35th Academy Awards

35th Academy Awards
Date	April 8, 1963
Site	Santa Monica Civic Auditorium
Host	Frank Sinatra
Producer	Arthur Freed
Director	Richard Dunlap
Highlights
Best Picture	Lawrence of Arabia
Most awards	Lawrence of Arabia (7)
Most nominations	Lawrence of Arabia (10)
TV in the United States
Network	ABC

The 35th Academy Awards, honoring the best in film for 1962, were held on April 8, 1963 at the Santa Monica Civic Auditorium in Santa Monica, California, hosted by Frank Sinatra.

Awards

Winners are listed first and highlighted with boldface^[1]

Best Picture	Best Director
Lawrence of Arabia The Longest Day The Music Man Mutiny on the Bounty To Kill a Mockingbird	David Lean – Lawrence of Arabia Pietro Germi – Divorce Italian Style Robert Mulligan – To Kill a Mockingbird Arthur Penn – The Miracle Worker Frank Perry – David and Lisa
Best Actor	Best Actress
Gregory Peck – To Kill a Mockingbird Burt Lancaster – Birdman of Alcatraz Jack Lemmon – Days of Wine and Roses Marcello Mastroianni – Divorce Italian Style Peter O'Toole – Lawrence of Arabia	Anne Bancroft – The Miracle Worker Bette Davis – What Ever Happened to Baby Jane? Katharine Hepburn – Long Day's Journey Into Night Geraldine Page – Sweet Bird of Youth Lee Remick – Days of Wine and Roses
Best Supporting Actor	Best Supporting Actress
Ed Begley – Sweet Bird of Youth Victor Buono – What Ever Happened to Baby Jane? Telly Savalas – Birdman of Alcatraz Omar Sharif – Lawrence of Arabia Terence Stamp – Billy Budd	Patty Duke – The Miracle Worker Mary Badham – To Kill a Mockingbird Shirley Knight – Sweet Bird of Youth Angela Lansbury – The Manchurian Candidate Thelma Ritter – Birdman of Alcatraz
Best Original Screenplay	Best Adapted Screenplay
Divorce, Italian Style – Ennio de Concini, Alfredo Giannetti and Pietro Germi Through a Glass Darkly – Ingmar Bergman Freud – Story by Charles Kaufman; Screenplay by Charles Kaufman and Wolfgang Reinhardt Last Year at Marienbad – Alain Robbe-Grillet That Touch of Mink – Stanley Shapiro and Nate Monaster	To Kill a Mockingbird – Horton Foote Lawrence of Arabia – Robert Bolt and Michael Wilson^[A] The Miracle Worker – William Gibson Lolita – Vladimir Nabokov David and Lisa – Eleanor Perry
Best Foreign Language Film
Sundays and Cybele (France) Electra (Greece) The Four Days of Naples (Italy) Keeper of Promises (The Given Word) (Brazil) Tlayucan (Mexico)
Best Documentary Feature	Best Documentary Short
Black Fox Alvorada	Dylan Thomas The John Glenn Story The Road to the Wall
Best Live Action Short	Best Animated Short
Heureux Anniversaire Big City Blues The Cadillac The Cliff Dwellers Pan	The Hole Icarus Montgolfier Wright Now Hear This Self Defense ... for Cowards Symposium on Popular Songs
Best Original Score	Best Adaptation or Treatment Score
Lawrence of Arabia – Maurice Jarre To Kill a Mockingbird – Elmer Bernstein Freud – Jerry Goldsmith Mutiny on the Bounty – Bronislau Kaper Taras Bulba – Franz Waxman	The Music Man – Ray Heindorf The Wonderful World of the Brothers Grimm – Leigh Harline Gigot – Michel Magne Gypsy – Frank Perkins Billy Rose's Jumbo – George Stoll
