Visions (Grimes album)

Visions
Studio album by Grimes
Released January 31, 2012
Recorded August 2011
Genre Art pop,[1] dream pop,[2] synthpop,[3] dark wave,[4][5] experimental[6][7]
Length 48:04
Label Arbutus
Producer Grimes
Grimes chronology

Darkbloom
(2011)		 Visions
(2012)
Singles from Visions
  1. "Genesis"
    Released: January 9, 2012
  2. "Oblivion"
    Released: February 20, 2012

Visions is the third studio album by Canadian recording artist Grimes, released on January 31, 2012. Her first since signing with 4AD,[8] the album was recorded entirely on Apple's GarageBand in Grimes' apartment over a three-week period.[9][10] It was mixed by Grimes and her manager Sebastian Cowan at their La Brique Studio Space.[11] Visions was streamed on the NPR website a week before it was released in the United States.[12]

In November 2012, with the announcement that Visions was named album of the year by record shops Rough Trade and Resident, two exclusive bonus discs were made available with any purchase of the album in each shop, featuring remixes and rare tracks.[13]

Background and recording

In 2010, she released her first two albums Geidi Primes and Halfaxa in January and September. In 2011, she released a split EP with d'Eon called Darkbloom. The same year, Grimes began to write, record and produce what would become her third album in extended isolation over a three week period. [14] at home in Montreal, and described her writing process as being "equally enjoyable and tortuous".[15] During recording, she was reclusive, insomniac and anorexic with blacked out windows, for nine days, to induce halluncinations, explaining "you have no stimulation, so your subconscious starts filling in the blanks. I started to feel like I was channelling spirits. I was convinced my music was a gift from God. It was like I knew exactly what to do next, as if my songs were already written."[14] The album was recorded entirely on Apple's GarageBand, using some vocal pedals, a sampler and a Juno-G keyboard.[16]

Promotion

The music video for "Oblivion", directed by Emily Kai Bock,[17] was shot in Montreal at Olympic Stadium and at McGill University's Molson Stadium,[18][19] during a football game and a motocross rally.[17][20] The video debuted on March 2, 2012, and shows Grimes amongst shirtless frat boys,[20] as well as in a men's locker room surrounded by weightlifting athletes.[21] "Art gives me an outlet where I can be aggressive in a world where I usually can't be, and part of it was asserting this abstract female power in these male-dominated arenas—the video is somewhat about objectifying men. Not in a disrespectful way, though", Grimes explained.[17] In an interview with Spin, she revealed that the song is about "going into this masculine world that is associated with sexual assault, but presented as something really welcoming and nice. The song's sort of about being—I was assaulted and I had a really hard time engaging in any types of relationship with men, because I was just so terrified of men for a while."[22]

The video for "Nightmusic" was directed by John Londono and premiered on May 10, 2012. It takes place in a "barren, greywashed" landscape, and features Grimes wearing one of the "pussy rings" she designed in collaboration with Montreal-based jeweler and sculptor Morgan Black.[23][24]

The self-directed video for "Genesis", which was released as the album's lead single on January 9, 2012,[25] premiered on August 22, 2012.[26] It was filmed in Los Angeles and co-stars rapper and stripper Brooke Candy, whom Grimes describes as "a very contemporary muse". In the video, Grimes is seen alongside a group of friends while driving an Escalade in the desert, holding an albino python in the back of a limousine, and posing in the woods. She said of the concept of the video: "It's loosely based on this painting by my favorite painter, Hieronymus Bosch, called The Seven Deadly Sins and the Four Last Things. I wanted to play with Medieval/Catholic imagery. I was raised in a Catholic household and went to a Catholic school, and my childhood brain perceived medieval Catholicism as an action movie: There's this crazy omnipresent guy who can destroy you at any moment."[27]

Critical reception

Professional ratings
Aggregate scores
Source Rating
Metacritic 80/100[28]
Review scores
Source Rating
Allmusic [29]
The A.V. Club A−[30]
Clash 8/10[31]
The Guardian [14]
Now 4/5[2]
Pitchfork Media 8.5/10[32]
PopMatters 8/10[33]
Rolling Stone [34]
Slant Magazine [35]
Spin 7/10[36]

