The Baroques

The Baroques
Also known as The Complete Unknowns
Origin Milwaukee, Wisconsin, United States
Genres Psychedelic rockgarage rock • baroque rock
Years active 1966-1968
Labels Chess
Past members Rick Bieniewski
Jacques Hutchinson
Dean Nimmer
Wayne Will
Jay Berkenhagen

The Baroques were a psychedelic rock band formed in Milwaukee, Wisconsin in 1966. The band reached regional success for their transition from garage rock to the psychedelic rock genre, and the controversary aroused from their single, "Mary Jane". The band released one studio []album]] before its disbandment in 1968.[1]

History

In 1966, the band formed as The Complete Unknowns, with Rick Bieniewski on bass guitar, Jacques Hutchinson on lead guitar and vocals, and Dean Nimmer and Wayne Will both playing the drums. The band began as a garage rock band playing the popular songs associated with the genre during the period. Following their first tour in Wisconsin, Will was drafted to fight in the Vietnam War, so the band replaced him with multi-instrumentalist Ray Berkenhagen. With the new member, the band shifted their musical identity to accompass psychedelic rock, and changed the group name to The Baroques. The band became notable for its baroque-like keyboards, fuzz guitar riffs, and outright freak-out jams.[2]

The band's live performances drew the attention of Chess Records in January 1967. The label, primarily known for releasing R&B material, signed the band in an effort to incorporate a new marketing opportunity. The band went to record their debut single in Ter Mer Studios, located in Chicago. The single, both conceived of original material by Berkenhagen, was produced by Ralph Bass.[3] In June 1967, the band released their debut single, "Mary Jane" b/w "Iowa, A Girl's Name", which was banned by locals radio stations within a week by the of release for perceived pro-drug references. In reality, there were no pro-drug references and, ironically, the A-side, "Mary Jane", was intended as an anti-drug statement. The controversary brought regional acclaim for the band, and they became known for their eccentric live performances.[4] Following the banning of their single, the band released their only LP, The Baroques, which included the two songs from the single. The album became a regional hit, but the band was unable to branch out of state as their label was not well-known to distribute rock albums, let alone psychedelic rock.[5] Still, the band was at its peak of popularity and was performing in an increased amount of gigs, but Chess Records dropped them from their label. One final self-financed effort was produced in 1968, but with the small marketing the single only reached regional acclaim. The band disbanded later that year.[2]

On January 1995, a compilation called Purple Day was released on the Distortion label that was arranged with the help of the past band members. The compilation includes all of the tracks from their studio album along with outtakes and unreleased tracks. In 1997, "Mary Jane" was re-released on the psychedelic rock compilation, Psychedelic Crown Jewels, Vol. 1.[6]

References

  1. Richie Unterberger. "The Baroques - Biography". allmusic.com. Retrieved March 18, 2015.
  2. 2.0 2.1 "BAROQUES". badcatrecords.com. Retrieved March 18, 2015.
  3. "Iowa, A Girl's Name / Mary Jane". discogs.com. Retrieved March 18, 2015.
  4. "The Baroques band". last.fm. Retrieved March 18, 2015.
  5. "Interview - Dean Nimmer of the Baroques". radiomilwaukee. Retrieved March 18, 2015.
  6. "The Baroques by The Baroques". istmus.com. Retrieved March 18, 2015.