Best Original Song	Best Sound Recording
*"Days of Wine and Roses" from Days of Wine and Roses* – Music by Henry Mancini; Lyric by Johnny Mercer** "Love Song From Mutiny on the Bounty (Follow Me)" from Mutiny on the Bounty – Music by Bronislau Kaper; Lyric by Paul Francis Webster "Song From Two for the Seesaw (Second Chance)" from Two for the Seesaw – Music by André Previn; Lyric by Dory Langdon "Tender Is the Night" from Tender Is the Night – Music by Sammy Fain; Lyric by Paul Francis Webster "Walk on the Wild Side" from Walk on the Wild Side – Music by Elmer Bernstein; Lyric by Mack David	Lawrence of Arabia – John Cox That Touch of Mink – Waldon O. Watson Bon Voyage! – Robert O. Cook What Ever Happened to Baby Jane? – Joseph D. Kelly The Music Man – George R. Groves
Best Art Direction, Black and White	Best Art Direction, Color
To Kill a Mockingbird – Art Direction: Alexander Golitzen and Henry Bumstead; Set Decoration: Oliver Emert Period of Adjustment – Art Direction: George Davis and Edward Carfagno; Set Decoration: Henry Grace and Dick Pefferle The Longest Day – Art Direction: Ted Haworth, Leon Barsacq and Vincent Korda; Set Decoration: Gabriel Bechir The Pigeon That Took Rome – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Sam Comer and Frank R. McKelvy Days of Wine and Roses – Art Direction: Joseph C. Wright; Set Decoration: George James Hopkins	Lawrence of Arabia – Art Direction: John Box and John Stoll; Set Decoration: Dario Simoni The Wonderful World of the Brothers Grimm – Art Direction: George W. Davis and Edward Carfagno; Set Decoration: Henry Grace and Dick Pefferle That Touch of Mink – Art Direction: Alexander Golitzen and Robert Clatworthy; Set Decoration: George Milo The Music Man – Art Direction: Paul Groesse; Set Decoration: George James Hopkins Mutiny on the Bounty – Art Direction: George W. Davis and J. McMillan Johnson; Set Decoration: Henry Grace and Hugh Hunt
Best Cinematography, Black and White	Best Cinematography, Color
The Longest Day – Jean Bourgoin and Walter Wottitz Birdman of Alcatraz – Burnett Guffey What Ever Happened to Baby Jane? – Ernest Haller To Kill a Mockingbird – Russell Harlan Two for the Seesaw – Ted D. McCord	Lawrence of Arabia – Freddie Young Hatari! – Russell Harlan Gypsy – Harry Stradling Mutiny on the Bounty – Robert L. Surtees The Wonderful World of the Brothers Grimm – Paul C. Vogel
Best Costume Design, Black and White	Best Costume Design, Color
What Ever Happened to Baby Jane? – Norma Koch Days of Wine and Roses – Don Feld The Man Who Shot Liberty Valance – Edith Head The Miracle Worker – Ruth Morley Phaedra – Denny Vachlioti	The Wonderful World of the Brothers Grimm – Mary Wills My Geisha – Edith Head The Music Man – Dorothy Jeakins Gypsy – Orry-Kelly Bon Voyage! – Bill Thomas
Best Film Editing	Best Visual Effects
Lawrence of Arabia – Anne Coates The Longest Day – Samuel E. Beetley Mutiny on the Bounty – John McSweeney, Jr. The Manchurian Candidate – Ferris Webster The Music Man – William H. Ziegler	The Longest Day – Robert MacDonald and Jacques Maumont Mutiny on the Bounty – A. Arnold Gillespie and Milo B. Lory

