Vijay Seshadri
Vijay Seshadri | |
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Born |
Bangalore, India | February 13, 1954
Genre | Poetry |
Notable awards | Pulitzer Prize for poetry |
Vijay Seshadri (born February 13, 1954 in Bangalore, India)[1] is a Brooklyn, New York–based Pulitzer Prize–winning poet, essayist, and literary critic.
Vijay won the 2014 Pulitzer Prize for poetry, for 3 Sections.
Early life
Vijay moved to the United States at the age of five. He grew up in Columbus, Ohio, where his father taught chemistry at Ohio State University.[2]
Career
Seshadri has been an editor at The New Yorker, as well as an essayist and book reviewer in The New Yorker, The New York Times Book Review, The Threepenny Review, The American Scholar, and various literary quarterlies. He has received grants from the New York Foundation for the Arts, National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation; and area studies fellowships from Columbia University.[3] As a professor and chair in the undergraduate writing and MFA program at Sarah Lawrence College he has taught courses on 'Non-Fiction Writing', 'Form and Feeling in Nonfiction Prose', 'Rational and Irrational Narrative', and 'Narrative Persuasion'.[4]
The Disappearances (poem)
"The Disappearances" deals with a "cataclysm" in "American history" and the baffling nature of loss.[5] It came to fame when The New Yorker Magazine published it on the back cover after 9/11. It was also included in The Best American Poetry 2003. His intent in writing the poem was that it "takes in loss and makes it personal somehow". The poem thus spoke to the feelings of many Americans after 9/11. About 9/11, Seshadri said " I don’t think I could have written a poem in response to 9/11 to save my life. I was just too shocked." Alice Quinn, poetry editor of The New Yorker, said "That poem summoned up, with acute poignance, a typical American household and scene ... The combination of epic sweep (including the quoted allusion to one of Emily Dickinson’s Civil War masterpieces, from 1862) and piercing, evocative detail is characteristic of the contribution Seshadri has made to the American canon."[6]
Excerpt:[7]
On a day like any other day, like “yesterday or centuries before,” in a town with the one remembered street, shaded by the buckeye and the sycamore— the street long and true as a theorem, the day like yesterday or the day before, the street you walked down centuries before— the story the same as the others flooding in from the cardinal points is turning to take a good look at you.
Poetry
In a 2004 interview, Seshadri discusses the creative process and his influences, in particular Walt Whitman, Emily Dickenson, Elizabeth Bishop, and William Blake. He also reflects on his cultural influences including the experience of "strangeness" coming of age in Columbus, Ohio during the 1960s.[8]
Awards
- 2014 Pulitzer Prize for Poetry
- The James Laughlin Prize of the Academy of American Poets (for "The Long Meadow")
- The MacDowell Colony’s Fellowship for Distinguished Poetic Achievement
- The Paris Review’s Bernard F. Conners Long Poem Prize
- 2004 Guggenheim Fellow
Works
Collections
- Vijay Seshadri (6 May 2014). 3 Sections: Poems. Graywolf Press. ISBN 978-1-55597-345-2.
- New and Selected Poems by Harper Collins India. Includes 'Wild Kingdom', 'The Long Meadow', 'The Disappearances'.
- The Long Meadow Graywolf Press: Minnesota, 2004, ISBN 1555974007. His second book. Six of these poems were also published in the New Yorker including “The Disappearances,” “North of Manhattan,” and “The Long Meadow”.
- Wild Kingdom Graywolf Press: Minnesota, 1996, ISBN 9781555972363. His first book.
Selections
- Several of Seshadri's poems have been published by the New Yorker, including: "Rereading" (2012), "Visiting Paris" (2010), and "Thought Problem" (2009).[9]
- His poems, essays, and reviews have also appeared in A Public Space, AGNI, The American Scholar, Antaeus, Bomb, Boulevard, Epiphany, Fence, Field, Lumina, The Nation, The Paris Review, the Philadelphia Enquirer, Ploughshares, Poetry, The San Diego Reader, Shenandoah, The Southwest Review, The Threepenny Review, the Times Book Review, TriQuarterly, Verse, Western Humanities Review, The Yale Review.
- Anthologies which have included his work: Under 35: The New Generation of American Poets, Under the Rock Umbrella,[10] Contours of the Heart, Staying Alive: Real Poems for Unreal Times and The Best American Poetry 1997, 2003, 2006, and 2013.
References
- ↑ "Seshadri, Vijay." World Authors, 1995-2000 (2003): Biography Reference Bank (H.W. Wilson). Web. 17 Apr. 2014.
- ↑ http://www.poets.org/poetsorg/poet/vijay-seshadri
- ↑ http://www.slc.edu/faculty/seshadri-vijay.html
- ↑ http://www.slc.edu/faculty/seshadri-vijay.html
- ↑ http://www.pw.org/content/interview_poet_vijay_seshadri
- ↑ http://www.newyorker.com/books/page-turner/vijay-seshadri-in-the-new-yorker
- ↑ http://www.newyorker.com/books/page-turner/vijay-seshadri-in-the-new-yorker
- ↑ http://www.newyorker.com/magazine/2004/06/14/a-poet-of-belief?printable=true#ixzz13lGtXcqk
- ↑ "Vijay Seshadri". The New Yorker.
- ↑ William J. Walsh (2006). Under the Rock Umbrella: Contemporary American Poets, 1951-1977. Mercer University Press. pp. 446–. ISBN 978-0-88146-047-6.
External links
- Poets.org webpage on Seshadri
- Poetry International Web page on Seshadri
- Vijay Seshadri 'The New Yorker Festival'
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