S. Rajeswara Rao
Salur Rajeswara Rao | |
---|---|
Also known as | Salur Rajeswara Rao |
Born | 11 October 1922 |
Origin | Sivaramapuram, Vizianagaram district, Andhra Pradesh, India |
Died | 25 October 1999 77) | (aged
Genres | Indian film scores |
Occupation(s) | Composer |
Instruments | Harmonium |
Years active | 1934–1986 |
Notable instruments | |
Harmonium |
Salur Rajeswara Rao (Telugu: సాలూరు రాజేశ్వరరావు) (11 October 1922 – 25 October 1999) was a composer of musical scores for South Indian films for over half a century. He also sang, and played the harmonium.
He was born in the village of Sivaramapuram, near Salur in Vizianagaram district (formerly Srikakulam district), Andhra Pradesh, India. His father, Sanyasi Raju, was a famous mridangam player at concerts performed by Dwaram Venkataswamy Naidu and also a lyricist.
Early career
Rao's introduction to cinema came unexpectedly, in the form of Mr. Huchins' (of the Huchins Recording Company) visit to Rao's home district of Vizianagaram in 1934. A child prodigy, Rao could identify the Carnatic music ragams at age four; by the time he was seven, he was giving stage performances. Huchins spotted young Rajeswara Rao's talent, and took him to Bangalore with his father; there, young Rao recorded "Bhagawat Gita". Film producers P. V. Das and Gudavalli Ramabramham visited Bangalore and, impressed by Rao's singing ability, brought him to Madras. They cast him as Lord Krishna in their production of Sri Krishna Leelalu in 1934. The film was released the next year (1935) and Rajeshwara Rao became a household name all over Andhra Pradesh. He played the role of Abhimanyu in Maya Bazaar (1936).
Rao went to Calcutta (now Kolkata) to act in Keechaka Vadha, and met such stalwarts as Kundan Lal Saigal and Pankaj Mullick.[1] He became a disciple of Saigal and studied Hindustani music for a year, learning to play the sitar and surbahar. Rao had already mastered playing the tabla, dholak, and miridangam; later instruments were piano, harmonium, mandolin and electric guitar. He learned orchestration, and how to mix the sounds of different instruments.
Music director
Returning to Madras in 1938, Rao formed his own music troupe. He worked as assistant to Jayaramayyar for a Tamil film, Vishnuleela, in which he also played the role of Balarama and sang his own songs. He became a full-fledged music director on the film Jayaprada. He continued acting in Bala Nagamma and Illalu (in which he played opposite his singing partner, Raavu Balasaraswathi).
When Rao entered the industry, there was no playback system. The actors sang and acted at the same time as the orchestra played in the background, unseen by the camera. While he was making Illalu, the playback system became popular.[2]
In his records, Rao pioneered the use of light music in Telugu cinema; "Thummeda Oka saari", "Kopamela Radha", "Podarintilona", "Rave Rave Koyila", "Challa Gaalilo" and "Paata Paduma Krishna" were all written by his father. Through Rao, these songs set a trend of using light music in Telugu films.
Rao's most rewarding assignments came from Gemini Studios, which he joined in 1940 and with which he remained for a decade. After leaving Gemini, he received an offer to provide music for B. N. Reddy's "Malleeswari" in 1950; the song was a hit. "Vipranarayana", "Missamma" and a host of other musical hits – more than a hundred in Telugu and Tamil and a few in Kannada – followed. When Vijaya's Missamma (originally a Telugu film) was remade as Miss Mary in Hindi, Hemant Kumar provided the music. He changed all the songs except one, "Brindavanamadi Andaridi" – which Hemantha liked so much that he received permission to retain it in the Hindi version (an instance of one master's tribute to another).
Among the classical ragas, Rao liked "Bhimplas (Abheri)", "Sindhu Bhairavi", "Kafi", "Kalyani", "Pahad" and "Malkauns (Hindolam)", which he used most frequently in his songs.
His two assistants (for over four decades), Rajagopal and Krishnan – both well-versed in classical music – were an asset to him.
Family
Saluri Rajeswara Rao's elder brother, Saluri Hanumantha Rao, was a music director in the Kannada and Telugu film industry.
Rao was married to Rajeswari Devi; the couple had five sons and four daughters. His eldest son, Saluri Ramalingeswara Rao, was a piano and electric-organ player in South India. His second son, Saluri Poornachandra Rao, was a guitarist. His third and fourth sons, Saluri Vasu Rao and Saluri Koteswara Rao (Koti), are also music directors in the Telugu film industry. Rao's youngest son, Saluri Koti Durga Prasad, is not associated with the film industry.Daughters are Ramadevi,mangamma(her both the sons are also leading musicians),kousalya,and the youngest beloved daughter VIJAYALAKSHMI.
Awards
- Honorary doctorate Kalaprapoorna in 1979 by Andhra University
- Appointed Asthana Vidwan by Tirumala Tirupati Devasthanams, during which time he composed music for Annamacharya Keerthanas.
- Kalaimaamani-award winner from Tamil Nadu Iyal Isai Nataka Mandram
- Raghupathi Venkaiah Award from the Andhra Pradesh government, for his outstanding contribution to Telugu cinema in 1992[3]
- Nandi award for best music in 1980 for Sri Vasavi Kanyaka Parameswari Mahatmyam
Travel
Rao visited the United States of America in 1981, performing at the Telugu Association of North America conference and the Telugu Literary and Cultural Association (TLCA).
