American Renaissance

This article is about the American Renaissance in architecture and the arts. For the use of the term in literary criticism, see American Renaissance (literature). For the white identitarian perodical, see American Renaissance (magazine).

American Renaissance painted decor: gilded stencilling on an olive green ground in the Office of the Secretary of the Navy in the Executive Office Building, 1879 (now the Vice President's Ceremonial Office)

Ennobled currency: The central vignette of the US$2 bill, Series 1896: Blashfield's Science presents Steam and Electricity to Commerce and Manufacture.

In the history of American architecture and the arts, the American Renaissance was the period from 1876 to 1917^[1] characterized by renewed national self-confidence and a feeling that the United States was the heir to Greek democracy, Roman law, and Renaissance humanism. The American preoccupation with national identity (or New Nationalism) in this period was expressed by modernism and technology as well as academic classicism. It expressed its self-confidence in new technologies, such as the wire cables of the Brooklyn Bridge in New York. It found its cultural outlets in both Prairie School houses and in Beaux-Arts architecture and sculpture, in the "City Beautiful" movement, and "also the creation of the American empire.".^[2] Americans felt that their civilization was uniquely the modern heir, and that it had come of age. Politically and economically, this era coincides with the Gilded Age and the New Imperialism.

The classical architecture of the World's Columbian Exposition in Chicago, 1893, was a demonstration that impressed Henry Adams, who wrote that people "would some day talk about Hunt and Richardson, La Farge and Saint-Gaudens, Burnham and McKim and Stanford White when their politicians and millionaires were quite forgotten." (The Education of Henry Adams ^[3]).

In the dome of the reading room at the new Library of Congress, Edwin Blashfield's murals were on the given theme, The Progress of Civilization.

The exhibition American Renaissance: 1876–1917 at the Brooklyn Museum, 1979, encouraged the revival of interest in this movement.

Notes

↑ Wilson, Richard Guy, ‘’The American Renaissance: 1876–1917’’, The Brooklyn Museum 1979
↑ Wilson, Richard Guy, ‘’The American Renaissance: 1876–1917’’, The Brooklyn Museum 1979 p. 15
↑ http://www.classicreader.com/Adams_Henry/Education_of_Henry_Adams/23.html

References

Howard Mumford Jones, "The Renaissance and American origins," Ideas in America 1945.
Richard Guy Wilson, "The great civilization", forward essay to The American Renaissance 1876–1917. Exhibition catalogue, The Brooklyn Museum, 1979–1980.
Henry Hope Reed, The Golden City, (New York: Norton Library) 1971, Ch. 3:"The American contribution" pp 62–98.

Historicism and Revivalism in Western architecture and decorative arts

International	Baroque Revival Beaux-Arts Byzantine Revival Egyptian Revival Gothic Revival Greek Revival / Neo-Grec Moorish Revival Neoclassical New Classical / Neo-Historism Renaissance Revival Châteauesque Italianate Palazzo style Romanesque Revival Second Empire Swiss chalet style Vernacular

British Empire	Adam style Bristol Byzantine Carpenter Gothic Canada Edwardian Baroque Indo-Saracenic Revival India Jacobethan Queen Anne style Regency Scottish baronial style Tudor Revival / Black-and-White Revival

France	French Renaissance Henry II style Louis Treize Louis Quatorze Louis Quinze Directoire style Empire style Second Empire Belle Époque Art Nouveau Art Deco

Germany	Biedermeier Gründerzeit Nazi architecture Resort style Rundbogenstil

Greece and Balkans	Mycenaean Revival Serbo-Byzantine Revival

Mexico	Mayan Revival

Netherlands	Traditionalist School

Portugal	Pombaline Neo-Manueline Soft Portuguese style

Russian Empire and USSR	Byzantine Revival Russian Revival Stalinist architecture

Scandinavia	Dragestil National Romantic style

Spain	Neo-Mudéjar

United States	Jeffersonian architecture American Renaissance Carpenter Gothic Collegiate Gothic Colonial Revival Federal style Greco Deco Mediterranean Revival Mission Revival Polish Cathedral style Pueblo Revival Queen Anne style Richardsonian Romanesque Spanish Colonial Revival Territorial Revival

Italy	Stile umbertino

Modern architecture »

Architecture of the United States

Colonial	American colonial architecture Colonial Georgian Dutch Colonial French Colonial German Colonial Spanish Colonial

Early Republic	Adam Federal Jeffersonian

Mid-19th century	Greek Revival Italianate Gothic Revival

Victorian	Richardsonian Romanesque Second Empire American Renaissance Folk Stick style Queen Anne Shingle Territorial

Late-19th to mid-20th century	Beaux-Arts Chicago School Colonial Revival Dutch Colonial Revival Mediterranean Revival Mission Revival Spanish Colonial Revival Tudor Revival Pueblo Revival Territorial Revival American Craftsman Prairie School American Foursquare California bungalow Art Deco Streamline Moderne PWA Moderne

Post-World War II to current	International style Usonian American ranch Modern Postmodern Neo-eclectic New Classical Architecture

Vernacular	Hall and parlor house Central-passage house Log cabin Cape Cod Saltbox Creole cottage Dogtrot house I-house Shotgun house Sod house Carpenter Gothic First Period

This article is issued from Wikipedia - version of the Monday, December 07, 2015. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.