Visions received mostly positive reviews from music critics. At Metacritic, which assigns a rating out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 42 reviews, which indicates "generally favorable reviews".[28] Lindsay Zoladz of Pitchfork Media awarded the album a "Best New Music" designation, claiming it "showcases a streamlined aesthetic, resulting in a statement that feels focused, cohesive, and assured. It's simple enough to leave room for Grimes to grow, but this thing is so compulsively listenable it's hard to come away from it wanting much more".[32] The A.V. Club‍ '​s Evan Rytlewski commented that on Visions, Grimes "continues her march toward accessibility, rendering hazy, quixotic sketches into tangible, hook-heavy electro-pop".[30] New York Times writer Jon Caramanica named Visions "one of the most impressive albums of the year so far".[37] Rebecca Nicholson of The Guardian described Visions as a "smart, funny album, and it's almost impossible not to dance to it".[14] Clash‍ '​s Matthew Bennett wrote, "With 4AD's renewed vigor in all affairs electonique and Boucher's coherent elevation in both song quality and hook there'll be no stopping this creative, sensual explosion of humanity called Grimes."[31] Benjamin Boles of Now called the album "richly textured and inventive", noting that "while Visions is unmistakably 2012 sonically in its references to R&B and hip-hop, it also fits remarkably gracefully into 4AD's impressive back catalogue of dream pop".[2] Matt James of PopMatters praised the album as "an absolute blast" and opined, "Sure, it could have done without some of the interludes [...] but its overall sense of ambition is intoxicating. Visions‍ '​ rebellious contrariness to evade classification is part of the design and certainly part of the charm".[33]

AllMusic's Heather Phares concluded, "Fresh and surprisingly accessible despite its quirks,Visions is bewitching".[29] In a review for Spin, Eric Harvey remarked that "[t]he pervasive sense on Visions is of a young woman carefully pushing out of her own introversion, which makes the moments where she sings from the gut instead of the throat ('Circumambient'), or strives for human-on-human sensuality ('Skin'), all the more thrilling". Harvey continued, "Boucher's talent lies in the balance of exploiting her gifts and leveraging what's come before her, but judiciously".[36] Hayley Avron of Drowned in Sound wrote, "Above all and aside from the frustrations, the album is a well-crafted beast, beautifully constructed. Boucher's vocals [...] deliver emotion without meaning, floating over a kaleidoscope of sounds, skimming the surface of feeling like a sketch".[38] Kevin Liedel of Slant Magazine viewed the album as "a flawed but intimate glimpse into the fantasies of its creator, and while it might not act as a springboard to greater fame for Grimes, it's just as satisfying to hear her take her bedroom music into a darkened basement, away from the prying world."[35] However, Luke Winkie of Under the Radar felt that Visions "isn't as much of an evolution as it is an elongation; Boucher is still making warped, sparsely-populated electro-pop, and the potential still outweighs the content", adding that the album "stands as a half-formed concept".[39] Reyan Ali of The Phoenix stated that "the ever-fascinating Boucher clearly has unusual ideas sloshing around her skull", but ultimately criticized the album as "unnecessarily oblique, listlessly long (48 minutes!), and painfully shapeless".[40] Rolling Stone‍ '​s Jody Rosen expressed that "Grimes isn't spooky enough to be 'ghostly,' and not substantial enough to hold your attention."[34]

