WOHA

WOHA

Left: Richard Hassell
Right: Wong Mun Summ
Practice information
Key architects Wong Mun Summ
Richard Hassell
Location Singapore
Founded 1994
School of the Arts, Singapore 2005-2010
Bras Basah MRT Station, Singapore 2000-2008
Crowne Plaza Hotel, Changi Airport, Singapore 2005-2008
iluma, Singapore 2005-2009
Alila Villas Uluwatu, Bali 2003-2009
Oasia Downtown, Singapore 2011-

WOHA is a Singapore-based architecture practice, founded in 1994 by Wong Mun Summ (born 18 August 1962) and Richard Hassell (born 28 October 1966). In 1989, Wong graduated from the National University of Singapore and Hassell graduated from the University of Western Australia. Both were then employed by Kerry Hill Architects in Singapore, where they realized that they shared a logical approach to solving architectural problems, determined by the requirements of a building’s program rather than by the form-making opportunities.

In their early years of practice, the partnership became well known throughout Southeast Asia for their crisply detailed houses in Singapore. In 2000, when the partnership won the open competitions for two MRT railway stations in Singapore and the commission for the 1 Moulmein Rise,[1] apartment block, they decided to focus on public and commercial architecture rather than houses. Their unsuccessful entry to the Duxton Plain Public Housing competition[2] in 2001 was a groundbreaking scheme, which comprised nine forty-storey towers, separated by large vertical spaces and linked by sky streets on every fifth level. By opening up the elements of the building and creating natural ventilation, WOHA were proposing a new model for tropical architecture and a passive, structural solution to the problems of sustainability. These ideas were subsequently adapted to a series of completed apartment towers and public buildings, notably Newton Suites and the School of the Arts in Singapore, and The Met and Hansar in Bangkok. These high-rise projects appear as monumental expressions of their structural functions, and demonstrate a sustainable alternative to generic glass-clad towers. Greenery is used extensively as a protective second skin on the façades of the buildings, particularly as walls of hanging vines. When The Met won the RIBA Lubetkin Prize in 2011,[3] the jury citation stated: “The Met shows that an alternative strategy to the sleek air-conditioned box can work in the tropics and has implications everywhere.”

Working in the city is central to WOHA’s architecture, and apart from occasional resort commissions, the practice is preoccupied with public buildings and condominiums/apartments, which are clearly calibrated to perform as part of the public realm of the city. They have deliberately attempted to restore a democratic spirit to the inner city of Singapore with projects such as the School of the Arts, iluma, Wilkie Edge and ParkRoyal on Pickering. Wong and Hassell observe of Singapore: “Many of the existing buildings do not connect successfully, and we wanted to implement an active permeable ground level. A city is only interesting when you can continually access what you are walking past, and a lot of Singapore buildings do not attempt this permeability.” Both the Bras Basah and Stadium MRT Stations in central Singapore were ingenious, though remarkably straightforward, urban design solutions. Set beneath a thin water-covered glass roof, the Bras Basah Station cannot be seen at ground level, thus preserving views of the surrounding colonial-era buildings, but nonetheless constitutes a monumental piece of architecture. Sunlight pours into the station through the glass roof, bounces off a huge canted limestone wall to the low-lying platforms, and the nominally subterranean space has become one of Singapore’s great urban experiences. The Stadium Station takes the form of a canyon clad in finely ribbed aluminium, set between a straight wall and a convex wall, with the deep platform level lit from above through a long crescent-shaped skylight.

Many projects directly explored the aesthetic possibilities of designing in the tropics, where colourful decoration and expressive geometries reflect the landscape, the foliage and the local building traditions. Resembling giant orchids in bloom, the exterior of the Crowne Plaza Hotel at Changi Airport is screened by intertwining polymer-gypsum ribbons, while the iluma shopping mall in downtown Singapore features a curvaceous façade studded with shimmering faceted hexagonal panels: a pattern WOHA describe as a ‘crystal mesh’. Several projects, such as the Church of St Mary of the Angels in Singapore, the Alila Villas Uluwatu resort in Bali, and the InterContinental Sanya Resort in China, were holistic designs as WOHA were responsible for the site planning, architecture, landscape, interiors, furniture and lighting. At Alila Villas Uluwatu, unusual for a Balinese resort as it did not directly mimic the local vernacular, WOHA built a monumental complex of white stone colonnades edged by water gardens. The landscape and the buildings combine to create a magnificent architecturally erudite folly, inspired by Wong and Hassell imagining a meeting between Mies van der Rohe, Carlo Scarpa and a Majapahit emperor.

Two tower projects under construction in central Singapore, Oasia Downtown and ParkRoyal on Pickering, comprise dramatic statements in vertical landscaping, suggesting a city where the architectural forms will virtually disappear behind the greenery. WOHA have large apartment complexes underway in Mumbai, Guangzhou and Taipei, which extend the ideas of their earlier schemes where the blocks and elements were pulled apart to create spaces for shade and ventilation. WOHA are also intent upon re-establishing the social spaces in Asian cities that disappeared in rapid recent modernization, and their recent projects and competition entries include large sheltered naturally-ventilated spaces as a fundamental component of their buildings.

Significant Built Works

Under Construction

Awards

Exhibitions

References

Further reading

External links

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