R. Carlos Nakai

R. Carlos Nakai
Born April 16, 1946
Origin Flagstaff, Arizona, United States
Genres Native American
Occupation(s) Musician
Instruments Native American flute
Years active 1982–present
Website www.rcarlosnakai.com

Raymond Carlos Nakai (born April 16, 1946) is a Native American flautist of Navajo/Ute heritage.

Biography

Ray Carlos Nakai was born in Flagstaff, Arizona on April 16, 1946 and now resides in Tucson, Arizona. He began his musical career as a freshman at Northern Arizona University studying brass instruments and playing in the NAU marching band. In his sophomore year, he enlisted in the US Navy with the hope of eventually playing in the Armed Forces Band.[1] He passed the highly competitive auditions for the Armed Forces School of Music and was 28th on the waiting list for admission. Playing with the Armed Forces Band became impossible, however, because an auto accident damaged his mouth, making it impossible to produce the correct embouchure to continue playing brass instruments.[2] Shortly after this accident, he was presented with a gift of a traditional Native American cedar flute and challenged to master it.[3]

Nakai has said that most of his inspiration comes from the expressions of native communities and his desire to preserve his own Native American heritage. In addition, he likes to blend his native music with that of other cultures, thereby helping to preserve their heritage as well. To that end, he has collaborated with a Japanese folk ensemble, the Philadelphia Orchestra's Israeli cellist Udi Bar-David, and many others.[3] He has worked with American composer Philip Glass[4] Tibetan flutist Nawang Khechog and flutist Paul Horn. A 2005 collaboration with slack key guitar master Keola Beamer fused two very different indigenous American cultural forms and resulted in the album Our Beloved Land. He has expressed his philosophy and views of Native American culture in the modern world in an interview with Native Digest.[5]

The Library of Congress has more than 30 of his recordings preserved in the American Folklife Center.[6]

His Earth Spirit and Canyon Trilogy albums are the only Native American albums to be certified gold and platinum, respectively, by the RIAA.

Nakai developed a system of tablature notation (commonly known as Nakai tablature) that could be used across a wide variety of flute keys and tunings. He published this in The Art of the Native American Flute (1996) with James Demars, Ken Light and David P. McAllester. This provided resources and support for other musicians playing the Native American flute.[7]

In 2005, he was inducted into the Arizona Music & Entertainment Hall of Fame.[8] He was awarded the Arizona Governor’s Arts Award in 1992.[9] He received an honorary doctorate from Northern Arizona University in 1994 and the NAUAA Dwight Patterson (1934) Alumnus of the Year Award in 2001.[10] Nakai earned a master’s degree in American Indian studies from the University of Arizona.