Accolades

AllMusic proclaimed Visions the best album of 2012 and stated, "On Visions, Claire Boucher honed the mix of little-girl-lost vocals and dark synth-scapes she'd forged on her first two Grimes albums, Geidi Primes and Halfaxa, into something just as unique, but far catchier."[41] The Guardian named it the second best album of 2012, calling it "a masterpiece in gonzo pop that is weird, original and derivative at the same time".[42] The NME ranked the album at number two on its 50 Best Albums of 2012 list.[43] The album appeared at number five on Clash‍ '​s list of The Top 40 Albums of 2012, and the magazine referred to Grimes as a "creative, sensual explosion of humanity".[44] Pitchfork Media placed the album at number six on its list of The 50 Best Albums of 2012 and praised it as "a triumphant meeting of human and computer, an album that blows the traditions of both pop and experimental music to pieces and glues them back together in gorgeous, entrancing ways".[45] PopMatters included the album at number eleven on its list of The 75 Best Albums of 2012, concluding, "Astoundingly catchy, occasionally haunting, and frequently brilliant, Visions is top-rate art and pop in equal measure, and deserves to be talked about for years to come".[46]

British magazine Fact ranked Visions the twenty-sixth best album of 2012 and commented it "moved beyond the circumstantially lo-fi character of her early offerings Geidi Primes and Halfaxa for a profoundly inventive and just plain weird take on electro-pop. While the shifty rhythms can get a bit repetitive, they're usually voiced differently, and they're always paired with otherworldly synth-work that darts into uneasy, industrial territory".[47] Rolling Stone placed Visions at number thirty-three on its 50 Best Albums of 2012 list, noting the album "uses EDM extremism, medieval chants, sugar-crusted melodies and her own sky-high voice to rethink pop music".[48] The album was listed on Paste‍ '​s The 50 Best Albums of 2012 at number fifty, and the magazine wrote, "With its constantly shifting tonal landscapes and non-standard structures, it's the kind of music that's exceptionally hard to peg on paper, but that never stops Visions‍ '​ tracks from looping in your head long after it spins to a close".[49]

"Oblivion" was ranked the best song of 2012 by both Pitchfork Media and PopMatters; the former called it "beautifully fragmented" and stating it "sound[s] both chilly and machine-like but also radiate[s] human warmth and imperfection",[50] while the later opined that "this nouveau dream pop triumph is surely the album's calling card, the definitive encapsulation of everything that makes the record (not to mention the musician behind it) so beguiling to listen to".[51] The NME named "Oblivion" and "Genesis" the sixth and sixteenth best tracks of 2012, respectively.[52] Rolling Stone included "Oblivion" at number twenty-eight on its list of the 50 Best Songs of 2012, writing that on the song, Grimes "drops sugar-dust vocals over a thwunking synth loop, sounding perfectly dreamy until you listen to the words: 'I never walk alone after dark.../Someone could break your neck/Coming up behind you and you'd never have a clue.' The catchiness only makes it creepier".[53]

Visions was shortlisted for the 2012 Polaris Music Prize on July 17, 2012, but lost out to Feist's Metals.[54] The album won Electronic Album of the Year at the Juno Awards of 2013.[55]

Track listing

All songs written and composed by Claire Boucher. 

No. Title Length
1. "Infinite ♥ Without Fulfillment"   1:36
2. "Genesis"   4:15
3. "Oblivion"   4:12
4. "Eight"   1:48
5. "Circumambient"   3:43
6. "Vowels = Space and Time"   4:21
7. "Visiting Statue"   1:59
8. "Be a Body (侘寂)"   4:20
9. "Colour of Moonlight (Antiochus)" (featuring Doldrums) 4:00
10. "Symphonia IX (My Wait Is U)"   4:53
11. "Nightmusic" (featuring Majical Cloudz) 5:03
12. "Skin"   6:09
13. "Know the Way (Outro)"   1:45
Total length:
 48:04

Personnel

Credits for Visions adapted from liner notes.[60]

Charts

Weekly charts

Chart (2012–2013) Peak
position
Australian Hitseekers Albums Chart[61] 7
Belgian Albums Chart (Flanders)[62] 46
Belgian Heatseekers Albums Chart (Wallonia)[63] 9
Irish Albums Chart[64] 65
UK Albums Chart[65] 67
UK Indie Albums Chart[66] 8
US Billboard 200[67] 98
US Alternative Albums[68] 17
US Dance/Electronic Albums[69] 8
US Independent Albums[70] 13

