Tapestry (Star Trek: The Next Generation)

"Tapestry"
Star Trek: The Next Generation episode

Impaled through the heart, Jean-Luc Picard laughs.
Episode no. Season 6
Episode 15
Directed by Les Landau
Written by Ronald D. Moore
Featured music Dennis McCarthy
Production code 241
Original air date February 15, 1993
Guest actors

"Tapestry" is the 15th episode of the sixth season of the American science fiction television series Star Trek: The Next Generation, the 141st overall. It was originally released on February 15, 1993, in broadcast syndication. Set in the 24th century, the series follows the adventures of the crew of the Federation starship Enterprise. In this episode, Q (John de Lancie) allows a supposedly deceased Captain Jean-Luc Picard (Patrick Stewart) to re-visit a pivotal event in his youth that he since regrets. Picard changes the past, but upon returning to the present he finds that it made him the man he became. He returns once more to the past and returns it to the way it originally took place. Picard wakes up in the present, unsure if the events took place or if it was as a result of his injury.

Plot

Captain Jean-Luc Picard is shot and slips into unconsciousness. He awakes to find himself in a world of white, and the only other inhabitant is Q. He explains that the energy blast that hit Picard destroyed his artificial heart, but that a natural heart would have survived. Picard lost his original heart years ago when he was stabbed through the chest during a bar brawl, an event that he regrets. Q sends Picard back in time to two days before the brawl, where he meets with fellow cadets and friends Corey Zweller and Marta Batanides. They are surprised by the personality changes in Picard, and he becomes alienated.

Zweller is cheated by a group of Nausicaans at a bar game, and he plans his revenge by rigging the next match. When the game takes place, the Nausicaans are enraged. But instead of joining the fight as he did before, Picard grabs Zweller and leaves. After arguing with his friends, Picard is returned to the present by Q. Instead of being the Captain, Picard finds himself as a junior lieutenant in the astrophysics department on board the Enterprise. Q explains that due to the change, Picard never took any risks in his career and so it became unremarkable and routine. Picard speaks to both Commander William Riker, and Counsellor Deanna Troi, but while they consider Picard a competent and hard-working officer, his aversion to risk means he never distinguishes himself.

Picard confronts Q, who tells him that although the bout with the Nausicaan nearly cost him his life, it also gave him a sense of his mortality. It taught him that life was too precious to squander by playing it safe. Picard realizes that his attempts to suppress and ignore the consequences of his indiscretions have resulted in him losing a part of himself. Picard then declares that he would rather die as captain of the Enterprise than live as a nobody. Q sends him back to the bar fight and events unfold as they did originally, with Picard being stabbed through the heart and laughing as he collapses to the floor. In the present, Picard awakens in sickbay, a Captain again. As Picard recovers from his injury, he wonders whether he really journeyed into the past or whether it was merely a hallucination or one of Q's tricks. In any case, he is grateful for the insight the experience gave him.

Production

Writing and premise

Writer Ronald D. Moore initially sought to base the premise of the episode on A Christmas Carol

This was the first time that Ronald D. Moore wrote a Q-based episode, and he was excited by the idea of giving Picard a near death experience and Q appearing to the Captain as if he were God. Moore's original premise for "Tapestry" was to follow a similar path to Charles Dickens' A Christmas Carol, but with Q playing a similar role to the three ghosts in Dickens' story. Moore envisaged three stages to the story, one where Picard is attacked and needs an a artificial heart, another with Picard as a child and a third based on the USS Stargazer. He pitched the idea to executive producer Michael Piller, who wasn't enthusiastic about the premise, and the combination of that disapproval and the expected cost of filming the episode meant that it had to be trimmed.[1]

