Andreas Schlüter

For the 1942 film of his life, see Andreas Schlüter (film).
Andreas Schlüter

Andreas Schlüter (20 May 1664 – May 1714) was a German baroque sculptor and architect associated with the Petrine Baroque style of architecture and decoration.

Biography

Andreas Schlüter was born in Hamburg[1] His early life is obscure as at least three different persons of that name are documented. The records of St. Michaelis Church, Hamburg show that an Andreas Schlüter, son of sculptor Gerhart Schlüter, had been baptized there on 22 May 1664. Documents from Danzig (Gdańsk) reported that an Andreas Schlüter (senior) had worked 1640-1652 in Danzig's Jopengasse lane (today's ulica Piwna). Possibly born in 1640, an Andres Schliter is recorded as apprentice on 9 May 1656 by the mason's guild. Other sources state 1659 as year of birth.[2]

He probably did spend several years abroad as Journeyman. His first work, in 1675, may have been epitaphs of the Dukes Sambor and Mestwin in the dome of Pelplin monastery.

Schlüter's first known work was the decoration of the facade of the St. Johannis Chapel, or Danzig Royal Chapel, in 1681. He later created statues for King John III Sobieski's Wilanów Palace in Warsaw and sepulchral sculptures in Żółkiew (Zhovkva). In 1689, he moved to Warsaw and made the pediment reliefs and sculptural work of Krasiński Palace.

Kikin Palace in Saint Petersburg is often attributed to Schlüter, although there is no proof of his authorship

Schlüter was invited to Berlin in 1694 by Eberhard von Danckelmann to work as court sculptor at the armory (Zeughaus) for Elector Frederick III. His sculpted decorations are a masterpiece of baroque expression and pathos. While the more visible reliefs on the outside had to praise fighting, the statues of dying warriors in the interior denounced war and gave an indication of his pacifist religious beliefs (he is said to have been a Mennonite). Travelling through Italy in 1696, he studied the work of masters like Michelangelo Buonarroti and Gian Lorenzo Bernini.

Schlüter also worked as an architect and built many state buildings in Berlin in his role as "Hofbaumeister" (Court Architect), which he lost when one tower showed signs of a weak fundament. He also served as director of the Akademie der Künste from 1702 to 1704, after which he began concentrating on sculpting again, as "Hofbildhauer" (Court Sculptor). His most important equestrian sculpture is that of the "Great Elector", Frederick William of Brandenburg, cast in 1708 and placed at "Lange Brücke" near the Berlin City Palace, now situated in the honor court before Charlottenburg Palace.

The Berlin City Palace, and many of his works, were partially destroyed by bombing in World War II and by the subsequent Communist regime. A similar fate probably befell the Amber Room, made between 1701 and 1709, Schlüter's most famous work of architecture.

In 1713 Schlüter's fame brought him to work for Tsar Peter the Great in Saint Petersburg, where he died of an illness after creating several designs. Together with Johann Friedrich Braunstein, he designed the Grand Palace and Monplaisir Palace in Peterhof Palace Complex. Also the city's oldest building, Kikin's Palace, and the reliefs at the Summer Palace are attributed to him.

Extant works

Golden ceremonial sarcophagus (close-up) of Queen Sophie Charlotte; Berlin Cathedral

References

  1. ↑ nach älteren Quellen angeblich am 20. Mai 1664 in Hamburg als Sohn des Bildhauers Gerhart Schlüter geboren - Andreas Schlüter, in: Allgemeine Deutsche Biographie (ADB). Bd. 55, Leipzig 1910, S. 184–194.
  2. ↑ Deutsches Historisches Museum online article on Zeughaus
  3. ↑ Gallery

External links

Wikimedia Commons has media related to Andreas Schlüter.
Wikisource has the text of a 1911 Encyclopædia Britannica article about Andreas Schlüter.
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