Year-end charts

Chart (2012) Position
US Dance/Electronic Albums[71] 21

Release history

Region Date Label
Canada January 31, 2012[72] Arbutus Records
United States February 21, 2012[73] 4AD
Australia March 1, 2012[74] Remote Control Records
Germany March 9, 2012[75] 4AD
United Kingdom March 12, 2012[76]
France March 13, 2012[77]
Japan June 6, 2012[58] Hostess Entertainment

References

  1. ↑ James, Matt (20 February 2012). "Grimes: Visions". PopMatters. Retrieved 22 September 2014./
  2. ↑ 2.0 2.1 2.2 Boles, Benjamin (February 16–23, 2012). "Grimes – Visions". Now 31 (25). Retrieved March 1, 2012.
  3. ↑ Hopper, Jessica (6 December 2012). "Grimes Comes Clean: Synth-Pop Provocateur on Her Big Year". Spin. Retrieved 22 September 2014./
  4. ↑ "Grimes Irritates Ibiza With Playlist Including Taylor Swift, Mariah Carey and Daddy Yankee". Music Times. Retrieved 22 September 2014.
  5. ↑ "NPR nos trae el nuevo álbum de Grimes" (in Spanish). PlayGround. 13 February 2013. Retrieved 22 September 2014.
  6. ↑ Pequeno, Ze (April 2012). "Grimes: Interview". Tiny Mix Tapes. Retrieved 22 September 2014./
  7. ↑ Richards, Jason (21 March 2013). "Japan’s influence on Grimes grows deeper". The Japan Times. Retrieved 22 September 2014./
  8. ↑ Derdeyn, Stuart (February 15, 2012). "Going in a dance direction". The Province. Postmedia Network. Retrieved February 20, 2012.
  9. ↑ Murray, Robin (March 13, 2012). "Visions: Grimes". Clash. Retrieved July 25, 2012.
  10. ↑ Lau, Melody (February 13, 2012). "Q&A: Grimes". National Post. Postmedia Network. Retrieved February 20, 2012.
  11. ↑ Flood, Kathleen (February 1, 2012). "Siren Seduction: Q&A With Electronic Musician Grimes". The Creators Project. Vice Media. Retrieved February 20, 2012.
  12. ↑ Kagan, Eleanor (February 12, 2012). "First Listen: Grimes, 'Visions'". NPR. Retrieved February 20, 2012.
  13. ↑ 13.0 13.1 13.2 "Grimes' Visions Announced As Album of the Year at Rough Trade and Resident". 4AD. November 30, 2012. Retrieved December 16, 2012.
  14. ↑ 14.0 14.1 14.2 14.3 "Grimes: nine days without food, sleep or company gave me Visions". Guardian. 28 April 2012. Retrieved 7 February 2015.
  15. ↑ "7Digital Interview 2012". 7digital.com. Retrieved 2012-06-26.
  16. ↑ http://pitchfork.com/features/interviews/8774-grimes/
  17. ↑ 17.0 17.1 17.2 Dombal, Ryan (March 5, 2012). "Director's Cut: Grimes: "Oblivion"". Pitchfork Media. Retrieved January 6, 2013.
  18. ↑ Govind, Jacinta (April 16, 2012). "The Grime on Grimes". Retrieved January 6, 2013.
  19. ↑ Aaron, Charles (December 9, 2012). "SPIN's 40 Best Songs of 2012". Spin. Buzz Media. Retrieved January 6, 2013.
  20. ↑ 20.0 20.1 Dobbins, Amanda (March 2, 2012). "'Oblivion' Video: Grimes Knows a Lot of Shirtless Frat Boys". Vulture. Retrieved January 6, 2013.
  21. ↑ "Video: Grimes – 'Oblivion'". Fact. The Vinyl Factory. March 2, 2012. Retrieved January 6, 2013.
  22. ↑ Hopper, Jessica (December 6, 2012). "Grimes Comes Clean: Synth-Pop Provocateur on Her Big Year". Spin. Buzz Media. Retrieved January 6, 2013.