Moore discussed the idea with other members of the writing staff, who focused on the incident which resulted in Picard needing an artificial heart. This had previously been mentioned in The Next Generation in the episodes "Samaritan Snare" and "Final Mission". They went on to compare Picard and Captain James T. Kirk describing them as opposites in terms of development, with Picard being a man who was wild during time at Starfleet Academy, and became more serious later. Whereas at that point, Kirk had been described as a "bookworm" while at the Academy and only became "crazy" once he was out on a starship.[2] This supported their idea of showing the event that changed Picard's life, and they sought for a means to support Picard's mention in "Samaritan Snare" that he laughed when he was stabbed. Story editor René Echevarria said that "It made us all think we had really come up with the right story for the premise and tying that together, I think it's one of the finest efforts ever."[2] While Moore called the episode "A Q Carol" based on the original premise,[1] but Piller was the one to suggest "Tapestry" as he said "you have to learn to set your part of the tapestry of your life".[3]

However the writers could not remember the source of the "white room" idea, and it was only after the episode aired that James Mooring contacted the staff. He had submitted a spec script featuring a similar idea. Producer Jeri Taylor admitted that it was unintentional, and after both she and Moore spoke to Mooring, the matter was settled. Mooring was paid, and his contribution to the episode was acknowledged by the staff.[4] There were several changes made to the script prior to filming, including the removal of Edward Jericho as the Captain of the Enterprise in Picard's alternative future and clarification that the stabbing of Picard was not the major event in his life which Boothby described in "The First Duty".[4]

Casting and filming

John de Lancie made his third appearance as Q during the 1992/93 television series in "Tapestry".

John de Lancie returned to the series in "Tapestry" as Q,[2] having appeared on a regular basis since his first appearance in the pilot, "Encounter at Farpoint".[5] He had already appeared twice during the 1992/93 television series as the character, both earlier in the season in "True Q" as well as the Star Trek: Deep Space Nine episode "Q-Less".[6] De Lancie thought that the script for "Tapestry" was "terrific",[2] and praised the speech he got to perform at the end of the episode.[2] Appearing for the first time in Star Trek was J.C. Brandy as Marta Batanides. She was nervous and intimidated to work with Patrick Stewart, but said that everyone on the cast and crew made her feel welcome.[7]

However there were concerns when she first arrived on set for costume fitting as she looked quite young, and Stewart was worried about the age difference on screen. Director Les Landau requested that the hair and make-up on Brandy should make her look older.[7] Brandy said that this "worked nicely",[7] but they still "downplayed the sex".[7] She was pleased that the scenes where Marta and Picard get together that they managed to capture a "nervousness and innocence" in the relationship between the two friends.[7] The episode marked the first appearance of the Nausicaans on screen with Clint Carmichael playing the lead alien,[1][6] although they had been mentioned earlier in the episode "Samaritan Snare".[6] The two non-speaking members of the race were portrayed by stunt men Tom Morta and Dick Dimitri, they duo appeared on screen without make-up in the episodes "A Fistful of Datas" and "Emergence" respectively.[4]

A significant number of previously created costumes and make-up were included in the bar room scenes in "Tapestry". There were notes from the producers not to include any Ferengi, as at that point the Federation had not yet made first contact with them. However this scene did feature both Anticans and Selay close to one another, despite being at war at the time that this flashback scene was set and only making peace earlier in The Next Generation in the episode "Lonely Among Us".[4] Several of the glasses and other props in this scene were from a collection that Paramount had stored from the 1956 Charlton Heston film, The Ten Commandments.[4] There were problems with the audio recordings of some scenes with Stewart and Brandy, as the camera dolly was noisy which required them to re-record their lines later so that they could be dubbed over the originals. Brandy was "amazed" that there was no difference she could tell in Stewart's performance, but felt that it took away an element from her performance.[7]

The white scenes with Q and Picard together were compared to those in the Warren Beatty and Buck Henry 1978 film Heaven Can Wait by the crew. These particular scenes caused some problems as there were concerns by the director of photography that Q's white robes would not show up on camera well against the all-white background. They were worried that he might appear simply as a floating head. With both de Lancie and Stewart anticipating re-shoots for these scenes, they were both unhappy as they shot those appearances. However this was filmed late on the last day; de Lancie said that it resulted in both of them looking quite tired.[8] Some scenes were cut in order to reduce the episode down to the required length. This included a one page monologue by Marta which would have taken place on the morning after her liaison with Picard,[7] a scene where Picard was to report to La Forge in engineering, audio mention of Dr. Selar and a mention of Scobee Hall – a reference to Dick Scobee, the commander of the Space Shuttle Challenger at the time of the destruction of the vessel.[4]

