TAKI 183

TAKI 183 was one of the most influential graffiti writers in its history. His "tag" was short for Demetraki, a Greek alternative for his birth-name Demetrius, and the number 183 came from his address on 183rd Street in Washington Heights.^[1] He worked as a foot messenger in New York City and would write his nickname around the streets of New York City that he frequented during the late 1960s and early 1970s.

On July 21, 1971, The New York Times ran an article about him on the front page of its inside section, titled "Taki 183" Spawns Pen Pals.^[2] TAKI 183 spurred competitive vandalism in NYC as his tag was mimicked by hundreds of youth across the five boroughs. The kids who got their names up the most and who developed signature tags became known in their communities. Graffiti became a way for many young kids to try to get attention and the attention TAKI 183 received spurred this on.

Although TAKI 183 was the first to be showcased in a publication it is said that Julio 204 began writing his tag in NYC first. However Julio did not write outside his own neighborhood and this is arguably the reason why he never received the media-attention TAKI did.

TAKI was last known to be the owner of a foreign car repair shop. In an interview with the New York Daily News of April 9, 1989, he talked about his retirement as a graffiti vandal: "As soon as I got into something more productive in my life, I stopped. Eventually I got into business, got married, bought a house, had a kid. Didn't buy a station wagon, but I grew up, you could say that."^[3]

The graffiti tag in the 1985 film Turk 182 was inspired by TAKI 183.

In May 2009, the official TAKI 183 website was launched. The site includes photos of his work, images of his friends and contemporaries, his true story and official TAKI 183 limited-edition screenprints.

References

Further reading

• The Faith of Graffiti. Mervyn Kurlansky, Jon Naar, Norman Mailer. Praeger Publishers, New York, 1974. ISBN 0-275-43660-8.
• Style: Writing from the Underground. (R)evolutions of Aerosol Linguistics., Stampa Alternativa in Association with IGTimes. ISBN 88-7226-318-2.
• Subway Art. Chalfant, Henry and Cooper, Martha. New York, New York: Henry Holt & Co, publisher. ISBN 0-8050-0678-8, 198 4, 1995.
• Freight Train Graffiti. Roger Gastman, Ian Sattler, Darin Rowland. Harry N Abrams Inc, 2006. ISBN 978-0-8109-9249-8.
• The Birth of Graffiti. Jon Naar. Prestel, 2007. ISBN 978-3-7913-3796-8.
• TAKI 183 in Hip Hop Culture. Emmett G. Price, III. Santa Barbara, CA: ABC-CLIO, Inc., 2006, p. 187. ISBN 1-85109-867-4. Also see pp. 30–31, 48, 106.

External links

• Official website "Taki183.net"
• New York Times: 'Taki 183' Spawns Pen Pals (pdf)
• "When TAKI Ruled Magik Kingdom" By Joel Siegel Daily News, April 9, 1989

Street art Culture Activism Aerosol paint Culture jamming Direct action Graffiti (terminology use theory) Guerrilla art Hip hop culture Installation art Murals Propaganda Reverse graffiti Screenprinting Spray paint art Stencil graffiti Sticker art Subway Art Yarn bombing Wheatpaste Lists of artists Street Graffiti Poster Stencil Wheatpaste Places Atlanta Berlin (Berlin Wall) Hong Kong (Free Ai Weiwei campaign) Melbourne New York City (5 Pointz) Philadelphia San Francisco (Balmy Alley Clarion Alley) Southeastern Brazil (pixação) Sydney (Newtown area) Tehran Toronto Events The Cans Festival Living Walls See No Evil Related articles Built environment MTA Public art Public space Psychogeography Rapid transit Street party Urban acupuncture Urban planning Vandalism