The Girl in White

The Girl in White
Directed by John Sturges
Produced by Armand Deutsch
Written by Philip Stevenson
Allen Vincent
Irmgard von Cube
Book:
Emily Dunning Barringer
Starring June Allyson
Arthur Kennedy
Music by David Raksin
Cinematography Paul Vogel
Edited by Ferris Webster
Distributed by Metro-Goldwyn-Mayer (USA)
Release dates
  • June 23, 1952 (U.S.)
Running time
92 mins.
Country United States
Language English
Budget $1,088,000[1][2]
Box office $1,344,000[1]

The Girl in White is a 1952 film drama directed by John Sturges. It is based on the memoirs of the pioneering female surgeon Emily Dunning Barringer.

Plot

Her pregnant mother is in labor and in dire need of a doctor, but young Emily Dunning is new to the neighborhood and knows no one. When someone finally suggests a Dr. Yeomans, she is shocked to discover the doctor is a woman.

It is the turn of the century in New York and times are changing, but as yet women are not being made welcome in the field of medicine. Emily is so impressed by Marie Yeomans that she decides to enroll in med school at Cornell.

Fellow student Ben Barringer is one of the few there who encourage Emily, and they also fall in love. Ben plans to continue his education at Harvard, but upsets Emily by asking her to abandon her studies and accompany him.

Emily instead moves to New York, where she and Dr. Yeomans share an apartment. Hospitals deny her an internship until a reluctant Dr. Seth Pawling is persuaded to accept her, although he confines her mainly to ambulance duty. Ben, it turns out, has become an intern at the same hospital.

A patient is pronounced dead prematurely by a Dr. Graham, but is resuscitated by Emily, who exhausts herself for hours in the process. A nurse informs the press of Emily's heroic act, irritating Graham but impressing Pawling, who recognizes her determination and skills.

When a typhoid epidemic breaks out, the need for doctors is so great that Dr. Yeomans is asked to help. She, too, earns the respect of the hospital's men, just before her weak heart gives out. Ben is leaving for Paris to continue his work, but Emily heeds her friend's advice to have a personal life as well as a professional one, so she promises Ben that their careers will not keep them apart.

Cast

Reception

According to MGM records the film earned $904,000 in the US and Canada and $440,000 elsewhere resulting in a loss of $292,000.[1]

References

  1. 1.0 1.1 1.2 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. Glenn Lovell, Escape Artist: The Life and Films of John Sturges, University of Wisconsin Press, 2008 p72

External links