Raymond Bellour
Raymond Bellour (born 1939 in Lyon) is a French writer, critic and theorist of cinema.[1]
Bellour is Director of Research Emeritus at the CNRS. Since 1986 he has taught at Paris III.[2] In 1990 with Christine Van Assche and Catherine David he co-curated the Passages de l'image exhibition at the Centre Georges Pompidou.[3] In 1991, with Serge Daney, he helped found the journal Trafic.[2]
Works
- Le Livre des autres: entretiens avec M. Foucault, C. Lévi-Strauss, R. Barthes, P. Francastel ..., L’Herne, 1971
- 'Segmenting/Analysing', Quarterly Review of Film Studies, Vol. 1, No. 3, August 1976, pp. 331–353
- L'Analyse du film, 1979. Translated as The Analysis of Film
- 'Psychosis, Neurosis, Perversion', Camera Obscura, nos 3–4, 1979, pp. 104–34. Reprinted in Marshall Deutelbaum, Leland A. Poague, eds., A Hitchcock Reader, 2nd ed., Wiley-Blackwell, 2009, pp. 341 ff.
- Henri Michaux, 1986
- Mademoiselle Guillotine, 1989
- Eye for I: Video Self-Portraits, New York: Independent Curators Inc., 1989
- L'Entre-Images: Photo, Cinéma, Vidéo, 1990
- Jean-Luc Godard: Son + Image 1974-1991, 1992
- Oubli, 1992
- L'Entre-Images 2, 1999
- Partages de l'ombre, 2002
References
- ↑ Warren Buckland, 'From System to Structure : The Film Semiology of Raymond Bellour', Essays in Poetics, 18, 2 (1993): 42-68
- ↑ 2.0 2.1 Michael Goddard, Raymond Bellour, in Colman, ed., Film, Theory and Philosophy
- ↑ Raymond Bellour (France, 1939- )
External links
- Catherine Grant, Film Theory Unstilled: Raymond Bellour, Film Studies for Free, 10 October 2009
- Works by or about Bellour, Raymond in libraries (WorldCat catalog)