Themes

Michele and Duncan Barrett describe in their book Star Trek: The Human Factor, that "Tapestry" has "complex implications" as it demonstrates who a person is by the experiences they have had throughout their life as well as who that person truly is.[9] They also wrote that Picard was not required to pay a price for his resurrection at the hands of Q due to "popular narrative being what it is".[9] In Atara Stein's The Byronic Hero in Film, Fiction, and Television, the author describes "Tapestry" as showing a change in Q from his usual satanic stance and instead taking on the role of Picard's guardian angel. Stein also references the alien's increasing influence on the personal lives of the Enterprise crew, a path which Q began in the episode "Hide and Q".[10]

Reception

Ratings

"Tapestry" was originally released in broadcast syndication on February 15, 1993.[11] It received Nielsen ratings of 13.8 percent, placing it in third place in its timeslot. This was the joint second highest rating received by an episode during the sixth season, alongside the second part of "Time's Arrow". The only episode which had higher Nielsen Ratings during that season was "Aquiel", which aired two weeks prior to "Tapestry".[12]

Crew and fan reception

While the majority of the staff were pleased with "Tapestry", Piller felt that the premise was tired and was concerned that it was simply a take on the film It's a Wonderful Life. He said that some scenes were "very talky",[13] and the direction and some performances were "flat".[13] Moore participated in an AOL chat in 1997, where he described "Tapestry" as "one of the best things I wrote and one of TNG‍ '​s finest episodes".[14] Some fans wrote in to the staff to complain that the episode glorified violence, and was against the principles of Star Trek. Jeri Taylor admitted that the episode could be perceived like that, but it never crossed the mind of any of the staff during production. She went on to say that if they had realised that "Tapestry" could be considered to promote violence, then they would have corrected it to ensure that it wouldn't be viewed as such.[3]

Critical reception

One reviewer called Patrick Stewart's performance "richly nuanced".[15]

Zack Handlen, while writing for the A.V. Club, compared "Tapestry" to the television series Quantum Leap with the older Picard jumping into the younger man's body. He also said it had the "feel" of A Christmas Carol, and that it was a "modest episode, with a modest goal: to remind us that the we are the sum of all our parts, even the ones we aren't very proud of."[16] He gave the episode a rating of "A".[16] In DeCandido's review of "Tapestry" for Tor.com, he compared the episode to It's a Wonderful Life, and called it one of the "finest hours" of the series.[6] He praised "Tapestry" for endorsing the Q/Picard chemistry at the heart of Q episodes, and said that Stewart and de Lancie "play off each other magnificently".[6] He gave it a rating of 9 out of 10.[6]

In their book The Unauthorized Trek: The Complete Next Generation, James Van Hise and Hal Schuster described the scene where Picard was stabbed through the chest as "particularly violent",[17] and overall said that "Tapestry" was a good story. They also described the view of Star Trek creator Gene Roddenberry towards religion, saying that in his world the Q Continuum aren't gods but are instead an "evolutionary niche higher than mere mortals".[17] Mark Clark, in his book Star Trek FAQ 2.0, called Stewart's performance "richly nuanced" and "soul searching".[15] Clark said that this episode was as important to Picard as the events in "The Best of Both Worlds", "The Inner Light" and "Chain of Command". He said that the events of "Tapestry" explored Picard's soul.[15]

