Vijay Seshadri

Vijay Seshadri
Born February 13, 1954
Bangalore, India
Genre Poetry
Notable awards Pulitzer Prize for poetry

Vijay Seshadri (born February 13, 1954 in Bangalore, India)[1] is a Brooklyn, New York–based Pulitzer Prize–winning poet, essayist, and literary critic.

Vijay won the 2014 Pulitzer Prize for poetry, for 3 Sections.

Early life

Vijay moved to the United States at the age of five. He grew up in Columbus, Ohio, where his father taught chemistry at Ohio State University.[2]

Career

Seshadri has been an editor at The New Yorker, as well as an essayist and book reviewer in The New Yorker, The New York Times Book Review, The Threepenny Review, The American Scholar, and various literary quarterlies. He has received grants from the New York Foundation for the Arts, National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation; and area studies fellowships from Columbia University.[3] As a professor and chair in the undergraduate writing and MFA program at Sarah Lawrence College he has taught courses on 'Non-Fiction Writing', 'Form and Feeling in Nonfiction Prose', 'Rational and Irrational Narrative', and 'Narrative Persuasion'.[4]

The Disappearances (poem)

"The Disappearances" deals with a "cataclysm" in "American history" and the baffling nature of loss.[5] It came to fame when The New Yorker Magazine published it on the back cover after 9/11. It was also included in The Best American Poetry 2003. His intent in writing the poem was that it "takes in loss and makes it personal somehow". The poem thus spoke to the feelings of many Americans after 9/11. About 9/11, Seshadri said " I don’t think I could have written a poem in response to 9/11 to save my life. I was just too shocked." Alice Quinn, poetry editor of The New Yorker, said "That poem summoned up, with acute poignance, a typical American household and scene ... The combination of epic sweep (including the quoted allusion to one of Emily Dickinson’s Civil War masterpieces, from 1862) and piercing, evocative detail is characteristic of the contribution Seshadri has made to the American canon."[6]

Excerpt:[7]

   On a day like any other day,
   like “yesterday or centuries before,”
   in a town with the one remembered street,
   shaded by the buckeye and the sycamore—
   the street long and true as a theorem,
   the day like yesterday or the day before,
   the street you walked down centuries before—
   the story the same as the others flooding in
   from the cardinal points is
   turning to take a good look at you.

Poetry

In a 2004 interview, Seshadri discusses the creative process and his influences, in particular Walt Whitman, Emily Dickenson, Elizabeth Bishop, and William Blake. He also reflects on his cultural influences including the experience of "strangeness" coming of age in Columbus, Ohio during the 1960s.[8]

Awards

Works

Collections

Selections

References

External links