The Devil Went Down to Georgia

"The Devil Went Down to Georgia"
Single by Charlie Daniels
from the album Million Mile Reflections
B-side "Rainbow Ride"
Released May 21, 1979
Genre Bluegrass, country, country rock
Length 3:37
Label Epic
Writer(s) Charlie Daniels
Tom Crain
"Taz" DiGregorio
Fred Edwards
Charles Hayward
James W. Marshall
Producer(s) John Boylan
Certification Platinum
Charlie Daniels singles chronology
"Trudy"
(1978)
"The Devil Went Down to Georgia"
(1979)
"Mississippi"
(1979)

"The Devil Went Down to Georgia" is a song written and performed by the Charlie Daniels Band and released on their 1979[1] album Million Mile Reflections.

The song is written in the key of D minor. Vassar Clements originally wrote the basic melody an octave lower, in a tune called "Lonesome Fiddle Blues". The Charlie Daniels Band moved it up an octave and put words to it. The song's verses are closer to being spoken rather than sung (i.e., recitation), and tell the story of a boy named Johnny, in a variant on the classic deal with the Devil. The performances of Satan and Johnny are played as instrumental bridges. The song was the band's biggest hit, reaching number three on the Billboard Hot 100.[2] It is featured in the 1980 movie Urban Cowboy, whose choreographer, Patsy Swayze, claims that she set the song's tempo. "How fast can you dance it?" Daniels asked. "How fast can you play it?" Swayze replied.

Content

The song is an uptempo bluegrass song about the Devil's failed attempt to "steal" a young man's soul through a fiddle-playing contest that involved enticing the young man's participation using a worldly prize. The song begins with a disappointed Devil arriving in Georgia, having stolen far fewer souls than expected, when he comes upon a fiddle-playing young man named Johnny. At that moment, Johnny happens to be playing his fiddle impressively "hot." Out of desperation, the Devil, who as it turns out also plays the fiddle, offers Johnny the wager which involves challenging the young man to a fiddle-playing contest. The Devil offers to give Johnny a golden fiddle if the young man plays better than he does; otherwise, the Devil will gain Johnny's soul. Although Johnny believes taking the Devil's bet might be a sin, he wagers his soul without fear, confidently boasting he is "the best that's ever been."

The Devil plays his fiddle first, to a contemporary, rock music theme with the backing of demon musicians. When the Devil's performance ends, Johnny compliments him and takes his own turn, referencing four songs (see the section that follows). Two are traditional songs of Appalachia -- "Fire on the Mountain" and "Granny Does Your Dog Bite?" (the latter traditionally known as "Granny Will Your Dog Bite?"). The third is an unnamed square dance melody that includes the patter, "Chicken in the bread pan pickin' out dough." The last is a traditional American southern folk song "The House of the Rising Sun." The four songs are not performed but are only mentioned by reference. The Devil is impressed, admits defeat, and lays a golden fiddle at Johnny's feet. Johnny repeats his claim to be the best player ever and dares the Devil to a rematch in the future.

Johnny's final boast was originally written as, "I done told you once, you son of a bitch, I'm the best that's ever been" but was initially recorded as "'Cause I told you once, you son of a gun, I'm the best that's ever been" for airplay on country music radio.[3] Thus, Johnny maintains his virtue, keeping his soul from the Devil, by displaying his musical virtuosity in performing traditional songs of America's South.

Musical references

The ballad's story is a derivative of the traditional deal with the Devil motif. Charlie Daniels has stated in interviews, "I don't know where it came from, but it just did. Well, I think I might know where it came from, it may have come from an old poem called 'The Mountain Whippoorwill' that Stephen Vincent Benét wrote many, many years ago (1925), that I had in high school. Either that or Jersey."[4]

The songs Johnny plays are mentioned in the lyrics by reference only. In the order presented in the lyrics they are as follows:

Parodies and covers

Toy Dolls version

English punk band Toy Dolls recorded a version of the song entitled "The Devil Went Down to Scunthorpe", released on their 1997 album One More Megabyte.[12] In their version the fiddle is replaced by a golden guitar.

Primus version

Rock/metal band Primus recorded a version of the song, which was released as a claymation music video on their 1998 Rhinoplasty EP and its companion Videoplasty video album, and also re-released on their 2003 EP Animals Should Not Try to Act Like People.[13] The video was directed by Mike Johnson.

Blues Traveler version

The rock band Blues Traveler often performs this song in concert, with John Popper playing the fiddle parts on harmonica. The band released a live version of the song on their 2006 live EP ¡Bastardos en Vivo!.

KMC Kru version

Rap/Hip-hop group KMC Kru recorded a version of this song entitled "The Devil Came Up to Michigan". In this version, the devil challenges a DJ named "The Butcher" to a scratching contest. Up for grabs in this version is "turntable of gold". True to the original, the Devil is bested and leaves in disgrace with his minions.

Levellers version

The Levellers recorded a live version of this song and released it on a re-issue of their album Levelling the Land. The devil and the band of demons is represented by the band in hard rock mode, with Jonathan Sevink's violin featuring as a jarring shriek. Johnny (or perhaps Jonny) then plays in a traditional style as would be expected.

