Symphony, K. 74g (Mozart)

The Symphony in B-flat major "No. 54", K. Anh. 216/74g/Anh.C 11.03, may have been written by Wolfgang Amadeus Mozart in 1771 in Salzburg.

$\relative c'' { \key bes \major \tempo "Allegro" \time 3/4 <bes d,>2.\fp bes'\fp a\fp es,\fp d\fp bes''\fp c,32\p (d es8.) \repeat unfold 4 {c8-.} c32 (d es8.) \repeat unfold 4 {c8-.} <f bes, d,>2\f \grace f16(es8) d16 c bes c d es f g a bes bes,4 }$

The symphony is scored for two oboes or two flutes,^[1] two horns and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The duration is approximately 14 minutes.

The symphony consists of the following movements:

Allegro, 3/4
Andante, 2/4
Menuet, 3/4
Allegro molto, 2/4

The Alte Mozart-Ausgabe (published 1879-1882) gives the numbering sequence 1-41 for the 41 numbered symphonies. The unnumbered symphonies (some, including K. 74g, published in supplements to the Alte-Mozart Ausgabe until 1910) are sometimes given numbers in the range 42 to 56, even though they were written earlier than Mozart's Symphony No. 41 (written in 1788). The symphony K. 74g is given the number 54 in this numbering scheme.

History and attribution

This symphony (among others) was known to Ludwig Ritter von Köchel only by an incipit in the catalogue of Breitkopf & Härtel, and so he placed it in the Anhang of the Köchel catalogue as Anh. 216. A set of parts (now lost) was discovered in the Berlin State Library in the early 20th century and was published by Breitkopf & Härtel in 1910 and edited by Max Seiffert. This set of parts may have been taken out of the library by Seiffert before they were catalogued (since the set of parts were never catalogued) and were never returned (this presumably went unnoticed as they had not been catalogued). Zaslaw speculated that the parts may have become part of the Berlinka art collection and joined other Mozart manuscripts in the Jagellonian Library in Kraków.

Due to the loss of the parts, the only source for this symphony was the Breitkopf & Härtel edition (from the Alte Mozart-Ausgabe). Max Seiffert wrote that in an old handwritten catalogue from Breitkopf & Härtel 10 symphonies that were once held in the publishing house are listed, but all had been lost and Köchel could only catalogue them in the appendix as Anh. 214-223, but later two were found in the Berlin State Library, K. Anh. 214 and 216. They were dated 1770 - 1771, from Italy.

Alfred Einstein wrote in his edition of the Köchel catalogue that he believed that the symphony was composed between the two Italian journeys in early summer 1771 in Salzburg, gave the symphony the number "74g" and expressed no doubts as to Mozart's authorship. The sixth edition of the Köchel catalogue gave the symphony the number "Anh.C 11.03", putting it into the spurious and doubtful works category for stylistic reasons.

For the twelve symphonies (K. Anh. 214-223, K. Anh.C 11.07, and K. Anh.C 11.08) that were originally only known by an incipit in the Breitkopf & Härtel catalogue, the current statuses of their authenticity are:

K¹	K⁶	GA#	Key	Authenticity	Incipit (where the work is extant, incipit is on the work's own page)
Anh. 214	45b	55	B♭	Doubtful	see article
Anh. 215	66c	-	D	Lost	$\relative c' { \key d \major \time 2/2 d4 r8 a d4 r8 a \| d fis a fis d4 r \| }$
Anh. 216 (K³. 74g)	Anh.C 11.03	54	B♭	Doubtful	see above
Anh. 217	66d	-	B♭	Lost	$\relative c''' { \key bes \major <bes d, f,>4 r <bes d, f,> r \| <bes d, f,> r8. bes,16 bes'4 g }$
Anh. 218	66e	-	B♭	Lost	$\relative c'' { \time 3/4 \key bes \major bes4 d f \| f4. g8 f4 \| bes d, e \| }$
Anh. 219	Anh.C 11.06	-	D	Spurious; actually by Leopold Mozart	not available
Anh. 220	16a	-	a	Doubtful	see article
Anh. 221	45a	-	G	Unquestionably genuine	see article
Anh. 222	19b	-	C	Lost and doubtful	see article
Anh. 223	19a	-	F	Unquestionably genuine	see article
(K³. Anh. 223)	Anh.C 11.07	-	D	Lost and doubtful	$\relative c' { \key d \major \time 2/2 << \new Voice = "first" { \voiceOne \partial 16 d16 d1} \new Voice= "second" { \voiceTwo \partial 16 d16 d1} >> }$
(K³. Anh. 223)	Anh.C 11.08	-	F	Lost and doubtful	$\relative c' { \override Score.NonMusicalPaperColumn #'line-break-permission = ##f \key f \major \time 2/2 f4 r8. \times 2/3 {c32 d e} f4 a \| c r r2 \| f,4 r r c'8.(f16) \| \slurDashed f2(e8) \slurSolid d(f d) \| }$

(Symphonies which may have been written by Mozart have their Köchel numbers bolded.)

