Bastard out of Carolina
 | |
| Author | Dorothy Allison |
|---|---|
| Country | United States |
| Language | English |
| Genre | Coming-of-age novel |
| Publisher | Plume (publishing) |
Publication date | March, 1992 |
| Media type | Print (hardcover & paperback) |
| Pages | 320 pp |
| ISBN | 0-452-28705-7 (paperback) |
| OCLC | 61479183 |
Bastard out of Carolina was the first novel published by author Dorothy Allison. The book, which is semi-autobiographical in nature, is set in Allison's hometown of Greenville, South Carolina. Narrated by Ruth Anne "Bone" Boatwright, the primary conflict occurs between Bone and her mother's husband, Glen.
The novel examines the expectations of gender and mother–child relationships, and explores the roles of these characters in the future. Conditions of class, race, sexuality and gender play out in Bone's life and her relationships with others.
The book was adapted into a film in 1996.
Plot
The book opens with Bone relating the details of her birth. Bone's fifteen-year-old mother, Anney, gives birth to her after being seriously injured in a car accident. Anney, who is comatose during the delivery, is unable to lie about being married. Her mother and older sister, Ruth, attempt to give a false name and are caught in their deception. This results in Bone being declared illegitimate.
Anney, who "hated to be called trash", then spends the next two years unsuccessfully petitioning to get a new birth certificate issued without the word "illegitimate" stamped on it. This opens her up to the ridicule of the customers in the diner in which she works.
At age seventeen, Anney marries Lyle Parsons and gives birth to another daughter, Reese, in short order. Lyle is killed in a car accident which left Anney "all bitter grief and hunger". After remaining single for a few years she begins to date Glen Waddell, the son of a socially prominent dairy owner. Two years later, as a result of becoming pregnant, they get married.
Anney gives birth to a stillborn boy and becomes unable to have more children. During labor, Glen rapes Bone in the car. The family's fortunes plummet, with Glen losing job after job due to his anger management problems. It is then that Glen, who had been loving and gentle with Bone, begins sexually molesting her. The abuse culminates in beatings and whippings that leave Bone nursing bruises and broken bones.
When Anney discovers the abuse, she leaves Glen, who promptly promises never to do it again. Anney takes him back and the abuse resumes. Anney leaves Glen again after her tough, hard-drinking brothers severely beat Glen upon discovering that he has beaten Bone once again.
Bone then announces to her mother that she will never live in the same house with Glen again. Bone then tells her mother that she loves her and will forgive her if she decides to go back to Glen, reiterating that she will not return to the house with Glen. Her mother then vows not to go back to Glen unless Bone comes with her.
When Glen discovers this, he attacks Bone at her Aunt Alma's house, breaking her arm and raping her on the kitchen floor. Anney walks in on him and fights him off. Glen follows the two out to the car, begging Anney to kill him rather than abandon him. To Bone's disgust and amazement, Anney ends up crying and throwing her arms around Glen.
Bone's aunt, Raylene, visits her at the hospital and takes custody of Bone, as Anney has disappeared. While she is recuperating at her aunt's house, Anney shows up with a new birth certificate for Bone, this time without the word "illegitimate" stamped on the bottom. She asks Bone's forgiveness and leaves without telling Bone where she is going.
Reviews
- In the July 5, 1992, edition of The New York Times Book Review, George Garrett said "in no way seems to be a patchwork of short stories linked together. Everything, each part, belongs only to the novel" and "close to flawless". He compared it J.D. Salinger's novel Catcher in the Rye and Harper Lee's novel To Kill a Mockingbird praising that it includes: "special qualities of her style include a perfect ear for speech and its natural rhythms; an unassertive, cumulative lyricism; an intensely imagined and presented sensory world, with all five senses working together; and, above all, again and again a language for the direct articulation of deep and complex feelings."[1]
- K. K. Roeder in the April 1991 publication of San Francisco Review of Books states that Allison: "relates the difficulty of Bone's struggles with intensity, humor, and hard-wrought rejection of self-pity, rendering Bastard a rare achievement among works of fiction dealing with abused children." [1]
See also
Bibliography
Allison, Dorothy. Bastard Out of Carolina. New York, NY: Dutton, 1992.
References
- 1 2 Marsh, Janet Z. (2009). Twenty-First-Century American Novelists : Second Series. Detroit, Michigan: Gale, Cengage Learning. ISBN 978-0-7876-8168-5.