  23. ↑ Battan, Carrie (May 10, 2012). "Watch the (NSFW) Video for Grimes' "Nightmusic" [Featuring Majical Cloudz]". Pitchfork Media. Retrieved May 11, 2012.
  24. ↑ Pelly, Jenn (April 27, 2012). "Grimes Launches Jewelry Line With "Pussy Rings"". Pitchfork Media. Retrieved January 6, 2013.
  25. ↑ "Genesis – Single by Grimes". iTunes Store US. Apple Inc. Retrieved February 22, 2012.
  26. ↑ "Watch The New Video for 'Genesis' by Grimes". 4AD. August 22, 2012. Retrieved January 6, 2013.
  27. ↑ Battan, Carrie (August 27, 2012). "Director's Cut: Grimes: "Genesis"". Pitchfork Media. Retrieved January 6, 2013.
  28. ↑ 28.0 28.1 "Visions – Grimes". Metacritic. CBS Interactive. Retrieved March 1, 2012.
  29. ↑ 29.0 29.1 Phares, Heather. "Visions – Grimes". Allmusic. Rovi Corporation. Retrieved March 1, 2012.
  30. ↑ 30.0 30.1 Rytlewski, Evan (February 21, 2012). "Grimes: Visions". The A.V. Club. Onion, Inc. Retrieved March 1, 2012.
  31. ↑ 31.0 31.1 Bennett, Matthew (March 7, 2012). "Grimes – Visions". Clash. Retrieved March 8, 2012.
  32. ↑ 32.0 32.1 Zoladz, Lindsay (February 17, 2012). "Grimes: Visions". Pitchfork Media. Retrieved February 21, 2012.
  33. ↑ 33.0 33.1 James, Matt (February 21, 2012). "Grimes: Visions". PopMatters. Retrieved February 21, 2012.
  34. ↑ 34.0 34.1 Rosen, Jody (February 28, 2012). "Visions". Rolling Stone. Wenner Media. Retrieved March 1, 2012.
  35. ↑ 35.0 35.1 Liedel, Kevin (February 17, 2012). "Grimes: Visions". Slant Magazine. Retrieved March 1, 2012.
  36. ↑ 36.0 36.1 Harvey, Eric (February 22, 2012). "Grimes, 'Visions' (4AD)". Spin. Buzz Media. Retrieved March 1, 2012.
  37. ↑ Caramanica, Jon (February 20, 2012). "Reviews of Albums From Grimes, Galactic and Tyga". The New York Times. The New York Times Company. Retrieved February 21, 2012.
  38. ↑ Avron, Hayley (March 9, 2012). "Grimes – Visions". Drowned in Sound. Retrieved August 7, 2012.
  39. ↑ Winkie, Luke (January 30, 2012). "Grimes: Visions (Arbutus)". Under the Radar. Retrieved August 7, 2012.
  40. ↑ Ali, Reyan (January 31, 2012). "Grimes | Visions". The Phoenix. Phoenix Media/Communications Group. Retrieved March 13, 2012.
  41. ↑ "AllMusic Best of 2012". Allmusic. Rovi Corporation. Retrieved January 5, 2013.
  42. ↑ Iqbal, Nosheen (December 13, 2012). "Best albums of 2012, No 2: Grimes – Visions". The Guardian. Retrieved December 17, 2012.
  43. ↑ Lewis, Luke (November 20, 2012). "50 Best Albums Of 2012". NME. IPC Media. Retrieved January 5, 2013.
  44. ↑ Bennett, Matthew (December 14, 2012). "The Top 40 Albums Of 2012: 5 – 1". Clash. Retrieved December 17, 2012.
  45. ↑ Battan, Carrie (December 20, 2012). "The Top 50 Albums of 2012". Pitchfork Media. Retrieved December 27, 2012.
  46. ↑ Ramirez, AJ (December 10, 2012). "The 75 Best Albums of 2012". PopMatters. Retrieved December 17, 2012.
  47. ↑ "The 50 best albums of 2012". Fact. The Vinyl Factory. December 3, 2012. Retrieved December 17, 2012.
