Scylla et Glaucus

Scylla et Glaucus (Scylla and Glaucus) is a tragédie en musique with a prologue and five acts, the only surviving full-length opera by Jean-Marie Leclair. The French-language libretto by d'Albaret is based on Ovid's Metamorphoses, books 10, 13 and 14.

Performance history

It was first performed at the Académie Royale de Musique in Paris on 4 October 1746. It was given 18 times.

Roles

Role Voice type Premiere Cast,[1] 4 October 1746
(Conductor:)
Prologue
The chief of the peoples of Amathus bass-baritone (basse-taille) Person
A Propoetide[2] tenor (taille)[3] Louis-Antoine Cuvillier
Vénus soprano Mlle Romainville
L'Amour (Cupid)[2] soprano Mlle Cazeau
Chorus: peoples of Amathus, Propoetides. Ballet: peoples d'Amathus
Tragédie (Acts 1–5)
Scylla, a nymph soprano Marie Fel
Témire, Scylla's confidante soprano Marie-Angélique Coupé (or Couppé)
Glaucus, a sea god haute-contre Pierre Jélyotte
Circé, a sorceress soprano Marie-Jeanne Fesch "Mlle Chevalier"
Dorine, Circé's confidante soprano Louise Jacquet
Licas, Glaucus's friend bass-baritone de La Mare (also spelled Lamare or Lamarre)
Divertissements
A shepherd, attracted to Scylla haute-contre[4] La Tour (also spelled Latour)
A sylvan, attracted to Scylla bass-baritone Albert
A coriphée of Circé's followers soprano Mlle Cazeau
Hécate[2] taille[3] Albert
Chorus: shepherds and sylvans, attendants of Circe, sea gods, underworld gods, peoples of Sicily
Ballet: sylvans and shepherdesses (Act 1); attendants of Circe, in pleasant shapes (Act 2); sea gods (Act 3); demons (Act 4); peoples of Sicily (Act 5)

Synopsis

During the prologue members of a cult in Amathus called the Propoetides are turned to stone for denying the authority of Vénus. The tragédie proper (Acts 1-5) that follows is a love triangle. Circé, the sorceress, loves Glaucus, a sea god, who loves Scylla, a nymph. Circé eventually turns Scylla to stone in the form of the famous rock in the Strait of Messina, beside the whirlpool of Charybdis.

References

Notes
  1. According to the original libretto: Prologue and Tragedy and Divertissements.
  2. 2.0 2.1 2.2 role en travesti
  3. 3.0 3.1 According to The New Grove Dictionary, "haute-contre". Both the first Propoetide and Hecate are notated in the tenor clef in the original printed score.
  4. According to The New Grove Dictionary, "tenor". The part is notated in the alto clef in the original printed score.
Sources