Film credits
Year | Film | Language | Function |
---|---|---|---|
1935 | Sri Krishna Leelalu | Telugu | Actor |
1936 | Maya Bazaar | Actor | |
1939 | Jayaprada | Telugu | Actor and Music director |
1940 | Illalu | Telugu | Actor and Music director |
1940 | Jeevanmukti | Telugu | |
1941 | Apavadu | Telugu | |
1942 | Bala Nagamma | Telugu | Music director |
1943 | Chenchu Lakshmi | Telugu | |
1943 | Dhaasippen | Tamil | |
1944 | Bhishma | Telugu | |
1945 | Paduka Pattabhishekam | Telugu | |
1947 | Miss Malini | Tamil | Music Director (with Parur S. Anantharaman) |
1947 | Ratna Mala | Telugu | |
1948 | Chandralekha | Hindi | |
1948 | Chandralekha | Tamil | |
1948 | Vindya Rani | Telugu | Music director |
1949 | Apoorva Sagodharargal | Tamil | |
1949 | Nishaan | Hindi | |
1949 | Apoorva Sahodarulu | Telugu | |
1950 | Aahuti | Telugu | |
1951 | Malliswari | Telugu | Music director |
1951 | Navvite Navaratnalu | Telugu | |
1952 | Priyuralu | Telugu | |
1953 | Manampol Mangalyam | Tamil | Music director |
1953 | Pempudu Koduku | Telugu | |
1953 | Poongodhai | Tamil | |
1953 | Vayyari Bhama | Telugu | |
1954 | Raju Peda | Telugu | |
1954 | Aandi Petra Selvam | Tamil | |
1954 | Vipra Narayana | Telugu | Music director |
1954 | Vipra Narayana | Tamil | Music director |
1954 | Kudumbam (1954 film) | Tamil | Music director |
1955 | Missamma | Telugu | Music director |
1955 | Missiyamma | Tamil | Music director |
1956 | Bala Sanyasamma Katha | Telugu | |
1956 | Bhale Ramudu | Telugu | Music director |
1956 | Prema Pasam | Tamil | Music director |
1956 | Charana Dasi | Telugu | Music director |
1956 | Matharkula Manikkam | Tamil | Music director |
1957 | Allauddin Adhbhuta Deepam | Telugu | |
1957 | Alavudeenum Arputha Vilakkum | Tamil | |
1957 | Bhale Ammayilu | Telugu | |
1957 | Iru Sagodharigal | Tamil | |
1957 | Mayabazar | Telugu | Music director (with Ghantasala) |
1957 | Maya Bajaar | Tamil | Music director (with Ghantasala) |
1958 | Chenchu Lakshmi | Telugu | Music director |
1958 | Chenchu Lakshmi | Tamil | Music director |
1958 | Kadan Vangi Kalyanam | Tamil | Music director |
1959 | Appu Chesi Pappu Koodu | Telugu | Music director |
1959 | Aval Yaar | Tamil | |
1959 | Manjal Magimal | Tamil | |
1960 | Petra Manam | Tamil | |
1960 | Rani Ratnaprabha | Telugu | Music director |
1961 | Bhakta Jayadeva | Telugu | Music director |
1961 | Iddaru Mitrulu | Telugu | Music director |
1961 | Bharya Bharthalu | Telugu | Music director |
1962 | Aradhana | Telugu | Music director |
1962 | Vikramaadhithan | Tamil | |
1962 | Bhishma | Telugu | Music director |
1962 | Kula Gothralu | Telugu | Music director |
1963 | Chaduvukunna Ammayilu | Telugu | Music director |
1964 | Amara Shilpi Jakkana | Telugu | Music director |
1964 | Amara Shilpi Jakkanachari | Kannada | Music director |
1964 | Bobbili Yuddham | Telugu | Music director |
1964 | Desa Drohulu | Telugu | Music director |
1964 | Doctor Chakravarti | Telugu | Music director |
1964 | Mairavana | ||
1964 | Manchi Manishi | Telugu | Music director |
1964 | Puja Phalam | Telugu | Music director |
1965 | Dorikite Dongalu | Telugu | |
1966 | Aatma Gowravam | Telugu | |
1966 | Chilaka Gorinka | Telugu | |
1966 | Palnati Yudham | Telugu | Music director |
1966 | Sangita Lakshmi | Telugu | |
1967 | Bhakta Prahlada | Telugu | Music director |
1967 | Pula Rangadu | Telugu | |
1967 | Vasanta Sena | ||
1968 | Bangaru Panjaram | Telugu | Music director |
1969 | Aatmiyulu | Telugu | Music director |
1969 | Aadarsa Kutumbam | Telugu | |
1970 | Chitti Chellelu | Telugu | |
1971 | Pavitra Bandham | Telugu | |
1971 | Amayakuralu | Telugu | |
1972 | Bala Bharatam | Telugu | |
1972 | Kalam Marindi | Telugu | |
1973 | Neramu Siksha | Telugu | |
1975 | Yashoda Krishna | Telugu | |
1975 | Manushulanta Okkate | Telugu | |
1976 | Chakradhari | Telugu | |
1977 | Kurukshetram | Telugu | |
1977 | Radhakrishna | Telugu | |
1980 | Sri Vinayaka Vijayam | Telugu | |
1980 | Ondu Hennu Aaru Kannu | Kannada | |
1986 | Tandra Paparayudu | Telugu |
See also
References
- ↑ "A Tribute to (Ra)Saluri Rajeshwara Rao". TeluguCinema.Com. 27 October 2007. Retrieved 23 March 2011.
- ↑ M. L. Narasimham, "Trend-setter in Light Music". The Hindu, 12 March 1993. Retrieved 2011-03-25.
- ↑ Biography at IMDB