Tara Erraught

Tara Erraught (born 1986, Dundalk)[1] is an Irish mezzo-soprano, a graduate of the Royal Irish Academy of Music (RIAM).[2]

She is noted for her work with Bavarian State Opera, for which she has been given a Pro meritis scientiae et litterarum award.[3]

She is perhaps best known beyond the world of opera for the controversy about reviews she received when she played Octavian in a production by Richard Jones of Der Rosenkavalier at Glyndebourne in 2014. Critics including Andrew Clark (in the Financial Times),[4] Rupert Christiansen (in the The Daily Telegraph),[5][6] and Richard Morrison (in The Times)[7] felt her physique and costume made her an implausible young male lover in this breeches role. It was noted that the reviews (described as "vicious" in the Irish Independent)[3] came from male critics.[8] Morrison later apologised by saying, “Several musicians I count as close friends tell me that what I wrote would have upset greatly the promising young singer who took the role of Octavian. I regret that.”[8] Several other critics, performers, and members of the public supported Erraught.[3]

References

  1. "Exclusive interview with mezzo Tara Erraught", T. Knudsen, operafocus.com
  2. Student Successes, Royal Irish Academy of Music
  3. 3.0 3.1 3.2 Donal Lynch (December 2014). "The fab lady sings". Irish Independent. Retrieved 11 February 2015.
  4. "Der Rosenkavalier, Glyndebourne, East Sussex, UK – review by Andrew Clark, Financial Times, 19 May 2014
  5. "Glyndebourne 2014: Der Rosenkavalier, review" by Rupert Christiansen, The Daily Telegraph, 18 May 2014
  6. "Rosenkavalier row: 'I stand by every word'" by Rupert Christiansen, The Daily Telegraph, 21 May 2014
  7. "Der Rosenkavalier at Glyndebourne by Richard Morrison, The Times, 19 May 2014
  8. 8.0 8.1 Richard Spillett (22 May 2014). "'Don't listen to them': Dame Kiri Te Kanawa supports rising opera star dubbed 'dumpy' 'unsightly' and 'a chubby bundle of puppy fat' by male critics". Daily Mail. Retrieved 11 February 2015.

External links