Films

Discography

  • Changes (1983, Canyon Records)
  • Cycles (1985, Canyon Records)
  • Journeys (1986, Canyon Records)
  • Jackalope (1986, Canyon Records) with Jackalope
  • Earth Spirit (1987, Canyon Records)
  • Sundance Season (1988, Celestial Harmonies)
  • Carry the Gift (1988, Canyon Records) with William Eaton
  • Desert Dance (1988, Celestial Harmonies)
  • Canyon Trilogy (1989, Canyon Records)
  • Winter Dreams (1990, Canyon Records) with William Eaton
  • Natives (1990, Silver Wave Records) with Peter Kater
  • Spirit Horses (1991, Canyon Records) with James DeMars
  • Emergence: Songs of the Rainbow World (1992, Canyon Records)
  • Ancestral Voices (1992, Canyon Records) with William Eaton
  • Weavings (1992, Canyon Records) with Jackalope
  • Migration (1992, Silver Wave Records) with Peter Kater, David Darling, Paul McCandless and Mark Miller
  • Boat People (A Musical Codex) (1993, Canyon Records) with Jackalope
  • Dances With Rabbits (1993, Canyon Records) with Jackalope
  • How the West Was Lost (1993, Silver Wave Records) with Peter Kater
  • Honorable Sky (1994, Silver Wave Records) with Peter Kater, David Darling, Paul McCandles and Mark Miller
  • Native Tapestry (1994, Canyon Records) with James DeMars
  • Island of Bows (1994, Canyon Records) with Wind Travelin' Band, Shonosuke Okhura and Oki Kano
  • Feather, Stone & Light (1995, Canyon Records) with William Eaton and Will Clipman
  • Awakening the Fire (1995, Canyon Records) with Will Clipman
  • How the West Was Lost Volume Two (1995, Silver Wave Records) with Peter Kater
  • Kokopelli's Cafe (1996, Canyon Records) with The R. Carlos Nakai Quartet
  • Improvisations in Concert (1996, Silver Wave Records) with Peter Kater
  • Two World Concerto (1997, Canyon Records) with James DeMars
  • Inside Canyon de Chelly (1997, Canyon Records) with Paul Horn
  • Mythic Dreamer (1998, Canyon Records)
  • Red Wind (1998, Canyon Records) with William Eaton and Will Clipman
  • Winds of Devotion (1998, EarthSea Records) with Nawang Khechog
  • Inside Monument Valley (1999, Canyon Records) with Paul Horn
  • Inner Voices (1999, Canyon Records)
  • Big Medicine (1999, Canyon Records) with The R. Carlos Nakai Quartet
  • Ancient Future (2000, Canyon Records) with The R. Carlos Nakai Quartet
  • In a Distant Place (2000, Canyon Records) with William Eaton, Will Clipman and Nawang Khechog
  • Edge of the Century (2001, Canyon Records) with AmoChip Dabney
  • Enter >> Tribal (2001, Canyon Records)
  • Through Windows & Walls (2001, Silver Wave Records) with Peter Kater
  • Fourth World (2002, Canyon Records)
  • Sanctuary (2003, Canyon Records)
  • In Beauty, We Return (2004, Canyon Records)
  • People of Peace (2005, Canyon Records) with The R. Carlos Nakai Quartet
  • Our Beloved Land (2005, Canyon Records) with Keola Beamer
  • Reconnections (2006, Canyon Records) with Cliff Sarde, William Eaton and Randy Wood
  • Voyagers (2007, Canyon Records) with Udi Bar-David
  • Talisman (2008, Canyon Records)
  • Guadalupe, Our Lady of the Roses (2008, Canyon Records) with James DeMars, Isola Jones, Robert Breault, Carole FitzPatrick and Robert Barefield
  • Dancing Into Silence (2010, Canyon Records) with William Eaton and Will Clipman
  • Ritual (2014, Mysterium Music) with Peter Kater, Paul McCandless, Jaques Morelenbaum and Trisha Bowden

Compilation appearances

Publications

References

  1. ↑ Frank, Kathleen. "Celebrating Cultural Differences Through Music". Native American Cultural Center. Arizona Board of Regents. Retrieved 19 March 2013.
  2. ↑ "Chautauqua Lectures 2012". Eastern Kentucky University. Retrieved 19 March 2013.
  3. ↑ 3.0 3.1 Wein, Gail. "Native American Composers". NewMusicBox. New Music USA. Retrieved 8 April 2009.
  4. ↑ "Philip Glass: Music: Piano Concerto No. 2". Philipglass.com. New York: Dunvagen Music Publishers. Archived from the original on 2010-08-24. Retrieved 2010-08-24.
  5. ↑ Native Digest. "Interview with R Carlos Nakai". Raven Voyager. Retrieved 20 March 2013.
  6. ↑ Nakai, R Carlos. "R Carlos Nakai, All Items". Library of Congress. Retrieved 20 March 2013.
  7. ↑ Clint Goss (2011). "Nakai Tablature the Native American Flute". Flutopedia. Retrieved 15 December 2011.
  8. ↑ Nakai, R Carlos. "Inductee Biography". Arizona Music & Entertainment Hall of Fame. Retrieved 20 March 2013.
  9. ↑ Nakai, R Carlos. "Recipient List" (PDF). Arizona Citizens for the Arts. Retrieved 20 March 2013.
  10. ↑ Nakai, R Carlos. "2001 Award Recipients". Northern Arizona University Office of Alumni Relations. Retrieved 2001.
  11. ↑ Joyce-Grendahl, Kathleen. "Songkeepers: A Video Review". worldflutes.org. Suffolk: International Native American Flute Association. Archived from the original on 2010-08-12. Retrieved 2010-08-13. And: National Museum of the American Indian.

External links