Wendy Sue Lamm

Wendy Sue Lamm (born 1964 in Los Angeles, California) is an American photographer and photojournalist.

Career

Lamm earned her BA in Humanities from the University of California at Berkeley in 1988 and had her first photojournalism experience with the Agence France-Presse, where she stayed until 1997. From 1988 to 1996 she works in the most various places of the United States, from El Paso, Texas to New York City and San Francisco. In 1994 she is member of the team of the Los Angeles Times that reports on the Northridge earthquake, and some pictures shot by Lamm are part of the collection that, a year later, was awarded Pulitzer Prize for the staff of the newspaper.[1]

Between 1996 and 2005, Lamm is posted in Jerusalem, in Paris and in Stockholm. Since 1998 she works for the Italianagency Contrasto.[2] In 1997 she receives the first World Press Photo Prize in the category Spot news for a picture published with the Agence France-Presse.[3] That twin picture represents, face to face, Israeli soldiers and a Palestinian, with a thick line separating them. In 1998 she won third prize in the World Press Photo in the category Art for a picture published with the Contrasto agency.[4]

In 1999, she received, for her photo Holy Water, still published with the Italian agency, the Award of Excellence given by the National Press Photographers Association (NPPA) during the 56th Annual Pictures of the Year Contest.[5]

In 2005, as the 'Agenzia Contrasto opens a distribution channel in the United States, Lamm returns living and working to her native Los Angeles.

From her husband Esaias she has a boy named Elia.

Work

What earned Wendy Sue Lamm her biggest success is a collection of photographs shot in Israel and the Palestinian Territories which was exhibited in various countries and was compiled in the book From the Land of Miracles, published 2005.[6][7][8] The book was translated into Italian and Swedish. It is probably the metaphorical dimension of Lamm's photographs that constitute their main feature. There are pictures in which the care for artistic quality is linked with a human message and a contextualization in current political events, as described in the quotations reproduced below.

The photo that won the first World Press Photo Award was analyzed in the same perspective by Søren Kolstrup:[9]

Wendy Sue Lamm's picture of the clash between Israeli soldiers and Palestinians took first prize in the category Spot News, singles, in 1998. The photo is divided by a pillar in the middle, (...). Both groups are inscribed in a triangular shape; both shapes express movement, but in different ways.

Thus the photo depicts two subjects, which are placed side by side from a spatial point of view, but are moving in different directions from the point of view of their action.[10]

Commenting an exhibits of the collection From The Land of Miracle held in Italy Giancarlo Pauletto, curator of the Museum of Modern Arts, has exemplified with two pictures the messages contained in Lamm's works, again basing himself on the metaphorical dimension:[11]

In the first of these, some children are bathing in the Mediterranean, in the Gaza Strip area. One of them is playing - or so it seems - with a plastic bottle that has two small fish inside. This is a surreal image, almost like a magic trick, and is a fitting introduction to the situations and “miracles” that we can see in this series of photographs that bear extraordinary witness to a historic tragedy, but also to an unstoppable will to live, to a land destined to be a testing ground for the sincerity of so many cultural and political positions.

In the last photograph, a figure struggles its way through the mud on the banks of the Dead Sea. This figure necessarily attracts our attention because it is a human figure, but most of the photographic space is taken up by the dark, dense mud that seems eternally to imprison whatever falls into it. It is hard not to see these truly intense images as a powerful metaphor for the negative forces that tenaciously block the road to peace - a peace that would be a great sign not only for the Middle East, but for the whole world.[12]

Commenting on the book, David Schonauer, from American Photo, wrote:[13]

In essence, this book documents the impact of the peace process on daily life in Israel and the Palestinian territories. But Lamm's scope is much larger. Her complex compositions and use of color make this less a documentary project than a personal journey.

Exhibits

Solo exhibits (selection)

Collective exhibits (selection)

Works

Monographies

Collections

Awards

References

  1. ↑ Prix Pulitzer 1995 – Los Angeles Times
  2. ↑ About Contrasto on foto8.com
  3. ↑ Archive World Press Photo 1997
  4. ↑ Archive World Press Photo 1998
  5. ↑ Site du POY, lauréats de l'édition 1999
  6. ↑ From the Land of Miracles, publication
  7. ↑ From the Land of Miracles, commentaries
  8. ↑ English 2009 edition on contrastobooks.com
  9. ↑ Søren Kolstrup, "European and American Press Photography", in: p.o.v. a Danish journal of film studies, Issue Number 12, December 2001.
  10. ↑ Photo, first prize World Press Photo 1997
  11. ↑ Dedica Festival, Lamm Exhibition, Text by Giancarlo Pauletto
  12. ↑ photograph of the fishes in the bottle.
  13. ↑ Critique de David Schonauer
  14. ↑ Boston University, Hillel's Rubin-Frankel Gallery
  15. ↑ Like Water on Rock: Exhibit by the Jewish Women Artists' Network (30 Jewish women artists), Gotthelf Art Gallery,
  16. ↑ Like Water on Rock : Exhibit by the Jewish Women Artists’ Network

External links