Berry Bickle

Berry Bickle
Born 1959
Bulawayo, Rhodesia
(today Zimbabwe)
Nationality Zimbabwean, Mozambique
Education Durban Institute of Technology, Rhodes University
Known for installation art, Conceptual art, sculpture
Awards Rockefeller Foundation Creative Arts Fellow, 2010

Berry Bickle (born 1959) is a Zimbabwean artist who resides in Maputo. Born in Bulawayo, Bickle attended the Chisipite Senior School in Harare. Later, she attended the Durban Institute of Technology, where she obtained a national diploma in fine arts,[1] and South Africa's Rhodes University, where she obtained a master's degree in fine arts.[1][2]

She divides her time between Zimbabwe and Mozambique, and works with the region's history of colonialism. In 1988, she and Tapfuma Gutsa organised the Pachipamwe workshop, the first Triangle Art Trust workshop organised in Africa.[3] In 2010 she became a Rockefeller Foundation Creative Arts Fellow[4] and she works at the Rockefeller Foundation Bellagio Center on the series Suite Europa.

Work

Her works are generally installations, and are mixed media works which incorporate script; some include video and photography. She has collaborated with the Peruvian artist Adrian Velasquez. The exhibition and the publication Inscribing Meaning: Writing and Graphic Systems in African Art[5] highlight the presence of texts in Bickle's work and the importance of the act of writing and of collecting words; in this frame, the artist labels her work "Re-Writes".[6]

Exhibitions

Berry Bickle's work is exhibited internationally.

See also

References

  1. 1 2 Staff (2009). "" ARTISTS " Berry Bickle". Kulungwana. Kulungwana. Retrieved 19 May 2012.
  2. Staff (2012). "Berry Bickle b. Zimbabwe, 1959". Textures – Word and symbol in contemporary African art. National Museum of African Art/Smithsonian Institution. Retrieved 19 May 2012.
  3. Pachipamwe International Artists' Workshop is held annually in Zimbabwe between 1988 to 1994. Set of images of the workshop.
  4. Staff (2010). "Berry Bickle". Rockefeller Foundation – Innovation for the next 100 years. The Rockefeller Foundation. Retrieved 19 May 2012.
  5. Inscribing Meaning: Writing and Graphic Systems in African Art, curated by Chistine Mullen Kreamer, Mary Nooter Roberts, Elizabeth Harney, Allyson Purpura, Smithsonian National Museum of African Art, 2007.
  6. Berry Bickle, Re-Writes in Inscribing Meaning: Writing and Graphic Systems in African Art, curated by Chistine Mullen Kreamer, Mary Nooter Roberts, Elizabeth Harney, Allyson Purpura, Smithsonian National Museum of African Art, 2007, p. 227-229; in particular the text refers to the works Wandering, Sarungano, Pessoa bowls series.
  7. 1 2 [Melancholia from the series "Maputo Utopias", 2007 on IFA gallery website http://www.ifa.de/en/exhibitions/dt/past-exhibitions/2008/bamako-2007/berry-bickle/].
  8. https://www.kerberverlag.com/en/contemporary_art/divine_comedy/product-2930.html

Bibliography

External links

This article is issued from Wikipedia - version of the Wednesday, January 06, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.