Annette Michelson

Annette Michelson (born 1922) is an American art critic and writer.

Background and career

Born in 1922, Michelson graduated from Brooklyn College in 1948. Between 1956 and 1966, she was art editor and critic for the Paris edition of the New York Herald Tribune while also writing for Arts Magazine and Art International. She worked as a writer for Artforum, where she edited the influential issues on 'Eisenstein/Brakhage' in 1971 and the 'Special Film Issue' in 1973. Together with Jay Leyda, she established the film studies department at New York University.[1]

Leaving Artforum in 1976, she founded the journal October together with Rosalind Krauss.

In addition to her numerous translations, essays and articles, Michelson edited Kino-Eye: the Writings of Dziga Vertov (1984), and Cinema, Censorship, and the State: The Writings of Nagisa Oshima (1992).[1][2]

On August 10, 2015, the Getty Research Institute announced that Michelson had donated her complete papers and archives to the Institute.[1] The GRI also acquired the drawing Blind Time (1982) and a suite of lithographs, Earth Projects (1969), both by Robert Morris, from Michelson’s collection, as well as Michelson’s film library of over 1500 selections.[1]

References

  1. 1 2 3 4 Hood, Amy (August 10, 2015). "Critic and Scholar Annette Michelson Donates her Papers to the Getty Research Institute" (Press release). Getty Research Institute. Retrieved October 12, 2015.
  2. ↑ Richard, Allen (2003). Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson. Amsterdam: Amsterdam University Press. ISBN 9053564942.


This article is issued from Wikipedia - version of the Sunday, December 13, 2015. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.