Tokyo Emmanuelle

Tokyo Emmanuelle

Theatrical poster
Directed by Akira Katō[1]
Produced by Kei Ijichi
Written by Kenshō Nakano
Starring Kumi Taguchi
Music by Eddie Han and the Oriental Express
Cinematography Shinsaku Himeda
Edited by Shinji Yamada
Distributed by Nikkatsu
Release dates
  • July 1, 1975
Running time
 70 min.
Country Japan
Language Japanese

Tokyo Emmanuelle (東京エマニエル夫人 Tōkyō Emanieru fujin) is a 1975 Japanese film in Nikkatsu's Roman porno series, directed by Akira Katō and starring Kumi Taguchi.

Plot

After the director's message, "I visualize the romance of Roman Porn and I attempt to share that image," a loosely-connected series of softcore sex scenes unfolds. The plot concerns Kyoko, a young Japanese woman married to a man in France. When he abandons her, she returns to Japan. With her sexual appetite now at a high pitch, she engages in sexual escapades with a wide assortment of people, including old friends, both male and female, and an entire soccer team.[2][3]

Cast

Background

Director Akira Katō was a competent, but not highly successful member of the Nikkatsu Roman Porno team. His Crazy for Love (1971) was part of Nikkatsu's second Roman Porno double-release, and he stayed with the studio throughout its 17-year production of the series. Tokyo Emmanuelle was Katō's first successful film. Later well-regarded films by the director include Slave Wife (1976) and Momoe's Lips: Love Beast (1980).[4]

Tokyo Emmanuelle has some notoriety for one of the supporting actors in its cast. This was the first billed film appearance of Mitsuyasu Maeno.[5] Maeno made international headlines in March 1976 when he died in a kamikaze attack on Yoshio Kodama, a multi-millionaire right-wing leader and leading figure in the Lockheed bribery scandals.[6] In this film he made love to the lead actress while flying a plane.[7] In the years after Maeno's death, his Roman Porno appearances attracted a cult following among enthusiasts of the genre.[8]

Tokyo Emmanuelle made an appearance in Chilean writer, Antonio Skármeta's 2003 novel, The Dancer and the Thief. In the novel, lead character, Ángel meets his love interest in front of a Japanese movie theater.[9] The poster advertising Tokyo Emmanuelle becomes a point of connection between the two.[10]

Critical appraisal

In their Japanese Cinema Encyclopedia: The Sex Films, the Weissers note that the film's plot is a weak construct designed only to give lead actress Kumi Taguchi opportunities to appear nude. They also note that this is not a bad thing. The nude Taguchi seen horseback riding on the beach and riding a porpoise are highlights of this good-looking film, according to the Weissers. The lack of good plotting, however, harms the film. "With just a bit of creativity, they write, "this could have been a great pinku eiga instead of a trendy Penthouse-ish pictorial."[3]

Pink film scholar Jasper Sharp writes that the film appealed to the taste for the exotic in both Japanese and Western audiences. For the Japanese audiences, the association with Emmanuelle Arsan's novel Emmanuelle and the 1974 film based on it, gave the film a touch of class. For Western audiences, the interest of a distant country was an attraction. Both Japanese and Western audiences, writes Sharp, were able to appreciate Kumi Taguchi's "well-proportioned figure and smouldering dark looks".[11]

Availability

Tokyo Emmanuelle in theatrical release for English-speaking audiences

Tokyo Emmanuelle was released theatrically in Japan on July 1, 1975.[1] It was unusually widely circulated for Nikkatsu Roman Porno film. It was released in Germany under the title Wilde Emmanuelle im Paradies der Lust.[11] In 1977 Tokyo Emmanuelle became the first of Nikkatsu's Roman Porno films to be distributed in Britain, when the exploitation studio Intercontinental released the film under the title Emmanuelle in Tokyo.[2][11][12] Under the title Tokyo Emmanuelle, it was also playing in Canadian theaters in mid-1977.[13] It was also released in Hong Kong by the Shaw Brothers.[2]

Tokyo Emmanuelle was released on VHS in Japan on August 10, 1988 and re-released in December 1994.[14][15]

Bibliography

English

Japanese

Notes

  1. ↑ 1.0 1.1 東京エマニエル夫人(1975) (in Japanese). www.allcinema.net. Retrieved 2009-09-07.
  2. ↑ 2.0 2.1 2.2 Fentone, Steve (1998). "A Rip of the Flesh: The Japanese 'Pink Film' Cycle; Part One". She 2 (11): 11–12.
  3. ↑ 3.0 3.1 Weisser, Thomas; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books : Asian Cult Cinema Publications. p. 436. ISBN 1-889288-52-7.
  4. ↑ Weisser, pp. 122, 297.
  5. ↑ Ogawa, Sei (1976-03-23). "Kamikaze Twist to Scandal". Times-Standard (Eureka, California: MediaNews Group). United Press International. p. 3.
  6. ↑ Kaplan, David E.; Alec Dubro (2003). "The Fall of Kodama". Yakuza. Berkeley: University of California Press. pp. 93–94. ISBN 0-520-21562-1.
  7. ↑ Frasier, David K. (2003). Suicide in the Entertainment Industry: An Encyclopedia of 840 Twentieth Century Cases. Jefferson, North Carolina: McFarland. p. 208. ISBN 0-7864-1038-8.
  8. ↑ Boulton, David (1978). The Grease Machine. New York: Harper & Row. pp. 269–271. ISBN 0-06-010431-7.
  9. ↑ Proctor, Minna (2008-03-09). "The Chilean Job (review of The Dancer and the Thief)". The New York Times. Retrieved 2008-11-22.
  10. ↑ Skármeta, Antonio; Silver, Katherine (trans.) (2008). The Dancer and the Thief. New York: W. W. Norton & Company. pp. 19–20. ISBN 978-0-393-06494-0.
  11. ↑ 11.0 11.1 11.2 Sharp, Jasper (2008). Behind the Pink Curtain: The Complete History of Japanese Sex Cinema. Guildford: FAB Press. p. 184. ISBN 978-1-903254-54-7.
  12. ↑ Pym, John (1998). "Emmanuelle in Tokyo (1975)". Time Out Film Guide. Jefferson, North Carolina: Penguin Books. ISBN 0-14-027525-8.
  13. ↑ "Tokyo Emmanuelle". Winnipeg Free Press. April 12, 1977. p. 25.
  14. ↑ "東京エマニエル夫人 [VHS]" (in Japanese). Amazon.com. Retrieved 2009-09-08.
  15. ↑ 東京エマニエル夫人[ビデオ] (-) (in Japanese). Amazon.com. Retrieved 2009-09-08.