time composing a movie soundtrack.[3]

Although a disco piece, "Chase", along with "I Feel Love", is more specifically considered the pioneering introduction of the hi-NRG genre, which came to prominence in the early 1980s.

The music was arranged by Harold Faltermeyer under the leadership of Giorgio Moroder.

In 2000, a remix of "Chase" credited to Giorgio Moroder vs. Jam & Spoon, went to number one on the US Dance Charts.[4]

Legacy

See also

References

  1. Giorgio Moroder: Midnight Express at Discogs (list of releases)
  2. Giorgio Moroder: Chase (single) at Discogs (list of releases)
  3. "Giorgio Moroder: 'Sylvester Stallone wanted Bob Dylan to sing on a Rambo movie'", The Guardian, 31 October 2013. [Interviewer] "You survived the disco backlash remarkably well." [Moroder] "Well, I was lucky to have that song, I Feel Love. Alan Parker, the director of Midnight Express, loved it. There's a thing in Midnight Express where the kid is running away from the police, and Parker just said: 'Giorgio, give me a song in the style of I Feel Love, like with the bassline and things, and make it work for that scene. The rest, you use the synthesiser, just do whatever you want.' That was scary, because I had never done soundtracks before, but it went well and I got my first Oscar, and that opened up a new life in the film business."
  4. Whitburn, Joel (2004). Hot Dance/Disco: 1974-2003. Record Research. p. 183.
  5. Introduction video of MTR (1979) on YouTube
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