The episode has been included in "best of" lists for both specifically The Next Generation and more generally for the entire franchise. It ranked fourth in Entertainment Weekly‍ '​s list of top 10 Star Trek: The Next Generation episodes,[18] 22nd out of the top 100 of the entire franchise in Charlie Jane Anders' list for io9,[19] and 7th out of the various Star Trek episodes involving time travel by James Hunt at Den of Geek.[20] Witney Seibold, on the website Crave Online said that "Tapestry" was the best instalment of The Next Generation, describing it as "one of the more philosophical episodes".[21]

Home media and related releases

"Tapestry" was released in the UK on a two-episode VHS tape in 2003, alongside the first part of "Birthright".[22] The first home media release of "Tapestry" in the United States was on the VHS box set entitled Star Trek - The Next Generation: The Q Continuum on June 18, 1996.[23] It later received an individual release on August 4, 1998.[24] Paramount deliberately delayed the individual release of Star Trek episodes on VHS within the United States in order to allow for the syndicated series to be shown once more in full. The inclusion of "Tapestry" in The Q Continuum boxed set ahead of the individual release of the episode was intended as an incentive to purchase the set.[25]

The episode was released as part of the Star Trek: The Next Generation season six DVD box set in the United States on December 3, 2002.[26] It received a further releases on DVD as part of compilation collections of episodes. This included the The Jean-Luc Picard Collection, which was released in the United States on August 3, 2004,[27] also the Star Trek: Q Fan Collective, which was released in the United States on June 6, 2006,[28][29] and later that year in the UK on September 4.[30] A further DVD release came as part of The Best of Star Trek: The Next Generation – Volume 2 on November 17, 2009, in the United States.[31][32] The most recent release was the first on Blu-ray disc, which took place on June 24, 2014;[33][34] this also added an audio commentary track for the episode for the first time.[34]

A similar alternative universe where Picard followed a career in the sciences is included in Keith DeCandido's non-canon Star Trek novel Q & A. The novel also includes Q's white room, and the author described Picard's laugh at being stabbed as being "critical to the plot".[6] A figure of Captain Picard based on "Tapestry" was released by Playmates Toys in 1996, which was a limited edition release of 1,701.[35]