Some symphonies are still missing (K. 19b, 66c, 66d, 66e, Anh.C 11.07, and Anh.C 11.08), and some not in the catalogue of Breitkopf & Härtel were included into the main catalogue (K. 75, K. 76, K. 81, K. 95, K. 96, K. 97 and K. 98) despite the manuscripts being unauthorized. However, since these symphonies with unauthorised manuscripts (and K. 45b, which was discovered later) were considered to be by Mozart for stylistic reasons, it would be logical that these symphonies and K. 74g should either all be considered doubtful or all be considered authentic.^[2]

The Neue Mozart-Ausgabe puts K. 74g in the supplement of "Works of Doubtful Authenticity" and includes a detailed discussion of the sources and authenticity so that, as with the other symphonies of uncertain authorship, a possible authorship of Mozart may be conceded with all due caution.

The symphony has been recorded by the Academy of Ancient Music and The English Concert.

References

↑ The catalogue of Breitkopf & Härtel lists the symphony as being for two flutes, but the parts discovered in 1910 show the symphony as being for two oboes. This may be explained by the flutes substituting for the oboes in the slow movement (or vice versa), as they do in some other early symphonies by Mozart, such as K. 43 and K. 73.
↑ Neal Zaslaw: Symphony in B-flat major, K. Anh.C 11.03/74g/Anh. 216. Wolfgang Amadeus Mozart: The Symphonies Vol VII. Recording of the Academy of Ancient Music. Concertmaster: Jaap Schröder, Continuo: Christopher Hogwood. Decca Record, London 1988.

External links

Sinfonie in B K. 74g: Score and critical report (German) in the Neue Mozart-Ausgabe
Pajot, Dennis (2007). "K074g (Anh 216) Symphony in Bb--Doubtful to Authentic to Doubtful". Mozartforum.com. Archived from the original on 8 August 2007.

Wolfgang Amadeus Mozart

Family	Leopold Mozart Anna Maria Mozart Maria Anna Mozart (Nannerl) Constanze Mozart Maria Anna Thekla Mozart (Bäsle) Franz Xaver Wolfgang Mozart Karl Thomas Mozart Johann Georg Mozart Joseph Lange Cäcilia Weber Josepha Weber Aloysia Weber Sophie Weber Georg Nissen Family trees

Biography	Birthplace Name Nationality Grand tour Smallpox Scatology Italy Berlin Death Biographies

Music	Köchel catalogue List of compositions Concert arias, songs, canons Dances Horn concertos Masses Operas Piano concertos Works for solo piano Sonatas Symphonies Method and techniques

Influences	Haydn Salieri Beethoven Roman Catholicism Freemasonry Prague

Symphonies by Wolfgang Amadeus Mozart

Unnumbered	K. 16a (Odense) K. 19a K. 45a (Old Lambach) K. 76 K. 45b K. 74g K. 81 K. 95 K. 97 K. 75 K. 98 K. 111+120 K. 96 K. 161 K. 135+61h K. 196+121 K. 208+102

Numbered	#1 (K. 16) #2 (K. 17)^a #3 (K. 18)^b #4 (K. 19) #5 (K. 22) #6 (K. 43) #7 (K. 45) #8 (K. 48) #9 (K. 73) #10 (K. 74) #11 (K. 84) #12 (K. 110) #13 (K. 112) #14 (K. 114) #15 (K. 124) #16 (K. 128) #17 (K. 129) #18 (K. 130) #19 (K. 132) #20 (K. 133) #21 (K. 134) #22 (K. 162) #23 (K. 181) #24 (K. 182) #25 (K. 183) #26 (K. 184) #27 (K. 199) #28 (K. 200) #29 (K. 201) #30 (K. 202) #31 (K. 297, Paris) #32 (K. 318) #33 (K. 319) #34 (K. 338) #35 (K. 385, Haffner) #36 (K. 425, Linz) #37 (K. 444)^c #38 (K. 504, Prague) #39 (K. 543) #40 (K. 550) #41 (K. 551, Jupiter)

Lost	K. 19b K. 66c K. 66d K. 66e K. Anh.C 11.07 K. Anh.C 11.08

^a #2 now attributed to Leopold Mozart. ^b #3 now attributed to Carl Friedrich Abel. ^c #37 now attributed to Michael Haydn. List of symphonies by Wolfgang Amadeus Mozart List of spurious/doubtful Mozart symphonies