The League of Gentlemen (album)

the League of Gentlemen
Studio album by Robert Fripp
Released February 1981
Recorded Jul 1980 – Dec 1980[1]
Genre Post-punk, new wave
Length 42:27
Label EG Records (United Kingdom)
Producer Robert Fripp
Robert Fripp chronology

God Save the Queen/Under Heavy Manners
(1980)		 the League of Gentlemen
(1981)		 Let the Power Fall: An Album of Frippertronics
(1981)
Professional ratings
Review scores
Source Rating
Allmusic [2]
Robert Christgau (B)[3]
Trap
An audio sample from "Trap"
Problems playing this file? See media help.

The League of Gentlemen is a recorded music album by Robert Fripp. The music on the album was performed by members of a band which toured Europe and North America throughout 1980 under the name of 'The League of Gentlemen'. The album was released in the UK in 1981 in vinyl format on the Editions EG label.[4] It has never been reissued on CD.

Cultural context

The album emerged at the extreme tail-end of the Post-punk/New wave period in UK music just as the scene was evolving into more diverse musical ideas which eventually gave birth to 'alternative rock'.

It was released in the same month as the NME and Rough Trade combined to release a mail-order compilation of the music of the UK Post-punk/New wave scene. This, now classic, compilation was released in the form of the C81 promotional cassette tape and effectively marked the end of the scene it celebrated and the start of the 'Indie' period.

So the 'League of Gentlemen' was released at a cultural cusp. The band had been positioned by Fripp himself as a "new wave instrumental dance band" which would suggest that he considered the music produced by the band to be 'New wave' in character. Commentators have pointed to the rawness of the production as significant in so far as this approach had been popular among producers of Post-punk/New wave recordings of the time.

It may be that Robert Fripp was seeking to make his music fit to the prevailing 'alternative' style of the time or it may simply be a reflection of the speed with which the record was recorded and released at the end of an exhausting tour. Whatever the motivation or the underlying reasons the music seems to fit well with the Post-punk scene, a feeling which is only re-inforced by the socio-political messaging laid over the tracks in the form of vocal samples. The musical backbone of the album is the spiky and complex interaction between guitar and keyboards and the repetitive and gradually developing nature of the melodic themes to which the bass and drums provide a utilitarian (or simply uninspired) backdrop.

Touring

The album sleevenotes state that 'The League of Gentlemen' played a total of 77 gigs during 1980 and includes a full list of all these gigs starting at Moles, Bath on 10 April 1980 and finishing at the School of Economics, London on 29 November 1980.

The tour was split into three discernible parts;

Drummer Jonny Toobad left the band during Part 3 of the tour in Manchester on 22 November and was replaced for the remaining dates by Kevin Wilkinson.

Recording and release

The album was recorded in at least two (possibly three) separate session sequences. One (or two) with Jonny Toobad on drums and another with Kevin Wilkinson on drums.

Given the tour dates above, the departure date of Toobad and the stated commitment (on the album sleeve) to work together between the following dates;

Then we can deduce that;

  1. The first sequence of recording sessions may have begun in early June during the break between Parts 1 and 2 of the tour,
  2. A second sequence may also have book-ended the September dates of Part 3 of the tour,
  3. The final sequence of recording sessions must have occurred after the tour had concluded.

The album was then released in February 1981 in the UK, Japan, France and the USA[5] as well as Germany and Italy.

Production

The album was produced by Robert Fripp and engineered by Tony Arnold at 'Arny's Shack' studio in Parkstone, Dorset, England.

Track listing

All the tracks are titled in CAPITAL LETTERS on the album sleeve and on the record label itself. Roman numerals are used for each side and for all part numbering of tracks.

Side I (EGED 9A)

  1. INDISCREET I (1.47)
  2. INDUCTIVE RESONANCE (4.35)†
  3. MINOR MAN (3.45)†
  4. HEPTAPARAPARSHINOKH (2.03)†
  5. DISLOCATED (4.35)†
  6. PARETO OPTIMUM I (2.07)
  7. EYE NEEDLES (3.12)†
  8. INDISCREET II (2.35)

Side II (EGED 9B)

  1. PARETO OPTIMUM II (1.27)
  2. COGNITIVE DISSONANCE (3.38)†
  3. HG WELLS (3.25)†
  4. TRAP (4.45)†
  5. OCHRE (3.07)
  6. INDISCREET III (1.26)
The run-out groove on this side bears the message "THE NEXT STEP IS DISCIPLINE" – this was a reference to Fripp's next project which was a new band called Discipline. The band was announced in the British music press and they played some gig and started recording before Robert Fripp as he later reported to journalists was driving home, listening to a tape of the new band, and found "..the presence of King Crimson sitting next to me..." So Discipline became the new incarnation of King Crimson, while Discipline remained as the album title only.

Artists/contributors

All songs above are credited as being by Robert Fripp except those marked † which are credited as being by 'The League of Gentlemen'.

The primary performances on the album are credited to;

Also credited are;

In addition Robert Christgau claims to recognise uncredited 'spoken overlays' (or samples as we would now call them) by Karen Durbin, Chip Stern, Terre Roche, Richard Goldstein and Ellen Willis[7] but does not state who he thinks is responsible for any specific instance.

Spoken overlays/'indiscretions'

The various uncredited spoken overlays on the album occur mainly on the tracks INDISCRETE I, II and III. The compilation of these 'indiscretions' is credited to Robert Fripp.

They may be classified by their location in the running order of the album, the distinct voices heard and the following opening phrases or sounds;

INDISCRETE I

  1. "This is addressed to people who have the intention to work" – Voice 1
  2. "Rock and roll is about fucking" – Voice 2 and Voice 3
  3. "That is the possibility that we should explore" – Voice 1
  4. "Can you tell me about your first experience of a nuclear explosion" – Voice 4
  5. - Sound of female groaning (evoking orgasmic ecstasy) –
  6. - Sound of air-raid siren followed by applause –
  7. "There are people who want to know more" – Voice 1
  8. "This is not a record which is out to showcase a guitar player" – Voice 5
  9. "How do I dance to this music?" – Voice 2 and Voice 3
  10. "Then what am I to do about it?" – Voice 1
  11. "Don't dance with your feet" – Voice 2 and Voice 6

INDISCRETE II

COGNITIVE DISSONANCE

INDISCREET III

Key to voices:

Music reviewer Robert Christgau claims to recognise the voices of the following people: Karen Durbin, Chip Stern, Terre Roche, Richard Goldstein and Ellen Willis[7]

References

  1. ↑ "Robert Fripp – Chapter 8". Progressiveears.com. Retrieved 27 February 2012.
  2. ↑ Ruhlmann, W. (2011). "The League of Gentlemen – Robert Fripp & the League of Gentlemen | AllMusic". allmusic.com. Retrieved 26 July 2011.
  3. ↑ Christgau, R. (2011). "Robert Christgau: CG: robert fripp". robertchristgau.com. Retrieved 26 July 2011.
  4. ↑ Editions EG – Catalogue number EGED 9 – 1981 EG Records Ltd.
  5. ↑ "Robert Fripp Discography: Major Collaborations and Productions". Elephant-talk.com. Retrieved 27 February 2012.
  6. ↑ "Robert Fripp". Dgmlive.com. Retrieved 27 February 2012.
  7. ↑ 7.0 7.1 "CG: robert fripp". Robert Christgau. Retrieved 27 February 2012.