  48. ↑ "50 Best Albums of 2012: Grimes, 'Visions'". Rolling Stone. Wenner Media. December 5, 2012. Retrieved December 17, 2012.
  49. ↑ Kane, Tyler (November 26, 2012). "The 50 Best Albums of 2012". Paste. Retrieved December 17, 2012.
  50. ↑ Richardson, Mark (December 17, 2012). "The Top 100 Tracks of 2012". Pitchfork Media. Retrieved December 27, 2012.
  51. ↑ Ramirez, AJ (December 3, 2012). "The 75 Best Songs of 2012". PopMatters. Retrieved January 5, 2012.
  52. ↑ "Albums and Tracks of the Year for 2012". NME. IPC Media. Retrieved December 16, 2012.
  53. ↑ "50 Best Songs of 2012". Rolling Stone. Wenner Media. December 5, 2012. Retrieved December 23, 2012.
  54. ↑ "The 2012 Polaris Music Prize Short List Nominees". Polaris Music Prize. Retrieved July 25, 2012.
  55. ↑ Stevenson, Jane (April 21, 2013). "Carly Rae Jepsen dominates Juno Awards". Toronto Sun. Sun Media. Retrieved May 14, 2013.
  56. ↑ "Visions by Grimes". iTunes Store Canada. Apple Inc. Retrieved March 1, 2012.
  57. ↑ "Visions (Bonus Track Version): Grimes". Amazon MP3. Retrieved March 1, 2012.
  58. ↑ 58.0 58.1 "Visions". HMV Japan. Retrieved June 10, 2012.
  59. ↑ "GRIMES "Visions"". Arbutus Records. Retrieved March 1, 2012.
  60. ↑ Visions (CD liner notes). Grimes. Arbutus Records. 2012. ABT025.
  61. ↑ "The ARIA Report: Week Commencing 4 February 2013" (PDF) (1197). Pandora Archive. February 19, 2013. Retrieved August 16, 2014.
  62. ↑ "Grimes – Visions" (in Dutch). Ultratop. Hung Medien. Retrieved 21 March 2012.
  63. ↑ "Grimes – Visions" (in French). Ultratop. Hung Medien. Retrieved 23 March 2012.
  64. ↑ "Top 75 Artist Album, Week Ending 15 March 2012". Chart-Track. Irish Recorded Music Association. Retrieved 21 March 2012.
  65. ↑ "Official UK Albums Top 100". Official Charts Company. May 12, 2012. Archived from the original on May 9, 2012. Retrieved May 14, 2013.
  66. ↑ "2012 Top 40 Independent Albums Archive". Official Charts Company. March 24, 2012. Retrieved March 18, 2012.
  67. ↑ "Grimes – Chart history: Billboard 200". Billboard. Prometheus Global Media. Retrieved May 14, 2013.
  68. ↑ "Grimes – Chart history: Alternative Albums". Billboard. Prometheus Global Media. Retrieved May 14, 2013.
  69. ↑ "Grimes – Chart history: Dance/Electronic Albums". Billboard. Prometheus Global Media. Retrieved May 14, 2013.
  70. ↑ "Grimes – Chart history: Independent Albums". Billboard. Prometheus Global Media. Retrieved May 14, 2013.
  71. ↑ "Grimes – Chart history: Dance/Electronic Albums (Year end)". Billboard. Prometheus Global Media. Retrieved May 14, 2013.
  72. ↑ "VISIONS by GRIMES". HMV Canada. Retrieved March 1, 2012.
  73. ↑ "Visions: Grimes". Amazon.com. Retrieved March 1, 2012.
  74. ↑ "Visions – Grimes". JB Hi-Fi. Retrieved June 10, 2012.
  75. ↑ "GRIMES: Visions" (in German). Indigo. Retrieved March 1, 2012.
  76. ↑ "Grimes: Visions". HMV. Archived from the original on May 27, 2012. Retrieved March 1, 2012.
  77. ↑ "Visions : Grimes" (in French). Fnac. Retrieved June 10, 2012.

External links