Notes

  1. ↑ 1.0 1.1 1.2 Altman (1994): p. 78
  2. ↑ 2.0 2.1 2.2 2.3 2.4 Altman (1994): p. 79
  3. ↑ 3.0 3.1 Altman (1994): p. 83
  4. ↑ 4.0 4.1 4.2 4.3 4.4 4.5 Nemecek (2003): p. 236
  5. ↑ Vary, Adrian B. (September 25, 2007). "Star Trek: TNG: An Oral History". Entertainment Weekly. Retrieved February 27, 2015.
  6. ↑ 6.0 6.1 6.2 6.3 6.4 6.5 6.6 DeCandido, Keith (November 6, 2012). "Star Trek: The Next Generation Rewatch: "Tapestry"". Tor.com. Retrieved February 22, 2015.
  7. ↑ 7.0 7.1 7.2 7.3 7.4 7.5 7.6 Altman (1994): p. 81
  8. ↑ Altman (1994): p. 80
  9. ↑ 9.0 9.1 Barrett & Barrett (2001): p. 102
  10. ↑ Stein (2009): p. 149
  11. ↑ "Tapestry". StarTrek.com. Retrieved February 22, 2015.
  12. ↑ "Star Trek: The Next Generation Nielsen Ratings – Seasons 5–6". TrekNation. Archived from the original on October 5, 2000. Retrieved February 26, 2015.
  13. ↑ 13.0 13.1 Altman (1994): p. 82
  14. ↑ Clark (2013): p. 130
  15. ↑ 15.0 15.1 15.2 Clark (2013): p. 162
  16. ↑ 16.0 16.1 Handlen, Zack (July 21, 2011). "Star Trek: The Next Generation: "Tapestry"". The A.V. Club. Retrieved February 22, 2015.
  17. ↑ 17.0 17.1 Van Hise & Schuster (1995): p. 142
  18. ↑ "'Star Trek: The Next Generation': The Top 10 Episodes". Entertainment Weekly. September 20, 2007. Retrieved July 10, 2007.
  19. ↑ Anders, Charlie Jane (October 2, 2014). "The Top 100 Star Trek Episodes Of All Time!". io9. Retrieved February 22, 2015.
  20. ↑ Hunt, James (November 28, 2012). "Top 10 Star Trek time travel stories". Den of Geek. Retrieved February 28, 2015.
  21. ↑ Seibold, Witney (February 28, 2015). "Best Episode Ever # 30: ‘Star Trek: The Next Generation’". Crave Online. Retrieved February 28, 2015.
  22. ↑ Star Trek: The Next Generation: Tapestry & Birthright, Part 1 (VHS liner notes). Paramount Home Video. 2003. OCLC 809456280.
  23. ↑ "Star Trek - The Next Generation: The Q Continuum (VHS)". Tower Video. Retrieved March 1, 2015.
  24. ↑ "Star Trek: The Next Generation - Episode 141 (VHS)". Tower Video. Retrieved March 1, 2015.
  25. ↑ Meehan (2005): p. 96
  26. ↑ Ordway, Holly E. (December 6, 2002). "Star Trek the Next Generation – Season 4". DVD Talk. Retrieved February 28, 2015.
  27. ↑ "Star Trek: The Next Generation – The Jean-Luc Picard Collection". TVShowsOnDVD.com. Retrieved February 28, 2015.
  28. ↑ Lambert, David (February 22, 2006). "Star Trek: The Next Generation – It's Hard To Work In Groups When You're Omnipotent...But Q Will Try In The 3rd Fan Collective!". TVShowsOnDVD.com. Retrieved February 28, 2015.
  29. ↑ Schorn, Peter (July 7, 2006). "Star Trek: Q (Fan Collective)". IGN. Retrieved February 28, 2015.
  30. ↑ Harlow, Cas. "Star Trek Fan Collective: Q (UK – DVD R2)". DVD Active. Retrieved February 28, 2015.
  31. ↑ Pirrello, Phil (November 18, 2009). "The Best of Star Trek: The Next Generation – Volume 2 DVD Review". IGN. Retrieved February 28, 2015.
  32. ↑ "Star Trek: The Next Generation – The Best Of, Vol. 2". TVShowsOnDVD.com. Retrieved February 28, 2015.
  33. ↑ Marnell, Blair (June 20, 2014). "Exclusive Video: Star Trek: The Next Generation Season 6 Gag Reel". Crave Online. Retrieved February 28, 2015.
  34. ↑ 34.0 34.1 Lipp, Chaz (February 28, 2015). "Blu-ray Review: Star Trek: The Next Generation – Season Six". The Morton Report. Retrieved February 28, 2015.
  35. ↑ O'Brien (2003): p. 89

References

  • Altman, Mark (1994). Captains Log Supplemental. London: Boxtree. ISBN 1-85283-399-8.
  • Barrett, Michelle; Barrett, Duncan (2001). Star Trek: The Human Frontier. New York: Routledge. ISBN 978-0-41592-981-3.
  • Clark, Mark (2013). Star Trek FAQ 2.0. Milwaukee, WI: Applause Theatre & Cinema Books. ISBN 978-1-55783-793-6.
  • Meehan, Eileen R. (2005). Why TV is Not Our Fault. Lanham, MD: Rowman & Littlefield. ISBN 978-0-74252-485-9.
  • Nemecek, Larry (2003). Star Trek: The Next Generation Companion (3rd ed.). New York: Pocket Books. ISBN 0-7434-5798-6.
  • O'Brien, Karen (2003). Toys & Prices 2004. Iola, WI: Krause. ISBN 978-0-87349-653-7.
  • Stein, Atara (2009). The Byronic Hero in Film, Fiction, and Television. Carbondale, IL: Southern Illinois University Press. ISBN 978-1441645906. (subscription required (help)).
  • Van Hise, James; Schuster, Hal (1995). The Unauthorized Trek: The Complete Next Generation. Pioneer Books. ISBN 978-1-55698-377-1.

External links

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