M.I.U. Album

M.I.U. Album
Studio album by The Beach Boys
Released	October 2, 1978
Recorded	October 1976 November 1977–June 1978
Studio	Maharishi International University, Iowa Brother Studios and Wally Heider Studios, California
Length	32:19
Label	Brother/Reprise
Producer	Al Jardine, Ron Altbach
The Beach Boys chronology
Love You (1977) M.I.U. Album (1978) L.A. (Light Album) (1979)
Singles from M.I.U. Album
"Peggy Sue" / "Hey Little Tomboy" Released: August 28, 1978 "Come Go with Me" Released: November 2, 1981

M.I.U. Album is the 22nd studio album by The Beach Boys, released on October 2, 1978 on Brother/Reprise. Recorded during a fraught time for the band, only Mike Love, Al Jardine, and Brian Wilson appear consistently throughout the album, with Carl and Dennis Wilson audible on only a few tracks. Produced by Al Jardine and songwriter Ron Altbach, the album's title stems from Maharishi International University in Fairfield, Iowa, where the majority of the album was recorded.

Background

After the release of Love You, The Beach Boys fell into dispute over the direction of the band, and were close to breaking up. Brian Wilson began regressing back into drug use and mental illness. Dennis was readying his debut solo album, Pacific Ocean Blue. Intended as a follow-up to Love You, sessions and mixing for a new album called Adult/Child were completed by The Beach Boys with Brian Wilson as producer, and it would have included "Hey Little Tomboy", which can be found on M.I.U.. The album was subsequently rejected by Reprise Records for not being commercially viable, although some of its tracks would reappear on later releases.

Recording

	"Hey Little Tomboy" "Hey Little Tomboy", an outtake from Adult/Child which appears on M.I.U. Album.
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Dennis was largely unavailable for the new project, of which he and brother Carl were not in favor. The idea, by staunch Transcendental Meditation follower Mike Love, was to record another new album—initially intended as a Christmas release—at the Maharishi International University in Fairfield, Iowa, (hence the M.I.U. title). Consequently, when it was time to record the album in September 1977, only Love, Jardine and Brian Wilson showed up.

The original intention was for Brian Wilson to produce the album, but it soon became clear he was unable to function in that role. The production credit on the album was given to Al Jardine and songwriting partner Ron Altbach, with Brian billed as "executive producer", though the exact nature of this role was never clarified.

The group submitted the Christmas-themed Merry Christmas from the Beach Boys in late 1977, but it was rejected by the record company, which demanded the band submit a regular studio album instead. New lyrics were overdubbed on to some of the original Christmas tracks the following spring, which, together with quickly penned new material, formed the basis of a new album entitled California Feeling, named after an original song recorded in 1975 which Brian refused to include on the album. The track listing was revised a final time in 1978, when the LP was now called M. I. U. Album, the band's last for Reprise Records before embarking on their CBS Records (now Sony Music) contract.^[1]

A Brian Wilson produced cover of Buddy Holly's "Peggy Sue", originally recorded on April 15, 1976, for potential inclusion on 15 Big Ones, was tweaked by Al Jardine in 1978 for M.I.U. Album. Released as a single it charted at No. 59 in the United States. The original Brian Wilson version was accidentally issued in place of the Jardine version when M.I.U. Album was briefly re-issued by Sony Music in 1991, but was soon discontinued.

Reception

Professional ratings
Review scores
Source	Rating
AllMusic	[2]
Robert Christgau	(C)[3]

Although the album peaked at only #151 in the US, and became their first since 1964 to miss the UK chart completely, "Come Go With Me" would become a top 20 hit in late 1981 when it was released as a single from the Ten Years of Harmony compilation.

Music critic Nick Kent called the album "dreadful". He said that its "pitiful content" was ignored by critics.^[4] Upon its initial release, Rolling Stone stated, "M.I.U. Album seems contrived and artificial right from the start. The tracks strive to recapture the dreamy, adolescent innocence of the Beach Boys' earliest hits, and fail not so much because the concepts are dated but because the group can't infuse the new material with the same sense of grandeur that made the old songs such archetypal triumphs. [...] Throughout, the lackluster playing and singing has a melancholy edge, almost as if the Beach Boys are fully aware that they've outgrown this kind of teen fantasy, but can't think of anyplace else to go."^[5]

Paired with L.A. (Light Album), M.I.U. Album was reissued on CD in 2002. Upon the album's re-release, The A.V. Club stated, "M.I.U. is competent enough, but it's also the sound of a group buying into its own mythology, a retrograde salute to the pinstripes and sunshine image it had abandoned years before."^[6] AllMusic issued a more negative review, stating, "The mainstream late-'70s production techniques are predictable and frequently cloying. M.I.U. Album also included several of the worst Beach Boys songs ever to make it to vinyl. [...] Compared with what had come before, M.I.U. Album was a pathetic attempt at music making; compared with what was to come however, this was a highlight."^[2]

When asked about M.I.U. Album in the British press, Dennis Wilson said that he "[doesn't] believe in that album" and that it was "an embarrassment to [his] life. It should self-destruct... I hope that the karma will fuck up Mike Love’s meditation forever."^[7] Reflecting on the album in 1992, Mike Love noted, "It was too democratic. Everybody coming into it with their song, which is okay. It's like if you have an album and have a hit song on it, and it's very commercially viable. Doesn't it make sense to have another song that would also be commercially viable? And a third and a fourth."^[8] In 1995, Brian said that he could not remember making the album, claiming that he had gone through a "mental blank-out" during this period.^[9]

Track listing

Track details per 2000 CD liner notes.^[10]

Personnel

Per 2000 CD liner notes.^[10]

The Beach Boys

• Alan Jardine - vocals, guitar, bass guitar, vocal arrangements
• Mike Love - vocals
• Carl Wilson - vocals, guitar
• Brian Wilson - vocals, piano, electric piano, vocal arrangements
• Dennis Wilson - vocals, drums

Additional musicians

Recording engineering personnel & assistants

Artwork

• Dean O. Torrence - album design, graphics
• The Beach Boys - album design, graphics
• Warren Bolster/Surfer Magazine - front cover photography
• Guy Webster - back cover photography

References