Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman.[1] The set was released on Rhino Records in 1993, and reissued in March 2015.[2][3]
Background
Prior to signing with Atlantic in 1959, Coleman and his group had recorded Something Else!!!! and Tomorrow Is the Question! for the Los Angeles-based label Contemporary Records. Coleman had not been completely pleased with either, and he found audiences dwindling at the Hillcrest Club (not the Hillcrest Country Club) in Los Angeles where he played regularly.[4] However, one evening pianist John Lewis of the Modern Jazz Quartet saw the Coleman group and immediately became an evangel for Ornette's new approach, securing Coleman both a summer residency at the Tanglewood Music Center and a recording contract with the MJQ's label, Atlantic, through the label's executive in charge of jazz, Nesuhi Ertegun.[5]
Recording sessions took place at Radio Recorders in Los Angeles on May 22, and October 8 and 9, 1959, at Atlantic Studios in New York City on July 19 and 26, and August 2, 1960, and January 31, and March 22 and 27, 1961, and at A&R Studios in New York on December 19, 20 and 21, 1960. The producer of the original recording sessions was Nesuhi Ertegun.
Content
The box presents the material in chronological recording order. The set includes the total tracks from all six of his Atlantic albums, The Shape of Jazz to Come (October 1959), Change of the Century (June 1960), This Is Our Music (February 1961), Free Jazz (September 1961), Ornette! (February 1962), and Ornette on Tenor (December 1962), as well as the later compilations The Art of the Improvisers (November 1970), Twins (October 1971), and the Japan-only To Whom Who Keeps A Record (1975). Two additional tracks were released on the Gunther Schuller album John Lewis Presents Contemporary Music: Jazz Abstractions – Compositions by Gunther Schuller and Jim Hall of 1961, and six previously unreleased performances appear here for the first time. The insert booklet contains text by Robert Palmer, forewords by Coleman and trumpeter Don Cherry, as well as various quotes of reaction to Coleman's music by Paul Bley, Miles Davis, Roy Eldridge, Gil Evans, Maynard Ferguson, Dizzy Gillespie, Charlie Haden, Herbie Hancock, Joe Henderson, John Lewis, Shelly Manne, Jackie McLean, Charles Mingus, and Thelonious Monk.
Reception
Professional ratings |
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Review scores |
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Source | Rating |
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Allmusic | [6] |
The Allmusic review by Thom Jurek states "this is, along with John Coltrane's Atlantic set and the Miles and Coltrane box, one of the most essential jazz CD purchases".[6] The Penguin Guide to Jazz in all editions prior to its ninth awarded the set one of its rare crown accolades.[7]
Track listing
- All compositions by Ornette Coleman except "Embraceable You" by George Gershwin and Ira Gershwin, and "Abstraction" and "Variants on a Theme of Thelonious Monk" by Gunther Schuller.
- Disc one
- Disc two
1. |
"The Face of the Bass" | Change of the Century |
6:55 |
2. |
"Forerunner" | Change of the Century |
5:13 |
3. |
"Free" | Change of the Century |
6:20 |
4. |
"The Circle with a Hole in the Middle" | The Art of the Improvisers |
4:52 |
5. |
"Ramblin'" | Change of the Century |
6:35 |
6. |
"Little Symphony" | Twins |
5:14 |
7. |
"The Tribes of New York" | previously unreleased |
4:33 |
8. |
"Kaleidoscope" | This Is Our Music |
6:34 |
9. |
"Rise and Shine" | previously unreleased |
6:11 |
10. |
"Mr. and Mrs. People" | previously unreleased |
4:40 |
11. |
"Blues Connotation" | This Is Our Music |
5:17 |
12. |
"I Heard It Over the Radio" | previously unreleased |
6:24 |
- Disc three
1. |
"P.S. Unless One Has (Blues Connotation No. 2)" | To Whom Who Keeps A Record |
5:53 |
2. |
"Revolving Doors" | previously unreleased |
4:26 |
3. |
"Brings Goodness" | To Whom Who Keeps A Record |
6:38 |
4. |
"Joy of A Toy" | Twins |
4:55 |
5. |
"To Us" | To Whom Who Keeps A Record |
4:32 |
6. |
"Humpty Dumpty" | This Is Our Music |
5:21 |
7. |
"The Fifth of Beethoven" | The Art of the Improvisers |
6:37 |
8. |
"Motive for Its Use" | To Whom Who Keeps A Record |
5:39 |
9. |
"Moon Inhabitants" | The Art of the Improvisers |
4:31 |
10. |
"The Legend of Bebop" | The Art of the Improvisers |
7:15 |
11. |
"Some Other" | To Whom Who Keeps A Record |
7:20 |
12. |
""Embraceable You"" | This Is Our Music |
4:55 |
13. |
"All" | To Whom Who Keeps A Record |
4:30 |
- Disc four
1. |
"Folk Tale" | This Is Our Music |
4:47 |
2. |
"Poise" | This Is Our Music |
4:37 |
3. |
"Beauty Is A Rare Thing" | This Is Our Music |
7:13 |
4. |
"First Take" | Twins |
17:03 |
5. |
"Free Jazz" | Free Jazz |
37:03 |
- Disc five
1. |
"Proof Readers" | previously unreleased |
10:25 |
2. |
"W.R.U." | Ornette! |
16:24 |
3. |
"Check Up" | Twins |
10:10 |
4. |
"T & T" | Ornette! |
4:35 |
5. |
"C & D" | Ornette! |
13:10 |
6. |
"R.P.D.D." | Ornette! |
9:38 |
7. |
"The Alchemy of Scott LaFaro" | The Art of the Improvisers |
9:50 |
- Disc six
1. |
"EOS" | Ornette on Tenor |
6:35 |
2. |
"Enfant" | Ornette on Tenor |
6:26 |
3. |
"Ecars" | Ornette on Tenor |
7:35 |
4. |
"Cross Breeding" | Ornette on Tenor |
11:17 |
5. |
"Harlem's Manhattan" | The Art of the Improvisers |
8:10 |
6. |
"Mapa" | Ornette on Tenor |
9:05 |
7. |
"Abstraction" | Jazz Abstraction |
4:07 |
8. |
"Variants on a Theme of Thelonious Monk (Criss Cross)" | Jazz Abstraction |
15:22 |
Personnel
Additional personnel
References
- ↑ Ornette Coleman discography accessed November 28, 2011
- ↑ "Now Available: Ornette Coleman, Beauty Is a Rare Thing: The Complete Atlantic Recordings". Rhino Records. Retrieved 29 April 2015.
- ↑ "Beauty Is A Rare Thing: The Complete Atlantic Recordings". Warner Jazz (UK). Retrieved 29 April 2015.
- ↑ Beauty Is A Rare Thing, Rhino 71410-2, liner notes, p. 24.
- ↑ Beauty Is A Rare Thing, liner notes, p.26.
- 1 2 Jurek, T. Allmusic Review accessed November 28, 2011
- ↑ The Penguin Guide to Jazz Eighth Edition, ISBN 978-0-141-02327-4.
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