Theodor W. Adorno bibliography

Frankfurt School
Part of a series on the

Major works
Reason and Revolution The Work of Art in the Age of Mechanical Reproduction Eclipse of Reason Escape from Freedom Dialectic of Enlightenment Minima Moralia Eros and Civilization One-Dimensional Man Negative Dialectics The Structural Transformation of the Public Sphere The Theory of Communicative Action
Notable theorists
Herbert Marcuse · Theodor Adorno Max Horkheimer · Walter Benjamin Erich Fromm · Friedrich Pollock Leo Löwenthal · Jürgen Habermas Alfred Schmidt · Axel Honneth Siegfried Kracauer
Important concepts
Critical theory · Dialectic · Praxis Psychoanalysis · Antipositivism Popular culture · Culture industry Advanced capitalism Privatism · Non-identity Communicative rationality Legitimation crisis

The following is a list of the major work by Theodor W. Adorno, a 20th-century German philosopher, sociologist and critical theorist associated closely with the Frankfurt School. This list also includes information regarding English translation.

Collected work

Adorno's Gesammelte Schriften [GS] are published by Suhrkamp Verlag. Edited by Rolf Tiedemann, with Gretel Adorno, Susan Buck-Morss and Klaus Schultz, the twenty volume edition of Adorno's writings were published from 1970 to 1986. Additionally, his Nachgelassene Schriften [NaS], edited by the Theodor W. Adorno Archive, includes his lecture courses, as well as incomplete works.

Writings

Year	Original German	English Translation
1933	Kierkegaard: Konstruktion des Ästhetischen, GS 2.	Kierkegaard: Construction of the Aesthetic, trans. by Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1989)
1944/1947	with Max Horkheimer, Dialektik der Aufklärung: Philosophische Fragmente, GS 3	with Max Horkheimer, Dialectic of Enlightenment, trans. by Edmund Jephcott (Stanford: Stanford University Press, 2002)
1947	with Hans Eisler, Komposition für den Film	with Hans Eisler, Composing for the Films (New York: Continuum, 2005)
1949	Philosophie der neuen Musik, GS 12	Philosophy of New Music, trans. by Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 2006)
1950		with Else Frenkel-Brunswik, Daniel J. Levinson, R. Nevitt Sanford, The Authoritarian Personality (New York: Harper & Brothers, 1950)
1951	Minima Moralia. Reflexionen aus dem beschädigten Leben, GS 4	Minima Moralia: Reflections from Damaged Life, trans. by Edmund Jephcott (London: NLRB, 1974)
1952	Versuch über Wagner, GS 13	In Search of Wagner, trans. R. Livingstone, London: NLB, 1981
1955	Prismen. Kulturkritik und Gesellschaft, GS 10.1	Prisms, trans. S. Weber and S. Weber (Cambridge, Mass.: MIT Press, 1981)
1956	Zur Metakritik der Erkenntnistheorie. Studien über Husserl und die phänomenologischen Antinomien, GS 5	Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies, trans. W. Domingo (Cambridge, Mass.: MIT Press, 1982)
1956	Dissonanzen. Musik in der verwalteten Welt
1958	Noten zur Literatur I GS 11	Notes to Literature I, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1991)
1959	Klangfiguren. Musikalische Schriften I, GS 16	Sound Figures, trans. Rodney Livingstone (Stanford: Stanford University Press, 1999)
1960	Mahler. Eine musikalische Physiognomie, GS 13	Mahler: A Musical Physiognomy, trans. S. Weber Nicholsen (Cambridge, Mass.: MIT Press, 1993)
1961	Noten zur Literatur II GS 11	Notes to Literature II, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1992)
1963	Drei Studien zu Hegel GS 5	Hegel: Three Studies, trans. S. Weber Nicholsen (Cambridge, Mass.: MIT Press, 1993)
1963	Eingriffe. Neun kritische Modelle, GS 10.2	Critical Models: Interventions and Catchwords, trans. H. W. Pickford (New York: Columbia University Press, 1998)
1963	Quasi una fantasia. Musikalische Schriften II, GS 16	Quasi una Fantasia, trans. Rodney Livingstone (London: Verso, 1992)
1964	Jargon der Eigentlichkeit. Zur deutschen Ideologie, GS 6	The Jargon of Authenticity, trans. K. Tarnowski and F. Will (London: Routledge & Kegan Paul, 1973)
1964	Moments musicaux. Neu gedruckte Aufsätze 1928–1962, GS 17	In Night Music: Essays on Music 1928-1962, trans. Wieland Hoban (New York: Seagull Books, 2009)
1966	Negative Dialektik, GS 6	Negative Dialectics, trans. E. B. Ashton (New York: Seabury Press, 1973)
1968	Berg. Der Meister des kleinsten Übergangs, GS 13	Alban Berg: Master of the Smallest Link, trans. J. Brand and C. Hailey (New York: Cambridge University Press, 1991)
1969	Stichworte. Kritische Modelle 2, GS 10.2	Critical Models: Interventions and Catchwords, trans. H. W. Pickford (New York: Columbia University Press, 1998)

Radio lectures

Der Jargon der Eigentlichkeit. Hessischer Rundfunk, Abendstudio, April 9, 1963.^[1]
Kritik am Positismus. Zum Grundsatzstreit in der deutschen Soziologie. Hessischer Rundfunk, Abendstudio, February 11, 1969.^[2]

Posthumously published writings

Year	Original German	English Translation
1970	Ästhetische Theorie, GS 7	Aesthetic Theory, trans. R. Hullot-Kentor (Minneapolis: University of Minnesota Press, 1997)
1993	Beethoven. Philosophie der Musik. Fragmente und Texte. Hrsg. von Rolf Tiedemann, NaS 1:2	Beethoven: The Philosophy of Music; Fragments and Texts, ed. R. Tiedemann, trans. E. Jephcott (Cambridge: Polity Press, 1998)
2006	Current of Music. Elements of a Radio Theory, hrsg von Robert Hullot-Kentor	Current of Music, trans. Robert-Hullot Kentor (Malden, MA: Polity Press, 2009)

Correspondence

Original German	English Translation
Briefe an die Eltern 1939-1951, ed. Christoph Godde, Henri Lonitz	Letters to His Parents 1939-1951 (Malden, MA: Polity Press, 2006)

References

↑ Michael Crone (ed.): Vertreter der Frankfurter Schule in den Hörfunkprogrammen 1950–1992. Frankfurt: Hessischer Rundfunk, 1992, p. 32.
↑ Michael Crone (ed.): Vertreter der Frankfurter Schule in den Hörfunkprogrammen 1950–1992. Frankfurt: Hessischer Rundfunk, 1992, p. 70.