Raygun Gothic

A 1950s coffee shop sign evocative of then-nascent spaceflight on Olympic Boulevard in Los Angeles

Raygun Gothic is a catchall term for a visual style that incorporates various aspects of the Googie, Streamline Moderne and Art Deco architectural styles when applied to retro-futuristic science fiction environments. Academic Lance Olsen has characterised Raygun Gothic as "a tomorrow that never was".[1] The style has also been associated with architectural indulgence, and situated in the context of the golden age of modern design due to its use of features such as "single-support beams, acute angles, brightly colored paneling" as well as "shapes and cutouts showing motion".[2]

Origin

The term was coined by William Gibson in his story "The Gernsback Continuum":[2][3]

Cohen introduced us and explained that Dialta [a noted pop-art historian] was the prime mover behind the latest Barris-Watford project, an illustrated history of what she called "American Streamlined Modern." Cohen called it "raygun Gothic." Their working title was The Airstream Futuropolis: The Tomorrow That Never Was.
— William Gibson, "The Gernsback Continuum"

See also

Notes

  1. ↑ Olsen, Lance. "'The Future of Narrative': Speculative Criticism: or Thirteen Ways of Speaking in an Imperfect Tense". ParaDoxa 4 (11): 375. Retrieved 2007-11-03.
  2. ↑ 2.0 2.1 "Raygun Gothic and Populuxe Culture: The Next American City, Today!". The Next American City. 2008-01-14. Archived from the original on 2008-02-21. Retrieved 2008-01-21.
  3. ↑ "The Gernsback Continuum" in Gibson, William (1986). Burning Chrome. New York: Arbor House. ISBN 978-0-87795-780-5.

References

  • Alonso, Carlos (1998). Julio Cortázar. Cambridge: Cambridge University Press. ISBN 978-0-521-45210-6.