Zdravitsa (Prokofiev)

Zdravitsa (literally A Toast!), Op. 85, is a cantata written by Sergei Prokofiev in 1939.

Background

Ever since Prokofiev returned to the Soviet Union, he was viewed as a suspect in the eyes of the Stalinist regime and was under scrutiny. Numerous Soviet artists had already been arrested or even executed for creating art that was deemed too 'formalistic' by Soviet officials. Indeed, when Prokofiev collaborated with theatre director Vsevolod Meyerhold for his opera Semyon Kotko, the opera's premiere was postponed due to Meyerhold being arrested on 20 June 1939. Meyerhold was executed on 2 February 1940.[1] A few months after Meyerhold's arrest, Prokofiev was invited to write Zdravitsa to celebrate Joseph Stalin's 60th birthday.[2]

Zdravitsa, in Prokofiev's broad, lyrical vein, contains music that would certainly have fitted into his ballet Romeo and Juliet. However, the work is not as frequently played due to its pro-Stalinist sentiments. Regardless, this cantata, along with many other neglected political works (e.g. Flourish, Mighty Land and The Meeting of the Volga and the Don), contains much first-rate Prokofiev which deserves to be played more often.

Lasting around 15 minutes, the cantata is in one continuous movement. The lyrics are collected from folk-political songs.

Analysis

The cantata opens with a sighing motif on trumpets, after which the strings play an expansive, flowing melody in C major. The choir suddenly intrudes (singing loudly There never was such joy - the entire village is full of it), and the music picks up speed. The choir slips cheekily into distant keys now and then. Faster staccato sections continue to alternate with slower flowing sections.

Of special interest is the last section, where the choir races up and down a C major scale (spanning more than two octaves), rather like a child practising piano scales: the British journalist, Alexander Werth (author of Musical Uproar in Moscow), "wondered whether [Prokofiev] hadn't just the tip of his tongue in his cheek as he made the good simple kolhozniks sing a plain C-major scale, up and down, up and down, and up and down again...".[3] The orchestra provides alternating G and A-flat pedal notes. The cantata ends in a blazing C major, a favourite key of Prokofiev (cf. Piano Concerto No. 3, Russian Overture, and Symphony No. 4 (revised version)).

Orchestration

Piccolo
2 Flutes
2 Oboes
English Horn
2 Clarinets
Bass Clarinet
2 Bassoons
Contrabassoon
4 Horns
3 Trumpets
3 Trombones
Tuba
Timpani
Percussion (Woodblocks, Snare Drum, Tambourine, Triangle, Cymbals, Bass Drum, Tam-tam, Xylophone, Tubular Bells)
Harp
Piano
Strings
Chorus

Premiere

The cantata premiered on 21 December 1939 in Moscow, conducted by Nikolai Golovanov.

Recordings

Orchestra Choir Conductor Record Company Year of Recording Format
State Symphony Capella of Russia State Symphony Capella of Russia Valeri Polyansky Chandos Records 2003 CD
London Philharmonic Orchestra Geoffrey Mitchell Choir /
London Philharmonic Choir
Derek Gleeson[4] IMP Masters 2000 CD
New Philharmonic Orchestra St Petersburg Philharmonic Choir Alexander Titov Beaux 1998 CD
USSR Radio/TV Large Symphony Orchestra Moscow Radio Chorus Yevgeny Svetlanov Le Chant Du Monde 1962 CD

Notes

  1. Jaffé, p.158
  2. Jaffé, p.159
  3. Werth (1946), p.244
  4. http://www.derekgleeson.com/

References

External links