The Lives of the Artists (Bellori)

The Lives of the Modern Painters, Sculptors, and Architects

Cover to the 1672 edition.
Author Gian Pietro Bellori
Original title Le vite de' pittori, scultori et architetti moderni
Country Italy
Language Italian
Subject Artist biographies
Publisher Marcardi, Rome (1672)
Publication date
 1672, 1728
Published in English
 2005 (in full)

The Lives of the Modern Painters, Sculptors, and Architects or Le vite de' pittori, scultori et architetti moderni is a series of artist biographies written by Gian Pietro Bellori (1613-96), whom Julius von Schlosser called "the most important historiographer of art not only of Rome, but all Italy, even of Europe, in the seventeenth century".[1] It is one of the foundational texts of the history and criticism of European art.[2]

The first edition (1672) contained biographies of nine painters (Annibale and Agostino Carracci, Barocci, Caravaggio, Rubens, Van Dyck, Domenichino, Lanfranco, and Poussin), two sculptors (François Duquesnoy and Alessandro Algardi), and one architect (Domenico Fontana). The book was dedicated to Jean-Baptiste Colbert and published with French financial support.[3]

Preface

The preface to the Lives is an essay Bellori delivered to the Accademia di San Luca, Rome in 1664. The essay, entitled The Idea of the Painter, the Sculptor and the Architect (L'idea del pittore, dello scultore, e dell'architetto) contributed to a classicist reading of the Lives, as opposed the a book about near-contemporaries.[2]

Editions and translations

Prior to 2005, only the Idea and the biographies of the Carracci,[4] Barocci, Caravaggio[5][6] and Van Dyck had been translated into English.[7] The 2005 translation by Alice Sedgwick Wohl[7] is based on the 1976 Italian edition by Evelina Borea[8] controlled against the editio princeps of 1672[9] and Michelangelo Piacentini's transcription of MS 2506 (one of two copies, ca. 1700) of the Bibliothèque Municipale de Rouen, of the biographies of Guido Reni, Andrea Sacchi and Carlo Maratta.[7]

Bellori was unable to obtain funding for a second edition.[10] The 12 biographies were republished in 1728 in Naples as a pirated edition, with the addition of a biography of Luca Giordano (1632-1705) by an unknown author.[11]

References

  1. ↑ Von Schlosser, Julius Ritter (1924). Die Kunstliteratur: Ein Handbuch zur Quellenkunde der neueren Kunstgeschichte. Vienna: Kunstverlag Anton Schroll & Co. p. 423. Retrieved 13 July 2014.
  2. ↑ 2.0 2.1 Cropper, Elizabeth (December 2006). "Giovan Pietro Bellori, the Lives of the Modern Painters, Sculptors and Architects: A New Translation and Critical Edition by Alice Sedgwick Wohl". The Burlington Magazine 148 (1245): 854. Retrieved 13 July 2014.
  3. ↑ Zirpolo, Lilian (2007). "The Lives of the Modern Painters, Sculptors and Architects: A New Translation and Critical Edition by Giovan Pietro Bellori; Alice Sedgwick Wohl Review by: Lilian H. Zirpolo". The Sixteenth Century Journal 38 (3): 805–807. doi:10.2307/20478523. Retrieved 13 July 2014.
  4. ↑ Bellori, Giovanni Pietro; Enggass, Catherine (1968). The lives of Annibale & Agostino Carracci. University Park: Pennsylvania State University Press. Retrieved 13 July 2014.
  5. ↑ Friedlaender, Walter (1974). Caravaggio Studies. Princeton, New Jersey: Princeton University Press. pp. 237–254. ISBN 9780691003085.
  6. ↑ Hibbard, Howard (1983). Caravaggio. Harper & Row. pp. 360–374. ISBN 9780064301282.
  7. ↑ 7.0 7.1 7.2 Bellori, Giovanni Pietro; Wohl, Alice Sedgwick; Wohl, Hellmut; Montanari, Tomaso (2005). Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects: A New Translation and Critical Edition. Cambridge University Press. ISBN 9780521781879. Retrieved 13 July 2014.
  8. ↑ Borea, Evelina (1976). Le vite de' pittori, scultori e architetti moderni. Turin: G. Einaudi.
  9. ↑ Bellori, Giovanni Pietro (1672). Vite de'Pittori, Scultori et Architetti Moderni, Parte Prima. Rome: Mascardi.
  10. ↑ Raben, Hans (2006). "Bellori's Art: The Taste and Distaste of a Seventeenth-Century Art Critic in Rome". Simiolus: Netherlands Quarterly for the History of Art 32 (2/3): 126–146. Retrieved 14 July 2014.
  11. ↑ Bell, Janis; Willette, Thomas (2002). Art History in the Age of Bellori: Scholarship and Cultural Politics in Seventeenth-Century Rome. Cambridge University Press. pp. 278–291. ISBN 9780521782487.