Jean Hersholt Humanitarian Award

Steve Broidy

Presenters and performers

Presenters

George Chakiris (Presenter: Best Supporting Actress)
Rita Moreno (Presenter: Best Supporting Actor)
Wendell Corey (Presenter: Best Foreign Language Film)
Joan Crawford (Presenter: Best Director)
Bette Davis (Presenter: Writing Awards)
Olivia de Havilland (Presenter: Best Picture)
Van Heflin (Presenter: Short Subjects Awards)
Audrey Hepburn and Eva Marie Saint (Presenter: Best Costume Design)
Gene Kelly (Presenter: Best Art Direction-Set Decoration)
Karl Malden (Presenter: Best Film Editing)
Donna Reed (Presenter: Best Cinematography)
Ginger Rogers (Presenter: Best Original Score and Best Original Song)
Sophia Loren (Presenter: Best Actor)
Maximilian Schell (Presenter: Best Actress)
Miyoshi Umeki (Presenter: Documentary Awards)
Shelley Winters (Presenter: Best Sound Recording and Best Visual Effects)

Performers

Robert Goulet ("Days of Wine and Roses" from Days of Wine and Roses; "Love Song from Mutiny on the Bounty (Follow Me)" from Mutiny on the Bounty; "Song from Two for the Seesaw (Second Chance)" from Two for the Seesaw; "Tender Is the Night" from Tender Is the Night; and "Walk on the Wild Side" from Walk on the Wild Side)

Multiple nominations and awards

These films had multiple nominations:

10 nominations: Lawrence of Arabia
8 nominations: To Kill a Mockingbird
7 nominations: Mutiny on the Bounty
6 nominations: The Music Man
5 nominations: Days of Wine and Roses, The Longest Day, The Miracle Worker, What Ever Happened to Baby Jane?
4 nominations: Birdman of Alcatraz, The Wonderful World of the Brothers Grimm
3 nominations: Divorce, Italian Style, Gypsy, Sweet Bird of Youth, That Touch of Mink
2 nominations: The Manchurian Candidate, Bon Voyage!, David and Lisa, Freud, Two for the Seesaw

The following films received multiple awards.

7 wins: Lawrence of Arabia
3 wins: To Kill a Mockingbird
2 wins: The Longest Day, The Miracle Worker

Notes

A^ : During pre-production on Lawrence of Arabia, producer Sam Spiegel and director David Lean were unhappy with Michael Wilson's original screenplay, so Spiegel asked playwright Robert Bolt to rewrite the script, as Spiegel wanted to get the film rights of Bolt's play A Man for All Seasons. Bolt found the script lacking in good dialogue and also character depth. He essentially wrote the whole script, using T.E. Lawrence's book, The Seven Pillars of Wisdom, as his starting point. While Bolt rewrote the whole script, he still retained the characterization of all of the characters found in Wilson's original script. It was decided that Bolt will be credited as the sole writer of Lawrence of Arabia and not Wilson, because he was blacklisted at the time. The nomination for Wilson was granted on 26 September 1995 by the Academy Board of Directors, after research at the WGA found that the then blacklisted writer shared the screenwriting credit with Bolt.

References

↑ "The 35th Academy Awards (1963) Nominees and Winners". oscars.org. Retrieved 2011-08-23.

External links

Academy Awards

Academy of Motion Picture Arts and Sciences (AMPAS) Records Most wins per ceremony Oscar season Governors Awards Pre-show History of film

Merit awards	Best Picture Director Actor Actress Supporting Actor Supporting Actress Adapted Screenplay Original Screenplay Animated Feature Documentary Feature Foreign Language Film Animated Short Film Documentary Short Subject Live Action Short Film Cinematography Costume Design Film Editing Makeup and Hairstyling Original Score Original Song Original Musical Production Design Sound Editing Sound Mixing Visual Effects

Special awards	Academy Honorary Award Academy Scientific and Technical Award Gordon E. Sawyer Award Irving G. Thalberg Memorial Award Jean Hersholt Humanitarian Award John A. Bonner Medal of Commendation Special Achievement Academy Award Student Academy Award

Retired awards	Assistant Director Dance Direction Director of a Comedy Picture Engineering Effects Short Subject, Two-reel Short Subject, Comedy Short Subject, Novelty Original Story Title Writing Unique and Artistic Quality of Production Academy Juvenile Award

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