Adam Christian Clark

Adam Christian Clark

Clark at the 2012 Tribeca Film Festival
Born Adam Christian Clark
Alma mater University of Southern California
Occupation Film director, screenwriter, editor
Years active 2002–present
Notable work Caroline and Jackie

Adam Christian Clark is an American film director, screenwriter, and editor, who is best known for combining naturalistic techniques in performance and dialog with stylized cinematic devices in editing and camerawork.[1][2]

Early life

Adam Christian Clark was raised in Seattle, Washington.

Career

Early career

Clark attended the University of Southern California School of Cinematic Arts.[3] While still a student, he worked as a director on the CBS network television series Big Brother.[4] He then worked as a roster director at Quentin Tarantino's and Lawrence Bender's production company A Band Apart, where he wrote and directed television, music videos, and commercials. Clark worked with such artists as Kanye West, Jackie Chan, Gnarls Barkley, Lupe Fiasco, and Girl Talk; and such brands as Pepsi, Lays, Motorola, MAC, and Diesel.[5]

Clark spent 2006 in Shanghai, writing and directing Mainland China's first reality television series.[6]

In 2008, Clark collaborated on two projects with Pulitzer Prize-winning author Charlie LeDuff: The Editor, a short film starring Richard Riehle based on LeDuff's career at The New York Times, and Bag Men, a feature screenplay written for Plan B Entertainment.[7]

In 2009, Clark returned to China to shoot Goodbye Shanghai, a short film he also wrote about Western spies working as international bankers in Shanghai. The film garnished several national and international festival awards.[8]

2010s: Caroline and Jackie

Clark's first feature film Caroline and Jackie premiered at the 2012 Tribeca Film Festival, and was met with very positive reviews.[9]

John Anderson of Variety said, "Displaying nerves of steel and a generous heart, helmer Adam Christian Clark takes a lot of chances with Caroline and Jackie, a tale of troubled sisters that keeps the viewer off balance throughout before delivering a payoff that serves as both catharsis and absolution. While it does make demands of its audience, the cumulative emotional impact is startling".[10]

Steve Dollar of the Wall Street Journal called it "a delicious dinner party meltdown, visually polished and emotionally raw". He praised Moreau and Tulloch for "playing their yin/yang roles with gleaming intensity".[11]

Miranda Siegel of New York Magazine named it a must-see film, praising its "top-notch performances" and its "unique combination of naturalistic acting and stylized technique".[12]

The film was theatrically released by Phase 4 Films in 2013.[13]

Influences and style

Influences

While an undergraduate film student at USC, Clark became very close friends with his professor, Academy Award nominated cinematographer William A. Fraker, A.S.C., B.S.C. Clark accredits Fraker as an influence for hard lighting and formalistic production design.[14]

Clark has attributed strong influence to the American New Wave[3][15] film movement, and directors John Cassavetes,[3] and Robert Altman.[1]

Themes and style

Clark’s films are very character driven, and often explore themes centered around family, isolation, and unrequited love.[15]

When asked to describe his style in a 2012 interview with IndieWire, Clark stated,

Stylistically my number one goal at all stages of production is for the narrative to always maintain the highest level of reality possible. My hope would be that the camera, the lighting, the sound, the performances, and my own ego will go as unnoticed as possible, and that you may feel, if just for a moment, that you are watching your own family interact. That view may come as a surprise, as the films' characters are highly vapid and their worlds’ greatly stylized. My answer would be that in being truly honest, we have to admit that we are all vapid, and our own little world is forever increasing in style and conformity.[16]

Filmography

Feature films

Short films

References

  1. 1 2 Lloyd, Christopher (July 18, 2012). "Caroline and Jackie". The Film Yap. The Film Yap.
  2. ↑ Dollar, Steve (July 22, 2012). "TRIBECA 2012: Critic's Notebook #1". GreenCine. GreenCine.
  3. 1 2 3 Erkara, Busra (April 28, 2012). "Tribeca: Director Adam C. Clark on ‘Caroline and Jackie’". Bullett Magazine. Bullett.
  4. ↑ Wes (August 29, 2012). "Director Talks: Adam Christian Clark of "Caroline and Jackie"". IndiPix. IndiPix.
  5. ↑ Tribeca, Staff (April 1, 2012). "Caroline and Jackie". Tribeca Film Guide. Tribeca Film.
  6. ↑ Popova, Maria (November 22, 2010). "PICKED: Goodbye Shanghai". Brainpickings.com. Brain Pickings.
  7. ↑ Ago, Alessandro (September 2013). "Caroline and Jackie". Q&A with Adam Christian Clark. University of Southern California.
  8. ↑ Official Site. "Goodbyeshanghai.com". Retrieved 2012-10-05.
  9. ↑ "Caroline and Jackie". Rotten Tomatoes. Retrieved 2012-10-05.
  10. ↑ Anderson, John (April 23, 2012). "Caroline and Jackie". Variety.
  11. ↑ "TRIBECA 2012: Critic's Notebook #1 review". April 22, 2012.
  12. ↑ Siegel, Miranda. "Tribeca 9". New York Magazine. Retrieved April 20, 2012.
  13. ↑ Yamato, Jen. "Phase 4 Dates 'Caroline And Jackie'". Deadline. Retrieved April 3, 2013.
  14. ↑ McCracken, Kristin (April 6, 2012). "Camelot? It's Not". TribecaFilm.com. Tribeca Film.
  15. 1 2 Benardello, Karen (May 8, 2012). "Interview With The Cast And Crew Of Caroline and Jackie [Tribeca Film Festival]". WeGotThisCovered.com. WGTC.
  16. ↑ IndieWire, Staff (April 13, 2012). "Meet the 2012 Tribeca Filmmakers #24: 'Caroline and Jackie' Director Adam Christian Clark". IndieWire. IndieWire.

External links

Wikimedia Commons has media related to Adam Christian Clark.
This article is issued from Wikipedia - version of the Wednesday, September 30, 2015. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.