Arthur Wright (writer)

Arthur Wright (1870 – 19 December 1932) was an Australian writer best known for his novels set against a background of the sporting world, particularly horseracing, which meant he was often compared during his lifetime to Nat Gould.[1] In his lifetime he was called "Australia's most prolific novelist".[2]

Biography

Wright was born in the small town of Green Swamp near Bathurst. His family lived in Bathurst, then Cow Flat before moving to Sydney.

Wright was educated at Paddington Public School, worked for a sewing machine firm, then went bush for a few years, doing various odd jobs in places like the mines, shearing sheds and railways. He returned to Sydney and worked for the Water and Sewerage Board for eight years.[3]

While at the Water Board, Wright began to write in his spare time, and his short stories started appearing in magazines such as The Bulletin.

His first novel, Keane of Kalgoorlie was a big success, launching his career as a novelist. He wrote mainly for the Bookstall series of the NSW Bookstall Company, which published Australian paperback novels aimed at the mass market and available for around one shilling a book. By 1914 it was estimated Wright had sold 60,000 copies of his books, but he continued to work as a wharfinger in the Sydney suburb of Manly up until his death. He would work six days a week on the wharf for the Port Jackson and Manly Steamship Company, and write his novels on Sundays.[2]

Towards the end of his life Wright began to publish his work in London.[4] His most popular novels were Keane of Kalgoorlie, Gambler's Gold and Rogue's Luck.[5]

Death

Wright died in a private hospital in Manly. He was survived by his a wife and seven children.[2][3] He remained as an employee of the Port Jackson Ferry Company at the time of his death, and flags were flown at half mast on Manly ferry as a sign of respect.[5][6]

Filmmaking

Several of Wright's novels were filmed and he also wrote screenplays. In 1931 he wrote a piece on the Australian film industry:

To those who seek a market overseas for their product, I would say this: Apart from the Great War, it is sport which has placed Australia on the map. Australia is noted for its cricketers, its footballers, scullers, swimmers, and athletes generally, to say nothing of its horses and horsemen. Our native country is world-famous from a sporting viewpoint; then give the world pictures of the things in which we excel: show them our racecourses, our playing fields, our surfing beaches, and our racing craft on Sydney Harbour. Then the world will sit up and take notice.[7]

Critical reception

Wright's work was not highly regarded critically at the time. This contemporary review of Gambler's Gold appeared in the West Australian:

Judging from this latest publication by the author of 'Keane of Kalgoorlie', imaginative literature in Australia has got down to the deadest low water of spring-tide ebbs. The story is full of murders, horse-stealings, and turf frauds, drunks and welshers. This fact, however, does not invalidate the right to claim for the compilation Australian authenticity – all these things can be substantiated by police court reports in evening newspapers. The trouble is that there is no coherency in this wild and woolly farrago of delinquencies and stupidities. To outline the "plot" is practically impossible. The story drifts from one absurdity to another. There seems to be no possibility of rational connection between the events: there is certainly no emotional sentiment, no principle, no characterisation, no redeeming feature whatever in the crude production.[8]

However another contemporary writer declared that:

Arthur Wright's sporting yarns have a real Australian ring about them. The villainies of the turf underworld are laid bare by his pen, and he never fails to secure a triumph for straight racing in the end. What this author doesn't know about the inner workings of the racing world is not worth learning. Through all his books the romance of love commands adequate attention but he doesn't dawdle over the subject. There is a directness in all his writings that permits no stumbling. His books lend themselves to dramatisation and to the biograph.[3]

Another profile said "Wright cherishes no illusions about his work. He knows it is not Art. He seeks to climb no 'Parnassus of Pure Prose; nor does he wish to be buried in Westminster Abbey. He writes for the simple honest reason that he wants to make money."[2]

According to one obituary "Wright never claimed for his novels that they were for highbrows but he believed that they were capable of pleasing the multitude that loves sporting and detective fiction. In this belief he was justified."[4]

Writings

Short stories

Novels

Screenplay

References

  1. ↑ 'Arthur Wright', The Oxford Companion to Australian Literature, Oxford University Press, 1985 p 755
  2. 1 2 3 4 "Wharfinger Novelist: Arthur Wright, Our Nat Gould.". The Sunday Times (Sydney: National Library of Australia). 27 October 1929. p. 5. Retrieved 10 October 2014.
  3. 1 2 3 "A MODEST NOVELIST.". The Barrier Miner (Broken Hill, NSW: National Library of Australia). 23 February 1914. p. 7. Retrieved 27 September 2014.
  4. 1 2 "SYDNEY DAY BY DAY.". The Argus (Melbourne: National Library of Australia). 22 December 1932. p. 6. Retrieved 28 September 2014.
  5. 1 2 "WRITER'S DEATH.". The West Wyalong Advocate (NSW : 1928 - 1954) (NSW: National Library of Australia). 23 December 1932. p. 1. Retrieved 1 December 2015.
  6. ↑ "SYDNEY DAY BY DAY.". The Argus (Melbourne, Vic. : 1848 - 1957) (Melbourne, Vic.: National Library of Australia). 22 December 1932. p. 6. Retrieved 1 December 2015.
  7. ↑ "To Pana's Page On Passing and Past Shows.". The Referee (Sydney: National Library of Australia). 1 July 1931. p. 24. Retrieved 13 September 2014.
  8. ↑ "WHAT THEY DO IN AUSTRALIA." The West Australian Saturday 24 June 1911 p 14
  9. ↑ A Call from the Country at National Archives of Australia

External links

Select Complete Short Stories

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