Theatre studies
Theatre studies (sometimes referred to as theatrology or dramatics) is the study of theatrical performance in relation to its literary, physical, psycho-biological, sociological, and historical contexts. It is an interdisciplinary field which also encompasses the study of theatrical aesthetics and semiotics.[1] A late 20th century development in the area has been the ethnographic theory of theatre, pioneered by the Russian scholar Larisa Ivleva (1944-1995) who studied the influence of folk culture on the development of Russian theatre.[2][3]
List of theatrologists
Because of the interdisciplinary nature of the field, those who have been described as theatrologists can vary widely in terms of the primary focus of their activities.
- Emil František Burian – writer, singer, actor, musician, composer, playwright and director[4]
- Jovan Ćirilov – philosopher, dramaturge, and writer
- François Delsarte – teacher of acting and singing[5]
- Joseph Gregor – theatre historian and opera librettist
- John Heilpern – theatre critic and essayist[6]
- Antoine Vitez – actor, director, and poet[7]
See also
References
- ↑ Helbo, André (1987). Theory of Performing Arts. John Benjamins Publishing Company, pp. 38-39. ISBN 90-272-2409-9
- ↑ Galieva, Saule (1996). Bulletin of the International Council for Traditional Music, Issues 88-93, p. 33
- ↑ Hill, John W. (2005). "Comedian of the Seventeenth Century: Ostrovskii's Dialogue with Russian Theatre History" in Text & Presentation, 2004, Stratos E. Constantinidis (ed.). McFarland, pp. 58-59. ISBN 0-7864-2205-X
- ↑ Jazz Forum (1974). International Jazz Federation, p. 19
- ↑ Horton, Andrew (1993). Inside Soviet Film Satire: Laughter with a lash. Cambridge University Press, p. 67. ISBN 0-521-43016-X
- ↑ Polish art studies, Volume 3 (1982). Zakład Narodowy im. Ossolińskich, p. 333. ISBN 83-04-00936-6
- ↑ Whitton, David (1995). Molière, Don Juan. Cambridge University Press, p. 170. ISBN 0-521-47867-7