B. Marcus Priteca
| Benjamin Marcus Priteca | |
|---|---|
| Born |
December 23, 1889 Glasgow, Scotland. |
| Died |
October 1, 1971 Seattle, Washington |
| Nationality | Scottish |
| Alma mater | University of Edinburgh in 1907 |
| Occupation | Architect |
| Practice | Robert MacFarlane Cameron, |
| Buildings | Pantages |
| Projects | theatre architect |
Benjamin Marcus Priteca (December 23, 1889 – October 1, 1971) was born in Glasgow, Scotland of Jewish heritage.[1] A theater architect, he is best known for his work for Alexander Pantages.
Education and career
Priteca graduated from the University of Edinburgh in 1907 and later attended the Royal College of Art. He served a brief apprenticeship under architect Robert MacFarlane Cameron, in Edinburgh, before emigrating to the United States, where he settled in Seattle, Washington, in 1909.
Priteca met Seattle vaudeville theatre owner Alexander Pantages in 1910 and won from him a commission to design the San Francisco Pantages Theater (1911), the first of many so-named vaudeville and motion picture houses in what would become one of the largest theater chains in North America.
In all, Priteca designed 22 theaters for Pantages and another 128 for other theater owners. Notable theaters include the Coliseum (1915) in Seattle; the Pantages (1918) in Tacoma, Washington; the Pantages (1920) in Los Angeles (downtown); the Pantages in San Diego (1924); the Pantages (1928) in Fresno, California; the Paramount (1929) in Seattle; the Pantages (1929) in Hollywood (the last and largest of the Pantages theaters); the Warner on Pacific Boulevard in Huntington Park (1930); and the Admiral (1938) in West Seattle, and the Orpheum[2][3] in Vancouver, Canada.
Pantages is said to have liked Priteca as a theater architect for his ability to create the appearance of opulence within a less-than-opulent budget. "Any damn fool," Pantages is quoted as saying, "Can make a place look like a million dollars by spending a million dollars, but it's not everybody who can do the same thing with half a million."
Priteca's apprentices included Gregory Ain, who went on to success as a modernist architect (practicing in a very different manner). Ain worked with Priteca for a short time in the late 1920s and helped draw the Los Angeles Pantages.[4]
Benjamin Marcus Priteca remained active as an architect well into his eighties, working as a consultant in the design of the Seattle Opera House (1962) and the Portland, Oregon, Civic Auditorium (1968).
He died in Seattle on October 1, 1971.
Gallery
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Terracotta Green man, Coliseum Theatre, Seattle
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Terracotta Griffins, Crystal Pool, Seattle
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The Alhadeff Sanctuary of Seattle's Temple De Hirsch Sinai, a late Priteca project.
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Civic Auditorium (now Keller Auditorium) in Portland
Notes
- ↑ Normand, Eugene. "A Tale of Two Cities' Jewish Architects: Emile Weil of New Orleans and B. Marcus Priteca of Seattle". academia.edu. Retrieved 2015-09-09.
- ↑ http://www.vancouverhistory.ca/orpheum2.htm
- ↑ Orpheum (Vancouver)
- ↑ Denzer, Anthony (2008). Gregory Ain: The Modern Home as Social Commentary. Rizzoli Publications. ISBN 0-8478-3062-4.
References
- Cinema Treasures list of theatres designed by B. Marcus Priteca
- Biographical sketch of B. Marcus Priteca (with photographs) at Puget Sound Theatre Organ Society
- Sutermeister, Miriam, "B. Marcus Priteca," in Shaping Seattle Architecture: A Historical Guide to the Architects (ed. Jeffrey Karl Ochsner), University of Washington Press, Seattle and London 1994, pages 180-185, 304-305
- Statt, Daniel, Pantages, Alexander (1876-1936), HistoryLink.org Essay 2999, February 19, 2001, Corrected December 18, 2002. Accessed 10 March 2007.
- Michelson, Alan, B. Marcus Priteca, Pacific Coast Architecture Database (PCAD)
External links
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