Those Darn Accordions version

Accordion-based rock band Those Darn Accordions recorded a version of the song on their 1994 album Squeeze This!, entirely played on numerous accordions with bass and drum accompaniment. Naturally, the lyrics are altered to change the fiddle to an accordion, while "Johnny" is replaced by one of the band's singers/accordionists "Big Lou".

Music video

A live music video was released in September 1979. It was directed by Corlew & Grimes.

Chart performance

The original version of the song spent fourteen weeks on the Hot Country Singles charts in 1979, peaking at number 1 and holding the position for one week. It spent two weeks at a peak of number 3 on the Billboard Hot 100.[14]

Since it became available as download in the digital era, it has sold 1.9 million digital copies in the US as of October 2013.[15]

In June 1998, Epic Records re-released the song to country radio, but accidentally sent out the version in which the line "son of a bitch" was uncensored. This error was quickly corrected, and the song re-entered the country charts at number 62 for the chart dated June 20, 1998.[3] It spent seven weeks on the chart and peaked at number 60.[14]

Chart (1979) Peak
position
Australia (Kent Music Report) 12
Canada Country Tracks (RPM) 1
Canada Top Singles (RPM) 5
Ireland (IRMA)[16] 14
Netherlands (Dutch Top 40) 25
New Zealand (Recorded Music NZ)[17] 13
UK Singles (The Official Charts Company) 14
U.S. Billboard Hot Country Singles & Tracks 1
U.S. Billboard Hot 100 3
U.S. Billboard Hot Adult Contemporary Tracks 30
Chart (1998) Peak
position
U.S. Billboard Hot Country Singles & Tracks 60

Sequel

A sequel to the song, titled "The Devil Comes Back to Georgia", was recorded by Daniels and fiddle player Mark O'Connor in 1993, featuring guest performances by Travis Tritt (as the devil), Marty Stuart (as Johnny) and Johnny Cash as the narrator. In the sequel, the now-adult Johnny is married and has a child. Hoping to take advantage of Johnny's sinful pride, the Devil challenges him to a rematch. The Devil snatches the Golden Fiddle from Johnny, and demands that he practice with his old fiddle to play against him.

The ending does not state the victor outright, though the music video suggests Johnny won, as does the line "Johnny's still the best that's ever been". In addition, Daniels objected to the Guitar Hero III: Legends of Rock version of "The Devil Went Down To Georgia" (which replaced the violin parts with guitar parts, both played by Steve Ouimette and Geoff Tyson) on the grounds that the devil often wins the contest, which he referred to as "violating the very essence of the song".[18]

The song can be found on Mark O'Connor's album, Heroes.

See also

References

  1. "Million Mile Reflections." Allmusic.
  2. Whitburn, Joel: "The Billboard Book of Top 40 Hits", p. 92, ISBN 0-8230-7518-4
  3. 3.0 3.1 Jessen, Wade (20 June 1998). "Country Corner". Billboard 110 (25): 34.
  4. "www.songfacts.com/int/2007/05/charlie-daniels.html".
  5. "www.traditionalmusic.co.uk/bluegrass-songbook/003470.HTM".
  6. "Fire on the Mountain / Henry; fiddle Reed [sound recording]".
  7. "National Barn Dance WLS". Retrieved 27 November 2012.
  8. "http://www.ceder.net/choreo/patter_sayings.php4". Retrieved 26 November 2012.
  9. Milnes, Gerald (1990). Granny Will Your Dog Bite And Other Mountain Rhymes. August House Little Folk, Little Rock, AR. p. 12.
  10. "http://desertdulcimers.com/sheetmusic/2009January.pdf" (PDF).
  11. "Granny, does your dog bite / Warde Ford [sound recording]".
  12. One More Megabyte lyrics on TheToyDolls.com (consulted on 04/03/2014)
  13. Primus' discography on LesClaypool.com (consulted on 04/03/2014)
  14. 14.0 14.1 Whitburn, Joel (2008). Hot Country Songs 1944 to 2008. Record Research, Inc. p. 114. ISBN 0-89820-177-2.
  15. Matt Bjorke (October 30, 2013). "Country Chart News - The Top 30 Digital Singles - October 30, 2013: Eric Church "Outsiders" #1; Cassadee Pope, Blake Shelton Gold, Scotty McCreery and Chris Young Notables". Roughstock. Retrieved October 31, 2013.
  16. "Irish Singles Chart – Search for song". Irish Recorded Music Association. Retrieved July 6, 2011.
  17. "Charts.org.nz – {{{artist}}} – The Devil Went Down to Georgia". Top 40 Singles.
  18. "2008 Soapbox Archives".
Preceded by
"Coca-Cola Cowboy"
by Mel Tillis
Billboard Hot Country Singles
number-one single

August 25, 1979
Succeeded by
"Heartbreak Hotel"
by Willie Nelson and Leon Russell
Preceded by
"Suspicions"
by Eddie Rabbitt
RPM Country Tracks
number-one single

September 8-September 15, 1979
Succeeded by
"'Til I Can Make It on My Own"
by Kenny Rogers and Dottie West